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Greetings, everyone,

To assist a retired librarian in distributing his art book collection, if you're interested in any titles below, please let me know by Friday, May 13, 2022. I'll connect you with our library technician student Annik who will keep track of requests and send them to you free of charge. Only Georgia O'Keefe titles are spoken for.   

Warmly, 
Tanja  

Tanja Harrison (she/her)

University Librarian

MSVU Library & Archives

K'jipuktuk (Halifax) 
902.410.4924 | www.msvu.ca/library


*****************************************


Art Book Collection 

There are 306 volumes listed in six categories:  

  1. Individual artists 
  2. Taschen artist series 
  3. Art movements 
  4. Books about art and culture 
  5. Museum holdings catalogues 
  6. Exhibition catalogues.  
  1. Individual artists  

See also Section II, Taschen series of books on individual artists, some of whom are also included in this section.  

Ayon, Belkis  

  1. Vives, Cristina.  Behind the Veil of a Myth: Tras el Velo de un Mito. Belkis Ayon Estate, 2018.  Hardcover oversize. Pp. 204.   

Balthus  

  1. Russell, John. Balthus: A Retrospective Exhibition. Tate Gallery, London.  Art Council of Great Britain, 1968. Softcover.  Pp. 99, 

Braque, Georges 

1.      Reunion des musees nationnaux. Grand Palais  Braque L’expo. 2013. Softcover. Pp. 365. 

 

2.      Cooper, Douglas.  Braque: The Great Years. Art Institute of Chicago, 1972. Pp. 115. 

Cezanne, Paul  

Books  

1.      Danchev, Alex.  Cezanne: A Life. Pantheon Books, 2012. Hardcover.  Pp. 488.  

 

2.      Schapiro, Meyer.  Paul Cezanne.  Harry N. Abrams, 2004.  Softcover.  Pp. 127. 

 

Exhibitions  

1.      Rewald, John.  Cezanne: An Exhibition in Honor of the Fiftieth Anniversary of the  

Phillips Collection. Museum of Fine Arts, Boston, 1971.  Softcover.  Pp. 112.  

 

2.      Robbins, Anne.  Cezanne in Britain.  National Gallery Company, London, 2006.  Pp. 96.  

 

3.      Rubin, William.  Cezanne: The Late Work.  Museum of Modern Art, New York.  New York Graphic Society, 1977.  Softcover. Pp. 413.  

 

Chagall, Marc  

  1. Compton, Susan.  Chagall. Philadelphia Museum of Art, 1985.  Softcover.  Pp. 278.  

 

Cocteau, Jean  

  1. Musee Jean Cocteau” Collection Severin Wunderman, Menton.  Connaissance des Arts, Special Issue. 2012.  Softcover.  Pp.35.   


Degas, Edgar 

Books  

1.      Bolton, Linda.  History and Techniques of the Great Masters: Degas.  B. Mitchell, 1988.  Hardcover.  Pp. 64.   

 

2.      Gruitrooy, Gerhard. Degas: Impressions of a Great Master.  Todtri, 1994. Hardcover oversize.Pp. 144.  

3.      Kendall, Richard, Pollock, Griselda.  Dealing With Degas: Representations of Women and the Politics of Vision.  Universe, 1992.  Hardcover.  Pp. 224. 

 

4.      Kendall, Richard. Editor.  Degas by Himself: Drawings, Prints, Paintings, Writings. Time Warner Books, 2004. Softcover. Pp. 223.  

 

5.      Lipton, Eunice.  Looking into Degas: Uneasy Images of Women and Modern Life.  University of California Press. 1986, Softcover. Pp. 237. 

 

6.      Maheux, Anne F.  Degas Pastels. National Gallery of Canada, 1988.  Softcover.  Pp. 93. 

 

7.      Reff, Theodore.  Degas: The Artist’s Mind. Harvard University Press, 1987. Softcover. Pp. 352. 

 

8.      Valery, Paul.  Degas Manet Morisot.  Translated by David Paul.  Princeton University Press, 1960.  Softcover. Pp. 261,  

 

9.      Vollard, Ambroise. Degas: An Intimate Portrait. Translated by Randolph T. Weaver.  Dover Publicans, 1986.  Softcover. Pp. 93.  

 

    Exhibition catalogues 

10.  Boggs, Jane Sutherland.  Degas.  Metropolitan Museum of Art. New York, National Gallery of Canada, Ottawa, 1988.  Softcover.  Pp. 640. 

