The books listed below are duplicates which I would like to offer for
exchange. When emailing requests, make sure to attach your
exchange/duplicate list.

Lynda

Lynda Bunting
Librarian
MOCA THE MUSEUM OF CONTEMPORARY ART
250 South Grand Avenue
Los Angeles, CA 90012
tel 213/ 633-5338     fax 213/ 633-5368

MOCA TURNS 25
1979-2004

1.      The Uncanny: Experiments in Cyborg Culture.  Edited by Bruce
Grenville. Vancouver B.C.: Vancouver Art Gallery: Arsenal Pulp Press, 2001.
279p.
2.      Rachel Whiteread.  Edited by Christiane Schneider. London: Haunch of
Venison, 2002.  63p.
3.      June Wayne: A Retrospective. Organized by Lucinda H Gedeon.
Purchase, NY: Neuberger
                Museum of Art, Purchase College, State University of New
York, 1997.  147p.
4.      Outland, Roger Ballen.  London; New York: Phaidon, 2001.
5.      Displacements: Miroslaw Balka, Doris Salcedo, Rachel Whiteread.  By.
Jessica Bradley.  Toronto, Ont.: Art Gallery of Ontario, 1998.  71p.
6.      Perils et Coleres: Asta Groting, Clegg & Guttman, Fabrice Hybert,
Cindy Sherman, Tonet Amoros, Andres Serrano, Matthew Barney, Thomas Ruff:
Exposition du 22 Mai au 6 Septembre 1992.  Bordeaux: capcMusee d'art
contemporain de Bordeaux, 1992.  118p.
7.      If one thing matters, everything matters: Wolfgang Tillmans.
London: Tate Publishing, 2003.  310p.
8.      Frankenthaler: New Paintings: May 1- July 18, 2003.  New York:
Knoedler & Company, 2003.
9.      Los Angeles Pictures: R.B. Kitaj: May 21-July 5, 2003.  Venice, CA:
LA Louver Publications, 2003.  82p.
10.     Jim Dine: New Tool Paintings: Nov. 22-Jan. 4, 2003.  NY: Pace
Wilderstein, 2002.  35p.
11.     Tony Smith: A Drawing Retrospective.  Essays by Klaus Kertess and
Joan Pachner.  NY: Matthew Marks Gallery, 1995.  127p.
12.     Adrian Piper. Desde 1965.  Barcelona: Museu d'Arte Contemporani de
Barcelona, 2003.  267p.
13.     Before Photography: Painting and the Invention of Photography.  By
Peter Galassi.  NY: The Museum of Modern Art, 1981.  151p.
14.     Michael Snow: XXXV International Biennial Exhibition of Art, Venice,
June 24-Oct. 31, 1970.
        Ottawa: The National Gallery of Canada, 1970.  51p.
15.     Bettmann Portable Archive.  NY: Corbis-Bettmann, 1993.  334p.
16.     Ursula von Rydingsvard: On an Epic Scale.  Curated by Dede Young
with an essay by Patricia C. Phillips.  Purchase, NY: Neuberger Museum of
Art, Purchase College, State University of New York, 2002.  36p.
17.     Alex Katz: Flowers and Landscapes: October 8-November 8, 2003.  NY:
Pace Wildenstein, 2003.  47p.
18.     Alex Katz, 1998.  Essay by Eric de Chassey.  Paris; Salzburg:
Galerie Thaddaeus Ropac, 1998.
19.     In Visible Light: Photography and Classification in Art, Science and
the Everyday.  Curated by Russell Roberts.  Edited by Chrissie Iles and
Russell Roberts.  Oxford: Museum of Modern Art, 1997.  95p.
20.     The Paradise Institute.  By Janet Cardiff and George Bures Miller.
Winnipeg: Plug In Editions, 2001.  167p.
21.     Jurgen Klauke: Prosecuritas.  Ostfildern: Cantz, 1994.  120p.
22.     Douglas Gordon: Centro Cultural de Belem exhibition centre,
Jan.22-May 9, 1999.  Lisbon: Centro Cultural de Belem, 1999.  120p.
23.     Jim Sanborn: Atomic Time, Pure Science and Seduction.  By Jonathan
Binstock.  Washington D.C.: Concoran Gallery, 2003.  96p.
24.     Black and White Things.  By Robert Frank.  Washington:  National
Gallery of Art, 1994.  34p.
25.     Desmothernismo: Rubin Ortiz Torres: A Survey of Work from 1990 to
1998.  Santa Monica, CA, Smart Art Press; Huntington Beach, CA: Huntington
Beach Art Center, 1998.  67p.
26.     Juliao Sarmento: Echo.  Richter Verlag, Dusseldorf: Van Abbemuseum,
Eindhoven, 2004.  127p.
27.     Fred Tomaselli: the Urge To Be Transported.  Co-organized by Renny
Pritkin and Marilu Knobe.  San Francisco, CA: Center for the Arts Yerba
Buena Gardens; Huntington Beach, CA: Huntington Beach Art Center, 1996.
32p.
28.     Fred Tomaselli.  Smart Art Press; vol. 2, no. 12.  Santa Monica, CA:
Smart Art Press, 1995.  39p.
29.     Focus: Five Women Photographers: Julia Margaret Cameron, Margaret
Bourke-White, Flor Garduno, Sandy Skoglund and Lorna Simpson.  By Sylvia
Wolf.  Morton Grove, IL: Albert Whitman & Company, 1994.  63p.
30.     The Photography of Invention: American Pictures of the 1980's,
