The books listed below are duplicates which I would like to offer for
exchange. When emailing requests, make sure to attach your
exchange/duplicate list.
Lynda
Lynda Bunting
Librarian
MOCA THE MUSEUM OF CONTEMPORARY ART
250 South Grand Avenue
Los Angeles, CA 90012
tel 213/ 633-5338 fax 213/ 633-5368
MOCA TURNS 25
1979-2004
1. The Uncanny: Experiments in Cyborg Culture. Edited by Bruce
Grenville. Vancouver B.C.: Vancouver Art Gallery: Arsenal Pulp Press, 2001.
279p.
2. Rachel Whiteread. Edited by Christiane Schneider. London: Haunch of
Venison, 2002. 63p.
3. June Wayne: A Retrospective. Organized by Lucinda H Gedeon.
Purchase, NY: Neuberger
Museum of Art, Purchase College, State University of New
York, 1997. 147p.
4. Outland, Roger Ballen. London; New York: Phaidon, 2001.
5. Displacements: Miroslaw Balka, Doris Salcedo, Rachel Whiteread. By.
Jessica Bradley. Toronto, Ont.: Art Gallery of Ontario, 1998. 71p.
6. Perils et Coleres: Asta Groting, Clegg & Guttman, Fabrice Hybert,
Cindy Sherman, Tonet Amoros, Andres Serrano, Matthew Barney, Thomas Ruff:
Exposition du 22 Mai au 6 Septembre 1992. Bordeaux: capcMusee d'art
contemporain de Bordeaux, 1992. 118p.
7. If one thing matters, everything matters: Wolfgang Tillmans.
London: Tate Publishing, 2003. 310p.
8. Frankenthaler: New Paintings: May 1- July 18, 2003. New York:
Knoedler & Company, 2003.
9. Los Angeles Pictures: R.B. Kitaj: May 21-July 5, 2003. Venice, CA:
LA Louver Publications, 2003. 82p.
10. Jim Dine: New Tool Paintings: Nov. 22-Jan. 4, 2003. NY: Pace
Wilderstein, 2002. 35p.
11. Tony Smith: A Drawing Retrospective. Essays by Klaus Kertess and
Joan Pachner. NY: Matthew Marks Gallery, 1995. 127p.
12. Adrian Piper. Desde 1965. Barcelona: Museu d'Arte Contemporani de
Barcelona, 2003. 267p.
13. Before Photography: Painting and the Invention of Photography. By
Peter Galassi. NY: The Museum of Modern Art, 1981. 151p.
14. Michael Snow: XXXV International Biennial Exhibition of Art, Venice,
June 24-Oct. 31, 1970.
Ottawa: The National Gallery of Canada, 1970. 51p.
15. Bettmann Portable Archive. NY: Corbis-Bettmann, 1993. 334p.
16. Ursula von Rydingsvard: On an Epic Scale. Curated by Dede Young
with an essay by Patricia C. Phillips. Purchase, NY: Neuberger Museum of
Art, Purchase College, State University of New York, 2002. 36p.
17. Alex Katz: Flowers and Landscapes: October 8-November 8, 2003. NY:
Pace Wildenstein, 2003. 47p.
18. Alex Katz, 1998. Essay by Eric de Chassey. Paris; Salzburg:
Galerie Thaddaeus Ropac, 1998.
19. In Visible Light: Photography and Classification in Art, Science and
the Everyday. Curated by Russell Roberts. Edited by Chrissie Iles and
Russell Roberts. Oxford: Museum of Modern Art, 1997. 95p.
20. The Paradise Institute. By Janet Cardiff and George Bures Miller.
Winnipeg: Plug In Editions, 2001. 167p.
21. Jurgen Klauke: Prosecuritas. Ostfildern: Cantz, 1994. 120p.
22. Douglas Gordon: Centro Cultural de Belem exhibition centre,
Jan.22-May 9, 1999. Lisbon: Centro Cultural de Belem, 1999. 120p.
23. Jim Sanborn: Atomic Time, Pure Science and Seduction. By Jonathan
Binstock. Washington D.C.: Concoran Gallery, 2003. 96p.
24. Black and White Things. By Robert Frank. Washington: National
Gallery of Art, 1994. 34p.
25. Desmothernismo: Rubin Ortiz Torres: A Survey of Work from 1990 to
1998. Santa Monica, CA, Smart Art Press; Huntington Beach, CA: Huntington
Beach Art Center, 1998. 67p.
26. Juliao Sarmento: Echo. Richter Verlag, Dusseldorf: Van Abbemuseum,
Eindhoven, 2004. 127p.
27. Fred Tomaselli: the Urge To Be Transported. Co-organized by Renny
Pritkin and Marilu Knobe. San Francisco, CA: Center for the Arts Yerba
Buena Gardens; Huntington Beach, CA: Huntington Beach Art Center, 1996.
32p.
28. Fred Tomaselli. Smart Art Press; vol. 2, no. 12. Santa Monica, CA:
Smart Art Press, 1995. 39p.
29. Focus: Five Women Photographers: Julia Margaret Cameron, Margaret
Bourke-White, Flor Garduno, Sandy Skoglund and Lorna Simpson. By Sylvia
Wolf. Morton Grove, IL: Albert Whitman & Company, 1994. 63p.
30. The Photography of Invention: American Pictures of the 1980's,
National Museum of American Art, Smithsonian Institution, Washington D.C.
