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=3E
=3EINTERNATIONAL LEADERS IN THE ELECTRONIC ARTS
=3ETO SPEAK IN CHICAGO AT ISEA97:
=3EA WEEK-LONG SYMPOSIUM AND FESTIVAL
=3EOF THE ELECTRONIC ARTS
=3E
=3EEighth International Symposium on Electronic Art
=3EThe School of the Art Institute of Chicago
=3ESeptember 22-27, 1997
=3Eweb page: http://www.artic.edu/=7Eisea97
=3E
=3ECHICAGO -  More than 1,000 artists, critics, educators, scientists, and
=3Epolicy planners from around the world will gather in Chicago beginning
=3ESeptember 22 and continuing through September 27 for ISEA97, a week-long
=3Ecelebration of the electronic arts hosted by the School of the Art
=3EInstitute of Chicago.  Subjects being discussed include ethical issues
=3Einvolving the use of electronic media, freedom of speech on the Internet,
=3Ethe architecture of cyberspace, as well as a broad range of topics =
related
=3Eto new electronic media.
=3E     In conjunction with the conference, ISEA97 is presenting a
=3Ecity-wide festival of electronic arts with more than 200 artists from 20
=3Ecountries represented in exhibitions and events at over a dozen sites
=3Ethroughout Chicago.  The official ISEA exhibition site is located at the
=3ESchool of the Art Institute White Tower Building at 847 W. Jackson Blvd.
=3EIn addition, the School of the Art Institute Betty Rymer Gallery and
=3EGallery 2 are presenting exhibitions to coincide with the symposium.  =
Other
=3Evenues include the Museum of Contemporary Art, the Chicago Cultural =
Center
=3Eand the Electronic Visualization Lab at the University of Illinois at
=3EChicago.  Many presentations are open to the public and free-of-charge.
=3ELocal galleries and alternative exhibition spaces are also hosting
=3Ecollaborative programs, exhibitions and events.
=3E     Internationally-acclaimed author, performer and recording artist
=3ELaurie Anderson, kicks off ISEA97 with an opening presentation, Tuesday,
=3ESeptember 23, at  6 p.m. in the Art Institute of Chicago's Rubloff
=3EAuditorium.  Serving as Honorary Chair for ISEA97, Laurie Anderson is =
known
=3Efor her audacious, often humorous performance art and intriguing
=3Eapplications of electronic and computer technology.
=3E     Sherry Turkle, author of Life on the Screen: Identity In The Age of
=3EThe Internet, opens the morning session of the conference in the Rubloff
=3EAuditorium on Wednesday, September 24, at 10 am with a presentation
=3Eexamining the expanding electronic world.  Turkle, a licensed clinical
=3Epsychologist,  explores the anxieties and opportunities that arise as a
=3Eresult of the staggering changes technology brings.  She has written =
three
=3Ebooks, has received fellowships from the Guggenheim and Rockefeller
=3EFoundations, and has appeared on such shows as =22Nightline,=22 =22The =
Today
=3EShow=22 and =2220/20.=22
=3E     Nolan A. Bowie, an advocatefor under-represented populations, will
=3Espeak in the Rubloff on Thursday, September 25, at 9 a.m.  In his work as=
 a
=3Ecommunications attorney, an associate professor at Temple University and =
a
=3Epublic policy planner, Bowie is concerned with issues of equity and =
access
=3Eto information.  For his extensive work in framing communications policy,
=3EBowie has received the Community Award from Black Citizens for Fair Media
=3Eand the Martin Luther King Jr. Fellowship from the Woodrow Wilson
=3EFoundation.  He has also served as Assistant Special Prosecutor with the
=3EWatergate Special Prosecution Force.
=3E     Mexican-born performance artist and writer Guillermo Gomez-Pe=F1a
=3Espeaks in the Rubloff Auditorium on Friday, September 26, at 9 a.m.
=3EThrough his work in electronic arts, Gomez-Pena investigates cultural and
=3Ecross-cultural issues with countries who share borders.  He has explored
=3Ethe US/Latino/Chicano relationship through his use of journalism,
=3Eperformance, radio, video, poetry and installations.  From 1984-1990
=3EGomez-Pe=F1a founded and participated in the =22Border Arts Workshop,=22 =
and
=3Econtributed to the National Public Radio program =22Crossroads.=22  An =
editor
=3Eof =22High Performance=22 and =22Drama Review,=22 his awards include a =
MacArthur
=3EFellowship and the Prix de la Parole at the International Theatre =
Festival
=3Eof the Americas.
=3E     ISEA97 offers educational opportunities to complement regular
=3Econference proceedings.  Two full days of workshops on Monday and =
Tuesday,
=3ESeptember 22 and 23, address hands-on technological issues, novel
=3Eapproaches to teaching in this field and other topics related to =
electronic
=3Eart, a term which refers to all art using electronic technology as an
=3Eessential prerequisite for production.
=3E     Events on Wednesday through Saturday, September 24 to 27, consist
=3Eof plenary sessions by the three keynote speakers, paper and panel
=3Epresentations, and numerous small group moderated discussions.  The final
=3Eday of the conference remains open for participants to attend the =
extensive
=3Earray of exhibitions and events accompanying the symposium.
=3E     ISEA97 also presents career advancement opportunities in both
=3Eacademia and business through a job exchange, posted on the ISEA97 =
website
=3Eat http://www.artic.edu/=7Eisea97, at the conference, and through special
=3Eworkshop offerings.
=3E     ISEA97 is being hosted by the School of the Art Institute in
=3Econjunction with the Inter-Society for the Electronic Arts, an =
organization
=3Ewhich initiated this series of symposia in 1988 to support an =
international
=3Enetwork of groups and individuals in the field of electronic art.  Past
=3EISEA conferences have been presented in Rotterdam, Montreal, Helsinki,
=3EMinneapolis, Sydney,  Groningen and Utrecht, Holland.
=3E     The School of the Art Institute of Chicago gratefully acknowledges
=3Ethe following sponsors for their generous support of ISEA97:  =
MacLean-Fogg
=3ECompany, Molex Incorporated, Neoglyphics Media Corporation, the
=3EGoethe-Institut Chicago and the Graham Foundation for Advanced Studies in
=3Ethe Fine Arts.
=3E
=3E
=3Estay up to date =40 http://www.artic.edu/=7Eisea97
=3E
=3E=23  =23  =23
=3E