 

11.  Boggs, Jean Sutherland.  Degas and New Orleans: A French Impressionist in America. New Orleans Museum of Art, 1999.  Softcover.  Pp. 301.  

 

12.  Dumas, Ann, et al.  Edgar Degas: The Last Landscapes.  Columbus Museum of Art, Ohio.  Merrell Publishers, 2006.  Hardcover. Pp. 127.  

 

13.  Dumas, Ann, Brenneman, David A.  Degas and America: The Early Collectors. High Museum of Art, Atlanta.  Minneapolis Institute of Arts. Rizzoli International Publications, 2001. Hardcover. Pp. 263. 

 

14.  Janis, Eugenia Parry. Degas Monotypes: Essay, Catalogue & Checklist. Fogg Art Museum. Harvard University.  New York Graphic Society, 1968. Hardcover.  Pp 200. 

 

15.  Kendall, Richard.  Degas and the Little Dancer.  Joslyn Art Museum, Omaha.  Sterling and Francine Clark Art Institute, Williamstown, Mass., Baltimore Museum of Art. Yale University Press, 1998.  Softcover.  P.p. 192, 

 

16.  Kendall, Richard.  Degas: Beyond Impressionism. National Gallery, London. Art Institute of Chicago.  National Gallery Publications, 1996.  Softcover. Pp. 324.  

 

17.  O’Brien, Maureen C. Edgar Degas: Six Friends at Dieppe. Museum of Art.  Rhode Island School of Design.  2005.  Softcover. Pp. 113. 

 

De Kooning, Willem  

  Books  

1.      Hess, Thomas B. Willem de Kooning. Great American Artists Series.  George Braziller, Inc, 1959.  Softcover.  Pp. 128. 

 

2.      Stevens, Mark. Swan, Annalyn.  De Kooning: An American Master. Alford A. Knopf, 2004.  Hardcover. 731.  

  Exhibition catalogs  

1.      Hess, Thomas B.  Willem de Kooning. Museum of Modern Art, New York, 1968.  Softcover. Pp. 147.  

 

2.      Elderfield. John. De Kooning a Retrospective. Museum of Modern Art, New York, 2011.   Hardcover oversize.  Pp. 504.   

 

Gagnon, Charles   

  1.  Fry, Philip.  Charles Gagnon.  Montreal Museum of Fine Arts.  Musee des beaux-arts de Montreal, 1978.  Softcover.  Pp. 233. 


Gorky Arshile   

  1. Auping, Michael.  Arshile Gorkey: The Breakthrough Years. Modern Art Museum of Fort Worth.  Rizzoli International, 1995.  Softcover. Pp. 188. 


Hopper, Edward  

  1.  Goodrich, Lloyd.  Edward Hopper.  Whitney Museum of American Art, 1971. Softcover. Pp. 66.  

 

Lichtenstein, Roy   

  1. Morineau, Camille. L’expostion-The Exposition.  Centre Pompidou, 2013. Softcover.  Pp. 60. 


Louis, Morris   

1.      Carmean, E. A. Jr. Morris Louis” Major Themes & Variations.   National Gallery of Art, Washington, 1976.  Softcover. N.p.#, Appox. 40.  

 

2.      Swanson, Dean.  Morris Louis: The Veil Cycle. Walker Art Center, 1977.  Softcover, 44p.  

 

Luca de Tomme, Nicolo de Buonaccorso   

  1. Pia Palladino.  Art and Devotion in Siena after 1350.  Timken Museum of Art. San Diego, CA., 1997,  Softcover.  Pp. 79. 


Magritte, Rene  

  1.  Soby, James Thrall.  Rene Magritte.  Museum of Modern Art.  Double Day, 1965.  Softcover.  Pp. 80.  


Manet, Edouard 

  Books  

1.      Cachin, Francoise.  Manet: The Influence of the Modern.  Harry N. Abrams, 1983.  Softcover.  Pp. 175.  

 

2.      Clark, T. J.  The Painting of Modern Life: Paris in the Art of Mamet and His Followers. Thames and Hudson, 1984.  Softcover.  Pp. 338. 

 

3.      Fried, Michael.  Manet’s Modernism or, The Face of Painting in the 1860s. University of Chicago Press, 1996.  Softcover.  Pp. 647.   

 

4.      Friedrich, Otto.  Olympia: Paris in the Age of Manet.  Simon & Schuster, 1992.  Softcover.  Pp. 329.  

 

5.      Hanson, Anne Coffin.  Manet and the Modern Tradition. Yale University Press, 1977.  Softcover.  Pp. 222 pages of text + 126 illustrations.   