Essay by Joshua Smith. Cambridge, MA: The MIT Press, 1989.
31. The Mediation of Ornament: The A.W. Mellon Lectures in the Fine
Arts, 1989, The National Gallery
of Washington D.C. Princeton, NJ: Princeton University Press, 1992.
284p.
32. Site of Sound: of Architecture and the Ear. Edited by Brandon
LaBelle and Steven Roden. Los
Angeles, CA: Errant Bodies Press in association with Smart Art
Press, 1999. 178p.
33. Instructional Paintings. By Yoko Ono. NY: Weatherhill, 1995. 63p.
34. Space, Time, Sound: Conceptual Art in the San Francisco Bay Area,
the 1970's. By. Suzanne Foley. San Francisco: San Francisco Museum of
Modern Art, 1981. 208p.
35. Secession: Diana Thater: Delphine, 27.1.-19.3.2000. Wien:
Secession, 1999. 32p.
36. Secession: Mel Ziegler: Stuffed, 4.7.2003-7.9.2003. Wien,
Secession, 2003. 32p.
37. Secession: Mary Heilmann: All Tomorrow's Parties, 4.7.-7.9.2003.
Wien: Secession, 2003. 84p.
38. Rirkrit Tiravanija: Secession, 5. Juli - 1. Sept. 2002. Wien:
Secession, 2003.
39. Il Modo Italiano: Jan.-Feb., 1984, Los Angeles, CA. Italy: Regione
Piemonte, 1983.
40. Erwin Wurm. Edited by Peter Weibel. Ostfildern-Ruit: Hatje Cantz,
2002. 279p.
41. For the Record: Drawing Contemporary Life. Curated by Daina
Augaitis. Vancouver: The Vancouver Art Gallery, 2003. 102p.
42. Performative Installation. By Angelika Nollert. Koln: Snoeck,
2003. 252p.
43. Nomadic Architecture: Human Practicality Serves Human Emotion.
Exhibition design by Edgar Reinhard. Text by Adalbert Locher. Switzerland:
Lars Muller Publishers, 1998. 319p.
44. Edwin Dickinson: Dreams and Realities. NY: Hudson Hills Press in
association with the Albright-Knox Art Gallery, 2002. 285p.
45. The Magic Hour: The Convergence of Art and Las Vegas. Graz: Neue
Galerie Graz am Landesmuseum Joanneum, 2001. 212p.
46. Kitaj in the Aura of Cezanne and Other Masters. By Anthony Rudolf
and Colin Wiggins. London: National Gallery, 2001. 66p.
47. David Rabinowitch: Werke 1967-1976. By Jochen Poetter.
Stuttgart-Bad Cannstatt: Edition Cantz, 1992. 242p.
48. Metlife, Isa Genzken. Edited by Sabine Breitwieser. Wien:
EA-Generali Foudation, 1996. 95p.
49. Japans Seele: 29. Aug.-26. Oct., 2003. Germany: Ausstellungshalle
der Bundesrepublik Deutschland and the Tokyo National Museum, 2003. 403p.
50. As Painting: Division and Displacement. Edited and organized by
Phillip Armstrong, Laura Lisbon, and Stephen Melville. Columbus, OH: Wexner
Center for the Arts: Cambridge, MA: MIT Press, 2001. 256p.
51. Off Limits: Rutgers University and the Avante-garde, 1957-1963.
Edited by Joan Marter. Newark, NJ: Newark Museum; New Brunswick, NJ:
Rutgers University Press, 1999. 194p.
52. Arte Povera, Antiform: CAPC: Sculptures, 1966-1969. Bordeaux:
Centre d'arts plastiques contemporains de Bourdeaux, 1982. 102p.
53. Image Stream: Kutlug Ataman, Matthew Barney, Tacita Dean, Andrea
Fraser, Pierre Huyghe, Neil Jordan, Donald Moffett, and Lorna Simpson:
Sept.20, 2003 - Jan.4, 2004. Curated by Helen Molesworth. Columbus, OH:
The Wexner Center for the Arts, The Ohio State University, 2003. 97p.
54. Jurgen Klauke: Phantom Sensation. Japan: Japan Association of Art
Museums: Yomiuri Shimbun, 1997. 253p.
55. Art Conceptuel I: Oct.7 - Nov.27, 1998, Musee d'arte contemporain,
Bordeaux: Art & Language, Robert Barry, Hanne Darboven, On Kawara, Joseph
Kosuth, Robert Morris, Lawrence Weiner. Bordeaux: Musee d'art contemporain
de Bordeaux, 1988. 136p.
56. Azteken: Royal Academy of Arts, London: Nov.16, 2002-Apr.11, 2003.
Berlin, DuMont Literatur, 2003. 519p.
57. House, Rachel Whiteread. Edited by James Lingwood. London:
Phaidon, 1995. 144p.
58. InSITE: Private Time in Public Space: San Diego, Tijuana. Edited by
Sally Yard. San Diego: Installation Gallery, 1998. 223p.
59. If on a Winter's Night...Roni Horn.... Germany: Fotomuseum
Winterthur, Winterthur and Steidl Verlag, Gottingen, 2003. 127p.
60. The American West: Out of Myth, Into Reality. Curated by Peter
Hassrick in association with the Mississippi Museum of Art. Washington
D.C.: Trust for Museum Exhibitions, 2000. 175p.
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