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----------------------------Original message----------------------------
Dear Colleagues,
For the balletomanes (sp?) among us - doesn't this sound like the end of
La Sonambula?  I wonder if the end of the ballet was based on this
painting - all the arts are interrelated, aren't they?
Emily


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Emily Roth                              THE METROPOLITAN MUSEUM OF ART
Assistant Museum Librarian              Uris Library and Resource Center
Tel: 212 650-2238 FAX: 570-3972         1000 Fifth Avenue
E-mail: [log in to unmask]       New York, New York  10028-0198

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On Tue, 25 Mar 1997, Edward Goodman wrote:

> ----------------------------Original message----------------------------
> Hi - I am forwarding this "Mystery" to the list in hopes that anyone can
> help this PhD student find this work. Please respond directly to her with
> your thoughts. Thanks, Ted Goodman
>
> ---------- Forwarded message ----------
> Date: Mon, 24 Mar 1997 09:28:40 -0500
> From: "Laura B." <[log in to unmask]>
> To: Edward Goodman <[log in to unmask]>
> Subject: Re: Question for art librarians
> >
> Dear Ted:
>
> This is kind of you.  I'm afraid that, other than a description of the
> work, the rest is hazy rememberance and, as I said, reminds me of queries
> that begin "I'd like to see that green book about the history of England."
>
> I'm trying to find at least the artist's name and title of a painting
> (although I'd appreciate any information people can come up with) that was
> shown at the Los Angeles County Art Museum in a show sometime in the 70s.
> The exhibition *may* have been one that consisted of works from the
> Hermitage Museum.
>
> The painting shows an weeping angel holding the dead Christ.  What struck
> me was the contrast the artist created between a very "dead-looking" body
> (pale, flacid, falling out of the angel's arms) and the very live angel
> (vibrant) with a sheen of tears on its cheeks.  My recollection is that the
> painting is not small (4' tall, maybe?)
>
> I am *not* an art historian, just someone who enjoys art, so when I say
> that I associate the style of painting with the Italian Rennaissance,
> please realize I'm no expert!
>
> Thanks for your help,
> Laura Brendon                ([log in to unmask])
> "I'd rather be a cyborg than a goddess."
> -- Donna Haraway
> Ph.D. Student, Cultural Studies concentration
> College of Education, The Ohio State University, USA
>