See below an announcement of and the table of contents of a forthcoming limited edition festschrift.
Barbara Reed, Art Librarian, Dartmouth College
*Coming About. . . A Festschrift for John Shearman*
Harvard University Art Museums
September 2001
Lars R. Jones & Louisa C. Matthew
Editors-in-Chief
Editorial Board
Meredith Gill, Geraldine A. Johnson,
Deborah Krohn, Adrian W.B. Randolph, & Sheryl Reiss
On behalf of the editorial board of the John Shearman Festschrift Project,
I wish to alert you to a unique opportunity to purchase an outstanding
volume of studies in Renaissance and Baroque art history, *Coming About. . .
A Festschrift for John Shearman*, ed. Lars R. Jones & Louisa C. Matthew
(Cambridge, Mass.: Harvard University Art Museums; ISBN 1-891771-11-6). The
volume will go to the press in early July and will be available by
September 2001; information about the volume can be found below.
The project's funds permit a press run of only 500 copies, and half the
press run has already been reserved by individual scholars. At this rate,
the board is concerned that an insufficient number of volumes will find
homes in research libraries where they can benefit a larger audience of
students and scholars.
To order one or more copies of this volume (priced at $95 each), please
contact:
Janice Appleyard <[log in to unmask]>
Harvard University Art Museums
32 Quincy Street
Cambridge, MA 02138
We would appreciate it if you would pass this information on to the person responsible for purchasing books for your library. Thank you.
Adrian W. B. Randolph
Department of Art History
Dartmouth College
DESCRIPTION
*Coming About. . . A Festschrift for John Shearman* is a volume of essays
dedicated to Professor John Shearman of Harvard University, a leading
expert in the art and architecture of Renaissance Italy and an influential
teacher and mentor. This volume will comprise contributions by fifty-two
scholars who studied with Professor Shearman at Harvard University,
Princeton University, and the Courtauld Institute at the University of
London. These contributors include leading scholars in the fields of
Renaissance and Baroque art and architecture, as well as up-and-coming
younger scholars affiliated with major academic institutions and museums
throughout Europe and North America. The majority of essays will focus on
and make important contributions to the study of Italian Renaissance and
Baroque architecture, painting, sculpture, and works on paper. The volume,
comprising approximately 400 pages and 220 black-and-white illustrations,
will be available from Harvard University Art Museums as a handsome,
large-format, hardcover book by September of 2001. The press run is limited
to 500 copies, and the price is $95.
TABLE OF CONTENTS
*Coming About. . . A Festschrift for John Shearman*
Contents
Acknowledgments
Tabula Gratulatoria
Publications by John Shearman
Gothic & Early Renaissance Art
BARBARA PIKE GORDLEY
Getting Carried Away: The Illustration of Abduction in Gratian's Decretum
ADRIAN W. B. RANDOLPH
Il Marzocco: Lionizing the Florentine State
JUDITH STEINHOFF
A Mysterious Magdalen: Miracles, Politics & a Lost Altarpiece for Lecceto
The Quattrocento
ANDREW C. BLUME
Botticelli's Commission for Sant'Elisabetta delle Convertite & the Courtauld Trinity
KATHLEEN WREN CHRISTIAN
Petrarch's Triumph of Chastity in Leonardo's Lady with an Ermine
GIOVANNA GALANTE GARRONE
From Southwest Piedmont: A Fragment by Hans Clemer
CHRISTA GARDNER VON TEUFFEL
Light on the Cross: Cardinal Pedro González de Mendoza & Antoniazzo Romano in
Sta. Croce in Gerusalemme, Rome
MARGARET HAINES
Ghiberti's Trip to Venice
MEGAN HOLMES
"Behold the Head of the Baptist": The Engaged Spectator & Filippo Lippi's Feast of Herod
LARS R. JONES
Meditations on the Metapicture:
Francesco Botticini's Saint Jerome in the National Gallery, London
RANDI KLEBANOFF
Revisions: The Arca di San Domenico in Michelangelo's Early Career
