See below an announcement of and the table of contents of a forthcoming limited edition festschrift. Barbara Reed, Art Librarian, Dartmouth College *Coming About. . . A Festschrift for John Shearman* Harvard University Art Museums September 2001 Lars R. Jones & Louisa C. Matthew Editors-in-Chief Editorial Board Meredith Gill, Geraldine A. Johnson, Deborah Krohn, Adrian W.B. Randolph, & Sheryl Reiss On behalf of the editorial board of the John Shearman Festschrift Project, I wish to alert you to a unique opportunity to purchase an outstanding volume of studies in Renaissance and Baroque art history, *Coming About. . . A Festschrift for John Shearman*, ed. Lars R. Jones & Louisa C. Matthew (Cambridge, Mass.: Harvard University Art Museums; ISBN 1-891771-11-6). The volume will go to the press in early July and will be available by September 2001; information about the volume can be found below. The project's funds permit a press run of only 500 copies, and half the press run has already been reserved by individual scholars. At this rate, the board is concerned that an insufficient number of volumes will find homes in research libraries where they can benefit a larger audience of students and scholars. To order one or more copies of this volume (priced at $95 each), please contact: Janice Appleyard <[log in to unmask]> Harvard University Art Museums 32 Quincy Street Cambridge, MA 02138 We would appreciate it if you would pass this information on to the person responsible for purchasing books for your library. Thank you. Adrian W. B. Randolph Department of Art History Dartmouth College DESCRIPTION *Coming About. . . A Festschrift for John Shearman* is a volume of essays dedicated to Professor John Shearman of Harvard University, a leading expert in the art and architecture of Renaissance Italy and an influential teacher and mentor. This volume will comprise contributions by fifty-two scholars who studied with Professor Shearman at Harvard University, Princeton University, and the Courtauld Institute at the University of London. These contributors include leading scholars in the fields of Renaissance and Baroque art and architecture, as well as up-and-coming younger scholars affiliated with major academic institutions and museums throughout Europe and North America. The majority of essays will focus on and make important contributions to the study of Italian Renaissance and Baroque architecture, painting, sculpture, and works on paper. The volume, comprising approximately 400 pages and 220 black-and-white illustrations, will be available from Harvard University Art Museums as a handsome, large-format, hardcover book by September of 2001. The press run is limited to 500 copies, and the price is $95. TABLE OF CONTENTS *Coming About. . . A Festschrift for John Shearman* Contents Acknowledgments Tabula Gratulatoria Publications by John Shearman Gothic & Early Renaissance Art BARBARA PIKE GORDLEY Getting Carried Away: The Illustration of Abduction in Gratian's Decretum ADRIAN W. B. RANDOLPH Il Marzocco: Lionizing the Florentine State JUDITH STEINHOFF A Mysterious Magdalen: Miracles, Politics & a Lost Altarpiece for Lecceto The Quattrocento ANDREW C. BLUME Botticelli's Commission for Sant'Elisabetta delle Convertite & the Courtauld Trinity KATHLEEN WREN CHRISTIAN Petrarch's Triumph of Chastity in Leonardo's Lady with an Ermine GIOVANNA GALANTE GARRONE From Southwest Piedmont: A Fragment by Hans Clemer CHRISTA GARDNER VON TEUFFEL Light on the Cross: Cardinal Pedro González de Mendoza & Antoniazzo Romano in Sta. Croce in Gerusalemme, Rome MARGARET HAINES Ghiberti's Trip to Venice MEGAN HOLMES "Behold the Head of the Baptist": The Engaged Spectator & Filippo Lippi's Feast of Herod LARS R. JONES Meditations on the Metapicture: Francesco Botticini's Saint Jerome in the National Gallery, London RANDI KLEBANOFF Revisions: The Arca di San Domenico in Michelangelo's Early Career DEBORAH L. KROHN San Gimignano Gets the Finger: The Creation of a Reliquary BARNABY