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Dear all,

I am pleased to announce the release of the Fall 2023 issue of American Art (vol. 37, no. 3).

TABLE OF CONTENTS

Commentaries: Copyright and Creative Practice

• An Introduction, by Anne Collins Goodyear
• Many Hands Make Light-Fingered Work: Intellectual Property, the Pictorial Press, and Civil War Reportage, by Baird Jarman
• A Means of Protection or Destruction? Copyright Notifications on Paintings in the United States, 1870–1911, by Katherine Mintie
• Anisalaga’s Claim to the “Seattle Pole”: At.óow and Tlingit Property Law, by Emily L. Moore
• Marcel Duchamp, Copyright, and the Emergence of Art as Idea, by Anne Collins Goodyear
• Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960), by Rebecca VanDiver
• An Addendum to Pop: The Trademarks of Robert Watts, by Colby Chamberlain
• Parodying the Biotech Industry: Judy Malloy’s OK Genetic Engineering as a Critique of Intellectual Property, by Megan Hines
• Can Animals Own Copyright? Animal-Generated Photography from George Shiras to the Monkey Selfie, by Jessica Landau
• Conclusion: A Coda, by Anne Collins Goodyear

Feature Articles

• Monumental Absence: Augusta Savage’s Unbuilt Monuments, 1931–1943, by Tess Korobkin
• Islam and the Middle East in the United States: Claire Beckett’s Simulating Iraq and The Converts, by Chad Elias
• Drawing in the Daily News: Politics and Temporality in Robert Rauschenberg’s Early Solvent Transfers, by Ed Krčma

For submissions guidelines, see: journals.uchicago.edu/journals/amart/instruct. 

Robin Veder [VEE-der] (she/her)

Executive Editor, American Art

Smithsonian American Art Museum and Renwick Gallery

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