DEBORAH L. KROHN
San Gimignano Gets the Finger: The Creation of a Reliquary
BARNABY NYGREN
Puns, Polysemy & Interpretation in Filippo Lippi's
Saint Jerome in the Desert with Saints John the Baptist & Ansanus
ANABEL THOMAS
Painting for a Confraternity? Heraldic Details & Familial Connections:
Neri di Bicci's Montreal Altarpiece of the Virgin & Child with Saints Blaise & Michael
The Cinquecento
LAURA C. AGOSTON
Transfiguring Raphael: Identity, Authenticity & the Persona of Christ
ANDREA BAYER
Cose bresciane del Cinquecento: A New Devotional Painting by Moretto da Brescia
MOLLY BOURNE
A Viceroy Comes to Mantua:
Ramon Folch de Cardona, Lorenzo Costa & the Italian Renaissance in Spain
CAMMY BROTHERS
Architecture, History, Archaeology:
Drawing Ancient Rome in the Letter to Leo X & in Sixteenth-Century Practice
TRACY E. COOPER
Prolegomenon to a Quarrel of Images
DAVID J. DROGIN
"Lo Spirito di Donato": Young Michelangelo & the Sculpture of Donatello
BRUCE L. EDELSTEIN
Observations on the Genesis & Function of Bronzino's Frankfurt Modello
For the Vault Decoration in the Chapel of Eleonora
DAVID EKSERDJIAN
Parmigianino & the Entombment
CAROLINE ELAM
Viva Papa Leone: Baccio d'Agnolo & the Palazzo Lanfredini in Florence
JEFFREY FONTANA
Federico Barocci's Emulation of Raphael in The Fossombrone Madonna & Child with Saints
CATHLEEN SARA HOENIGER
The Reception of Correggio's Loves of Jupiter
GERALDINE A. JOHNSON
Michelangelo, Fortunetelling & the Formation of Artistic Canons in Fanti's Triompho di Fortuna
MARTIN KEMP
From Different Points of View: Correggio, Copernicus & the Mobile Observer
STUART P. LINGO
Retrospection & the Genesis of Federico Barocci's Immaculate Conception
LOUISA C. MATTHEW
Lorenzo Lotto: The Historiography of a Reputation
MARTHA McCRORY
Cesare Federighi da Bagno: Medalist, Gem Engraver & Sculptor in the Workshop of Cellini
THOMAS McGRATH
Drawing Practices & Market Forces in Sixteenth-Century Italy
ALEXANDER NAGEL
Christ in Ecstasy: The Passion According to Michelangelo & Rosso
ARNOLD NESSELRATH
Memory & Memorial: Lorenzetto's Tomb in Old St. Peter's?
SCOTT OPLER
Palladio & Vignola on the Orders
BENJAMIN PAUL
Issues of Political Iconography: Clement VII's Personal & Political Concerns in his
Representation as Leo I in the Sala di Costantino
NICHOLAS PENNY
Absent Architecture in Sixteenth-Century Altarpieces
SHERYL E. REISS
Giulio de' Medici & Mario Maffei: A Renaissance Friendship & the Villa Madama
GYDE SHEPHERD
Raphael's "Space-Composition": From the Piccolomini Library to the Sistine Tapestries
SUSAN SPINALE
The Specifics of Time & Place in the View of Venice of 1500
WENDY J. WEGENER
The Effects of Tridentine Reforms on Condottiere Chapels & Tombs
MARY-ANN WINKELMES
Notes on Cassinese Choirs: Acoustics & Religious Architecture in Northern Italy
ERIC WOLF
The French Connection: Philibert de l'Orme Reads Francesco di Giorgio Martini
STEPHAN WOLOHOJIAN
The Warburg Virgin & Child with Saints Jerome & Francis in The Fogg Art Museum
The Seicento
NINA CANNIZZARO
The Nile, Nothingness & Knowledge: The Incogniti Impresa
UNA ROMAN D'ELIA
Classicism & the Problem of National Style: The Illustrations of Claude Perrault's Vitruvius
Modern
LOUISA M. CONNOR BULMAN
"All the Profusion of Eaton & Santo Bartoli": The First Collections of Ancient Painting in Britain
CHRISTOPHER D.H. ROW
The London Churches of Ernest Charles Shearman:
St. Silas the Martyr, Anglo-Catholicism & the Modern Gothic Tradition
Historiography, Pedagogy & Analytic Methods
LINDA S. ALECI
Portraits & Historians
MEREDITH J. GILL
"With a Proud Hand I Signed": Looking From Behind the Easel
CAROLINE KARPINSKI
Preamble to a New Print Typology
ALESSANDRO NOVA
The Kite, Envy & a Memory of Leonardo da Vinci's Childhood
LISA PON with Craigen Bowen
Using Digital Imaging to Compare States of a Print
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