 

6.      Krell, Alan.  Manet and the Painters of Contemporary Life. Thames and Hudson, 1996.  Softcover.  Pp. 208.  

 

7.      Richardson, John.  Manet. Phaidon, 1982.  Softcover oversize.  Pp. 127. 

 

8.       Tucker, Paul Hayes. Editor.  Manet’s Le Dejeuner sur l’herbe. Cambridge University Press, 1998.  Softcover.  Pp. 174. 

 

9.      Wilson-Bareau, Juliet. Editor. Manet by Himself.  Time Warner Books. 2004.  Softcover.  Pp. 223.  

 
  Exhibition catalogs 

1.      Cachin, Francoise, Moffett, Charles S.  Manet 1832-1883. Metropolitan Museum of Art, New York. Harry N. Abrams, 1983. Softcover.  Pp. 548.  

 

2.      Marques, Manuela B. Mena.  Manet en el Prado. Museo Nacional del Prado.  Museo Nacional del Prado, 2003.  Softcover.  Pp. 539.  Text in Spanish and English.  

 

3.      Wilson-Bareau, Juliet, Degener, David.  Manet and the Sea. Art Institute of Chicago.  Catalogue produced by the Philadelphia Museum of Art, 2004.  Softcover. Pp. 271.  

 

4.      Wilson-Bareau, Juliet.  Manet: The Execution of Maximillian, Painting, Politics and Censorship.  National Gallery, London, 1992.  Softcover.  Pp. 128,  

 

5.      Wilson-Bareau, Juliet.  Manet, Monet, and the Gare Saint-Lazare.  National Gallery of Art, Washington, D.C.  Yale University Press, 1998.  Hardcover.  Pp. 210.  

Matisse, Henri  

  Books  

1.      Bernier, Rosamond.  Matisse, Picasso, Miro as I knew Them. Alfred A Knopf, 1991. Softcover. Pp. 275. 

 

2.      Flam, Jack D.  Matisse on Art. E. P. Dutton, 1978. Softcover. Pp. 199. 

 

3.      Flam, Jack.  Matisse and Picasso: The Story of Their Rivalry and Friendship.  Softcover. Icon Edition, 2003. 

 

4.      Gilot, Francoise.   Matisse and Picasso: A Friendship in Art. Anchor Books, 1990. Softcover. Pp. 339. 

 

5.      Spurling, Hilary.  The Unknown Mattise: A Life of Henri Matisse.  Volume One, 1869-1908. Penguin Books, 1998.  Softcover. Pp. 4.480.  

 

6.      Spurling, Hilary.  Matisse the Master: A Life of Henri Matisse, The Conquest of Colour, 1909-1954.  Alfred A. Knopf, 2005. Hardcover.  Pp. 512.  

 
  Exhibition catalogues 

1.      Cowart, Jack. Henri Matisse: Paper Cut-Outs. St. Louis Art Museum, 1977. Softcover. Pp. 304.  

 

2.      Arts Council of Great Britain.  Matisse, 1869-1954.  Arts Council of Great Britain, 1968. Softcover. Pp. 173. 

 

3.      Cowling, Elizabeth. Interpreting MatissePicasso.  Tate Publishing, 2002.  Softcover. Pp 80.  

 

4.      Cowling, Elizabeth.  Matisse Picasso.  Tate Publishing, Reunion des Musees Nationaux,  Museum of Modern Art, 2003.  Hardcover. Pp. 400.  

 

5.      Edlerfield, John.  Henri Matisse: A Retrospective.  Museum of Modern Art.  1992.  Hardcover.  Pp. 480.  

 

6.      Gowing, Lawrence.  E. henri matisse 64 paintings.  Museum of Modern Art, 1966. Softcover.  Pp. 63.  

Milne, David 

1.      Silcox, David P. David Milne: An Introduction to His Life and Art. Firefly Books, 2005.  Softcover. Pp. 64.  

 

2.      Tovell, Rosemarie.  David Milne: Painting Place/David Milne: Un coin pour peindre. National Gallery of Canada, Ottawa, 1976.  Softcover.  

 

3.      Tovell, Rosemarie L.  Reflections in a Quiet Pool. National Gallery of Canada, 1980.  Hardcover.  Pp. 244.  

Miro, Joan 

1.      Daniel, Marko, Gale, Matthew.  Joan Miro: The Ladder of Escape.  Fundacio Joan Miro. Barcelona, 2011.  Softcover oversize.  Pp. 239. 