NYGREN Puns, Polysemy & Interpretation in Filippo Lippi's Saint Jerome in the Desert with Saints John the Baptist & Ansanus ANABEL THOMAS Painting for a Confraternity? Heraldic Details & Familial Connections: Neri di Bicci's Montreal Altarpiece of the Virgin & Child with Saints Blaise & Michael The Cinquecento LAURA C. AGOSTON Transfiguring Raphael: Identity, Authenticity & the Persona of Christ ANDREA BAYER Cose bresciane del Cinquecento: A New Devotional Painting by Moretto da Brescia MOLLY BOURNE A Viceroy Comes to Mantua: Ramon Folch de Cardona, Lorenzo Costa & the Italian Renaissance in Spain CAMMY BROTHERS Architecture, History, Archaeology: Drawing Ancient Rome in the Letter to Leo X & in Sixteenth-Century Practice TRACY E. COOPER Prolegomenon to a Quarrel of Images DAVID J. DROGIN "Lo Spirito di Donato": Young Michelangelo & the Sculpture of Donatello BRUCE L. EDELSTEIN Observations on the Genesis & Function of Bronzino's Frankfurt Modello For the Vault Decoration in the Chapel of Eleonora DAVID EKSERDJIAN Parmigianino & the Entombment CAROLINE ELAM Viva Papa Leone: Baccio d'Agnolo & the Palazzo Lanfredini in Florence JEFFREY FONTANA Federico Barocci's Emulation of Raphael in The Fossombrone Madonna & Child with Saints CATHLEEN SARA HOENIGER The Reception of Correggio's Loves of Jupiter GERALDINE A. JOHNSON Michelangelo, Fortunetelling & the Formation of Artistic Canons in Fanti's Triompho di Fortuna MARTIN KEMP From Different Points of View: Correggio, Copernicus & the Mobile Observer STUART P. LINGO Retrospection & the Genesis of Federico Barocci's Immaculate Conception LOUISA C. MATTHEW Lorenzo Lotto: The Historiography of a Reputation MARTHA McCRORY Cesare Federighi da Bagno: Medalist, Gem Engraver & Sculptor in the Workshop of Cellini THOMAS McGRATH Drawing Practices & Market Forces in Sixteenth-Century Italy ALEXANDER NAGEL Christ in Ecstasy: The Passion According to Michelangelo & Rosso ARNOLD NESSELRATH Memory & Memorial: Lorenzetto's Tomb in Old St. Peter's? SCOTT OPLER Palladio & Vignola on the Orders BENJAMIN PAUL Issues of Political Iconography: Clement VII's Personal & Political Concerns in his Representation as Leo I in the Sala di Costantino NICHOLAS PENNY Absent Architecture in Sixteenth-Century Altarpieces SHERYL E. REISS Giulio de' Medici & Mario Maffei: A Renaissance Friendship & the Villa Madama GYDE SHEPHERD Raphael's "Space-Composition": From the Piccolomini Library to the Sistine Tapestries SUSAN SPINALE The Specifics of Time & Place in the View of Venice of 1500 WENDY J. WEGENER The Effects of Tridentine Reforms on Condottiere Chapels & Tombs MARY-ANN WINKELMES Notes on Cassinese Choirs: Acoustics & Religious Architecture in Northern Italy ERIC WOLF The French Connection: Philibert de l'Orme Reads Francesco di Giorgio Martini STEPHAN WOLOHOJIAN The Warburg Virgin & Child with Saints Jerome & Francis in The Fogg Art Museum The Seicento NINA CANNIZZARO The Nile, Nothingness & Knowledge: The Incogniti Impresa UNA ROMAN D'ELIA Classicism & the Problem of National Style: The Illustrations of Claude Perrault's Vitruvius Modern LOUISA M. CONNOR BULMAN "All the Profusion of Eaton & Santo Bartoli": The First Collections of Ancient Painting in Britain CHRISTOPHER D.H. ROW The London Churches of Ernest Charles Shearman: St. Silas the Martyr, Anglo-Catholicism & the Modern Gothic Tradition Historiography, Pedagogy & Analytic Methods LINDA S. ALECI Portraits & Historians MEREDITH J. GILL "With a Proud Hand I Signed": Looking From Behind the Easel CAROLINE KARPINSKI Preamble to a New Print Typology ALESSANDRO NOVA The Kite, Envy & a Memory of Leonardo da Vinci's Childhood LISA PON with Craigen Bowen Using Digital Imaging to Compare States of a Print __________________________________________________________________ Mail submissions to [log in to unmask] Administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.uky.edu/archives/arlis-l.html Questions may be addressed to list owner (Kerri Scannell) at: [log in to unmask]