National Museum of American Art, Smithsonian Institution, Washington D.C.
Essay by Joshua Smith.  Cambridge, MA: The MIT Press, 1989.
31.     The Mediation of Ornament: The A.W. Mellon Lectures in the Fine
Arts, 1989, The National Gallery
        of Washington D.C.  Princeton, NJ: Princeton University Press, 1992.
284p.
32.     Site of Sound: of Architecture and the Ear.  Edited by Brandon
LaBelle and Steven Roden.  Los
        Angeles, CA: Errant Bodies Press in association with Smart Art
Press, 1999.  178p.
33.     Instructional Paintings.  By Yoko Ono.  NY: Weatherhill, 1995.  63p.
34.     Space, Time, Sound: Conceptual Art in the San Francisco Bay Area,
the 1970's.  By. Suzanne Foley.  San Francisco: San Francisco Museum of
Modern Art, 1981.  208p.
35.     Secession: Diana Thater: Delphine, 27.1.-19.3.2000.  Wien:
Secession, 1999.  32p.
36.     Secession: Mel Ziegler: Stuffed, 4.7.2003-7.9.2003.  Wien,
Secession, 2003.  32p.
37.     Secession: Mary Heilmann: All Tomorrow's Parties, 4.7.-7.9.2003.
Wien: Secession, 2003.  84p.
38.     Rirkrit Tiravanija: Secession, 5. Juli - 1. Sept. 2002.  Wien:
Secession, 2003.
39.     Il Modo Italiano: Jan.-Feb., 1984, Los Angeles, CA.  Italy: Regione
Piemonte, 1983.
40.     Erwin Wurm.  Edited by Peter Weibel.  Ostfildern-Ruit: Hatje Cantz,
2002.  279p.
41.     For the Record: Drawing Contemporary Life.  Curated by Daina
Augaitis.  Vancouver: The Vancouver Art Gallery, 2003.  102p.
42.     Performative Installation.  By Angelika Nollert.  Koln: Snoeck,
2003. 252p.
43.     Nomadic Architecture: Human Practicality Serves Human Emotion.
Exhibition design by Edgar Reinhard.  Text by Adalbert Locher.  Switzerland:
Lars Muller Publishers, 1998.  319p.
44.     Edwin Dickinson: Dreams and Realities.  NY: Hudson Hills Press in
association with the Albright-Knox Art Gallery, 2002.  285p.
45.     The Magic Hour: The Convergence of Art and Las Vegas.  Graz: Neue
Galerie Graz am Landesmuseum Joanneum, 2001.  212p.
46.     Kitaj in the Aura of Cezanne and Other Masters.  By Anthony Rudolf
and Colin Wiggins.  London: National Gallery, 2001.  66p.
47.     David Rabinowitch: Werke 1967-1976.  By Jochen Poetter.
Stuttgart-Bad Cannstatt: Edition Cantz, 1992.  242p.
48.     Metlife, Isa Genzken.  Edited by Sabine Breitwieser.  Wien:
EA-Generali Foudation, 1996.  95p.
49.     Japans Seele: 29. Aug.-26. Oct., 2003.  Germany: Ausstellungshalle
der Bundesrepublik Deutschland and the Tokyo National Museum, 2003.  403p.
50.     As Painting: Division and Displacement.  Edited and organized by
Phillip Armstrong, Laura Lisbon, and Stephen Melville.  Columbus, OH: Wexner
Center for the Arts: Cambridge, MA: MIT Press, 2001.  256p.
51.     Off Limits: Rutgers University and the Avante-garde, 1957-1963.
Edited by Joan Marter.  Newark, NJ: Newark Museum; New Brunswick, NJ:
Rutgers University Press, 1999.  194p.
52.     Arte Povera, Antiform: CAPC: Sculptures, 1966-1969.  Bordeaux:
Centre d'arts plastiques contemporains de Bourdeaux, 1982.  102p.
53.     Image Stream: Kutlug Ataman, Matthew Barney, Tacita Dean, Andrea
Fraser, Pierre Huyghe, Neil Jordan, Donald Moffett, and Lorna Simpson:
Sept.20, 2003 - Jan.4, 2004.  Curated by Helen Molesworth.  Columbus, OH:
The Wexner Center for the Arts, The Ohio State University, 2003.  97p.
54.     Jurgen Klauke: Phantom Sensation.  Japan: Japan Association of Art
Museums: Yomiuri Shimbun, 1997.  253p.
55.     Art Conceptuel I: Oct.7 - Nov.27, 1998, Musee d'arte contemporain,
Bordeaux: Art & Language, Robert Barry, Hanne Darboven, On Kawara, Joseph
Kosuth, Robert Morris, Lawrence Weiner.  Bordeaux: Musee d'art contemporain
de Bordeaux, 1988.  136p.
56.     Azteken: Royal Academy of Arts, London: Nov.16, 2002-Apr.11, 2003.
Berlin, DuMont Literatur, 2003.  519p.
57.     House, Rachel Whiteread.  Edited by James Lingwood.  London:
Phaidon, 1995.  144p.
58.     InSITE: Private Time in Public Space: San Diego, Tijuana. Edited by
Sally Yard.  San Diego: Installation Gallery, 1998. 223p.
59.     If on a Winter's Night...Roni Horn....  Germany: Fotomuseum
Winterthur, Winterthur and Steidl Verlag, Gottingen, 2003.  127p.
60.     The American West: Out of Myth, Into Reality.  Curated by Peter
Hassrick in association with the Mississippi Museum of Art.  Washington
D.C.: Trust for Museum Exhibitions, 2000.  175p.

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