 

2.      Dupin, Jacques.  Miro Sculptures. Walker Art Center, Minneapolis. 1971.  Softcover.  No. p #.  Approx. 44.  

 

3.      Penrose, Roland.  Joan Miro.  Tate Gallery.  Arts Council of Great Britain, 1964.  Softcover.  Pp. 49 + appx 40 pages of illustrations. 

Molinari, Guido   

  1.    Theberge, Pierre.  Guido Molinari. National Gallery of Canada, 1976.  Softcover.  Pp. 160.  


Monet, Claude 

  Books  

  1. Forge, Andrew.  Monet.  Art Institute of Chicago, 1995.  Hardcover.  Pp. 110. 

     
  2. Herbert, Robert L. Monet on the Normandy Coast: Tourism and Paining, 1867-1886. Yale University Press, 1994.  Softcover.  Pp. 149. 

     
  3. Heinrich, Christoph.  Clause Monet. Taschen, 2000.  Softcover.  PP. 96. 

     
  4. Joyes, Claire.  Claude Monet at Giverny: A Tour and History of the House and Garden. Foundation Claude Monet Giverny, 2010. Softcover.  Pp. 79.  

     
  5. King, Ross.  Mad Enchantment: Claude Monet and the Painting of the Water Lilies. Bloomsbury, 2016.  Softcover. Pp.399. 

     
  6. Russell, Vivian.  Monet’s Water Lilies.  Bullfinch Press Book, 1998.  Hardcover. Pp.  89.  

     
  7. Tucker, Paul Hayes.  Claude Monet: Life and Art. Yale University Press, 1995.  Softcover.  250. 

 

  Exhition catalogues 

1.      Michael Hoog.  The Nympheas of Claude Monet.  Musee de l’Orangerie.  Reunion des musees nationaux, 2006. Softcover.  Pp. 133.  

 

2.      Stuckey, Charles F.  Claude Monet, 1840-1926. Art Institute of Chicago.  Thames and Hudson, 1995.  Softcover.  Pp. 282.  

 

3.      Tucker, Paul Hayes.  Monet in the ‘90s: The Series Paintings. Museum of Fine Arts, Boston.  Yale University Press, 1989.  Hardcover. Pp. 307.  

  

4.      Tucker, Paul Hayes.  Monet in the 20th Century.  Museum of Fine Arts, Boston.  Yale University Press, 1998.  Softcover.  Pp. 300.  

Morisot, Berthe  

1.      Hignonnet, Anner.  Berthe Morisot.  University of California Press, 1990.  Softcover, Pp. 240.  

 

2.      Stuckey, Charles F. et al.  Berthe Morisot: Impressionist. National Gallery of Art, Washington, D. C.  `Hudson Hill Press, 1987.  Hardcover oversize.  Pp. 228.  

Morrice, James Wilson   

  1. Hill, Charles C. Morrice: Un don a la patrie: La collection G. Blair Laing.  Musee des Beaux-Arts du Canada, Ottawa, 1992. Softcover.  Pp. 186.  

Munch, Edvard   

  1. Prlinger, Elizbeth.  Edvard Munch: Master Printmaker. Busch-Reisinger Museum, Harvard University.  W. W. Norton, 1983. Hardcover.  Pp. 158.  

O’Keeffe, Georgia   

  1. Lynes, Barabara, Kastner, Carolyn.  Georgia O’Keefe in New Mexico. Georgia O’Keefe Museum. Museum of New Mexico Press, 2012. Softcover.  P p. 144.  

 

Picasso, Pablo   

  Books  

1.      Ashton, Dore. Editor. Picasso on Art: A Selection of Views.  Da Capo Press, 1972.  Hardcover. Pp. 189 

 

2.      Brassai.  Conversations With Picasso. University of Chicago Press, 1997. Pp. 392. 

 

3.      Clark, T. J. Picasso and Truth: From Cubism to Guernica. Princeton University Press, 2013. Hardcover. Pp. 328. 

 

4.      Cowling, Elizabeth.  Visiting Picasso: The Notebooks and Letters of Roland Penrose. Thames & Hudson, 2006. Hardcover. Pp. 408. 

