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 ARLIS/NA Multimedia & Technology Reviews Co-editors seek volunteers to author reviews for the April 2024 issue. To volunteer, choose a resource from the list below and complete our Reviewer Interest form (https://forms.gle/SSqD4KWFqM6W5K3E9) by Friday, January 31, 2024


Initial draft submissions are due Thursday, February 29, 2024.



Contributing to ARLIS/NA Multimedia & Technology Reviews<https://multimediatechnologyreviews.arlisna.hcommons.org/> is a great opportunity to get involved with the Society, learn about interesting new resources, and help shape the publication. Please read the complete review guidelines<https://multimediatechnologyreviews.arlisna.hcommons.org/reviewer-guidelines/> and direct comments and questions about the reviews to [log in to unmask]<mailto:[log in to unmask]>.


Know of a resource we should review? Submit ideas here<https://forms.gle/eVQ9YeMNWjfXJys38>.


Submitted by ARLIS/NA Multimedia & Technology Reviews Co-editors:

Karina Wratschko

Virginia Kerr

Matthew Garklavs

Abigail Walker


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Resources for Review
We seek reviewers for the following resources. The snippets below are taken from each resource's web page and are not necessarily the opinions of the M&T Reviews Co-Editors


Artforum Archive (ProQuest)*

https://about.proquest.com/en/products-services/the-artforum-archive/

The backfile of Artforum (later Artforum International), the leading magazine for coverage of international contemporary art, from its launch in 1962 to 2020. Spanning six decades of reporting on art in all media, Artforum offers features, reviews, and interviews relating to artists, exhibitions, publications, and key developments in the art world.

*MTR editors will provide a temporary user account for the reviewer.


Artists’ Publications Lab

https://apl-weserburg.de/en/universe
The Artists’ Publications Lab is an interactive website that provides playful access to the holdings of the Centre for Artists’ Publications at the Weserburg Museum für Moderne Kunst. The website presents a selection of Europe’s most comprehensive and important holdings of artists’ publications from over 90 different archives, estates and collections, as well as works by around 12,000 international artists.


Electronic Arts Intermix Collection (EAI Education Site)*

https://www.eai.org/webpages/38

This database is a comprehensive resource on the artists and works in the Electronic Arts Intermix (EAI) collection. The EAI collection is recognized as one of the most comprehensive video art collections in the world. Spanning the mid-1960s to the present, the collection features over 3,500 experimental media artworks by 200 artists.

*MTR editors will provide a temporary user account for the reviewer.


Fashion and Race Database*

https://fashionandrace.org<https://ezproxy.pratt.edu/login?url=https://fashionandrace.org/database/register/pratt-institute-0930>

The Fashion and Race Database is a dynamic learning platform that examines the history and impact of race in the fashion system and our everyday life.

*MTR editors will provide a temporary user account for the reviewer.


Library Stack*
https://www.librarystack.org
<https://ezproxy.pratt.edu/login?url=https://www.librarystack.org/?lbry=pratt>A database of digital publications from the visual arts, focusing on overlooked ephemera such as artists’ ebooks, podcasts, filmed lectures, typefaces, and more.

*MTR editors will provide a temporary user account for the reviewer.


Mapping Color in History

https://mappingcolor.fas.harvard.edu/

A digital humanities project that brings together scientific data drawn from existing and on-going material analyses of pigments in Asian painting in a historical perspective. As a knowledge common, MCH aims to help chart how, when, and why specific colors were used in artistic practices in specific regions. The MCH digital platform hosts a searchable database with mapping capacity to track the appearance and usage of pigments across time and space.


Sculpting Harmony

https://gehry.getty.edu/
An immersive digital exhibition, featuring more than 150 models, sketches, and archival photographs that document Walt Disney Concert Hall’s development. New research, interviews, and innovative 3D media capture reveal the multidisciplinary process behind the building’s design.



Karina Wratschko, IT Project Manager | Collections & Content Management Systems, The J. Paul Getty Trust | (310) 440 5186 | getty.edu<http://www.getty.edu/>

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