----------------------------Original message----------------------------
We have also used RLIN for many years with high hit rates.


J. Margaret Shaw
Chief Librarian
National Gallery of Australia Research Library
GPO Box 1150
Canberra ACT 2601
Australia

Telephone: 61-(0)6-240 6532
Fax:            61-(0)6-273 2155

E-Mail:        <a href="/scripts/wa.exe?LOGON=A3%3Dind9704%26L%3DARLIS-L%26E%3D7bit7BIT%26P%3D386456%26B%3D--%26T%3Dtext%252FplainTEXT%252FPLAIN%3B%2520charset%3DUS-ASCII%26pending%3D" target="_parent" >[log in to unmask]</a>


>----------
>From:  Margaret Ford[SMTP:<a href="/scripts/wa.exe?LOGON=A3%3Dind9704%26L%3DARLIS-L%26E%3D7bit7BIT%26P%3D386456%26B%3D--%26T%3Dtext%252FplainTEXT%252FPLAIN%3B%2520charset%3DUS-ASCII%26pending%3D" target="_parent" >[log in to unmask]</a>]
>Sent:  Wednesday, 23 April 1997 7:24
>To:    Multiple recipients of list ARLIS-L
>Subject:       Re: Copy cataloging
>
>----------------------------Original message----------------------------
>ERICA HENNIG wrote:
>>
>> My question is this: what databases, other than OCLC, LC, and SIRIS do
>> art libraries use for copy cataloging purposes?
>
>The Museum of Fine Arts, Houston, has used RLIN since 1988 for all
>cataloging.  We find 95% of records needed and, I may add, high-quality
>bibliographic records.  There is a high percentage of art museums
>contributing records.
>        Contact RLG for information on costs, etc. http://www.rlg.org
>        Margaret Ford
>        Associate Librarian, Museum of Fine Arts, Houston
>