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***please excuse cross-posting***

 

ARLIS/NA Multimedia & Technology Reviews Needs You!

 

ARLIS/NA Multimedia & Technology Reviews Co-editors are seeking volunteers to author reviews for the March 2023 issue. To volunteer, please choose a resource from the list below and complete our Reviewer Interest form (https://forms.gle/khDGZfyAeYNCsXoPA) by Thursday, December 29.


Initial draft submissions are due Friday, February 3, 2023.

 

Contributing to ARLIS/NA Multimedia & Technology Reviews is a great opportunity to get involved with the Society, learn about interesting new resources, and help shape the publication. Please feel free to read the complete review guidelines and direct comments and questions about the reviews to [log in to unmask]


Know of a resource we should review? Submit ideas here


Submitted by ARLIS/NA Multimedia & Technology Reviews Co-editors:

Virginia Kerr

Alexandra Provo

Karina Wratschko


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Resources for Review
We seek reviewers for the following resources. The snippets below are taken from each resource's web page and are not necessarily the opinions of the M&T Reviews Co-Editors

 

OpenBibArt

https://openbibart.fr/home/

OpenBibArt is an open-access art historical database unifying the contents of four related datasets. Researchers may freely search in French or English to discover a wide range of citations from among nearly 1.2 million journal articles, books, and exhibition and auction sales catalogues published between 1910 and 2007 on topics in the arts and archeology from late Antiquity to the mid-2000s.

The datasets include: the Répertoire d’Art et d’Archéologie (RAA); the Répertoire International de la Littérature de l'Art/International Repertory of the Literature of Art (RILA);  and the Bibliographie d’Histoire de l’Art/Bibliography of the History of Art (BHA).

 

Duchamp Research Portal

https://www.duchamparchives.org/

The Duchamp Research Portal is an online platform that aggregates a selection of digitized archival holdings and museum collections at three partner institutions to make a significant portion of primary source materials related to Marcel Duchamp accessible and discoverable through a single interface. The institutions are: Philadelphia Museum of Art; Association Marcel Duchamp; and Centre Georges Pompidou.

 

Visualizing Objects, Places and Spaces: a Digital Project Handbook

https://handbook.pubpub.org/

What are the essential steps needed to plan and execute a digital project? This project set out in 2018 to gather and share information with researchers and instructors in the early stages of digital project development. The outcome-in-progress is a peer-reviewed open resource designed to fill the gap between platform-specific tutorials and disciplinary discourse in digital humanities.

 

Digital Library of the Middle East (DLME)

https://dlmenetwork.org/library

The Digital Library of the Middle East (DLME) offers free and open access to the rich cultural legacy of the Middle East and North Africa by bringing together collections from a wide range of cultural heritage institutions. Developed by an engineering team from CLIR and Stanford Libraries, the platform federates and makes accessible data about collections from around the world.

 

John Henry Twachtman Catalogue Raisonné

https://www.jhtwachtman.org/

Open-access online catalogue raisonné of the work of the American artist John Henry Twachtman (1853–1902) published in collaboration with Greenwich Historical Society in Cos Cob, Connecticut.

 

Voyager—the Smithsonian’s Open Source 3D Viewer

https://smithsonian.github.io/dpo-voyager/

Voyager, Smithsonian's open source 3D explorer and authoring tool suite, is part of the Smithsonian’s Digitization Program Office’s 3D foundation pipeline.

 

MoMA Exhibition Spelunker

https://www.moma.org/interactives/exhibitions/2016/spelunker/

This spelunker isn't about looking at art (although installation photography shows how the exhibitions looked). Discover curators, arrangers, designers, artists and others who've created exhibitions since MoMA opened in 1929.








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