 

5.      Duncan, David Douglas. Picasso’s Picassos.  Ballantine Books, 1968.  Softbound. Pp. 154. 

 

6.      Eluard, Paul.  Pablo Picasso.  Philosophical Library, 1947. Hardcover. Pp. 168. 

 

7.      Fitzgerald, Michael C.  Making Modernism:  Picasso and the Creation of the Market for Twentieth Century Art. Farrar, Straus and Giroux, 1995. Hardcover. Pp. 314. 

 

8.      Freeman, Judi.  Picasso and the Weeping Women: The Years of Marie-Therese Walter & Dora Maar.  Los Angeles County Museum of Art and Rizzoli, 1994. Hardcover. Pp. 315. 

 

9.      Gilot, Francoise, Carlton Lake.  Life With Picasso.  Anchor Books Doubleday, 1964. Softbound. Pp. 373.  

 

10.  Hensbergen, Gijs van. Guernica: The Biography6 of a Twentieth-Century Icon. Bloomsbury, 2004. Hardcover. Pp. 373. 

 

11.  Huffington, Arianna Stassinopoulos. Picasso: Creator and Destroyer. Simon and Schuster, 1988. Hardcover. Pp. 557.  

 

12.  Kluver, Billy.  A Day with Picasso. MIT Press, 1997. Softbound. Pp. 55. 

 

13.  Krauss, Rosalind.  E.  The Picasso Papers. Farrar, Straus and Giroux, 1998. Hardcover. Pp. 272.  

 

14.  Mailer, Norman. Portrait of Picasso as a Young Man. Alfred A. Knopf, 1995. Softbound. Pp. 400. 

 

15.  McCully, Marilyn.  A Picasso Anthology: Documents, Criticism, Reminiscence. Princeton University Press, 1981.  Softbound. Pp. 288.  

 

16.  Miller, Arthur I.  Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc. Basic Books, 2001. Softbound. Pp. 357.  

 

17.  Parmelin, Helene.  Picasso Plain. Sacker and Warburg, 1959. Hardcover. Pp. 250.  

 

18.  Richardson, John. A Life of Picasso: The Early Years, 1881-1906. Random House, 1991. Softbound. Pp. 548. 

 

19.  Richardson, John. A Life of Picasso: The Painter of Modern Life, 1907-1917. Random House,1996.  Hardcover. Pp. 500. 

 

20.  Richardson, John. A Life of Picasso: The Triumphant Years, 1917-1932.  Alfred A. Knopf, 2007.  Hardcover. Pp. 592. 

 

21.  Richardson, John. A Life of Picasso: The Minotaur Years, 1933-1943.  Alfred A. Knopf, 2021.    Hardcover. Pp. 308. 

 

22.  Rubin, William, Seckel, Helene, Cousins, Judith.  Les Demoiselles d’Avignon.  Studies in Modern Art 3.  Museum of Modern Art, 1994.  Hardcover.  Pp. 279. 

 

23.  Schapiro, Meyer.  The Unity of Picasso’s Art.  George Braziller, 2000. Hardcover. .Pp. 199 

 

24.  Warncke, Carsten-Peter.  Pablo Picasso.  Taschen, 2003.  Softcover.  Pp. 240.  

 

25.  Warnod, Jeanine.  Washboat Days: Montmartre, Picasso and the Artists Revolution.  Grossman Publishers, 1972.  Hardcover.  Pp. 239.  

 

     Exhibition and museum catalogs 

1.      Alarco, Paloma, Warner, Malcolm. The Mirror & the Mask: Portraiture in the Age of Picasso. Kimbell Art Museum (Fort Worth, Texas), 2007. Softcover. Pp. 338.  

 

2.      Art Institute of Chicago.  Picasso in Chicago. Art Institute of Chicago, 1968. Softcover.  Pp. 120.  

 

3.      Barnes Foundation, Philadelphia.  Picasso: The Great War, Experimentation, and Change. Barnes Foundation, 2016. Hardcover.  Pp. 176. 

 

4.      Beisiegel, Katharina. Editor. Picasso: The Artist and His Muses. Vancouver Art Gallery. 2016. Softcover. 158.  

 

5.      Ceppi, Claudia Beltramo.  Picasso e Vollard: il genio e il mercante. Giunti Arte Mostre Musei, Venice, 2012, Softcover. Pp. 206.  

 

6.      Cowling, Elizabeth, et. al. Picasso: Challenging the Past. National Gallery, London, 2009. Softcover. Pp. 176. 

 

7.      Cowling, Elizabeth, Kendall, Richard.  Picasso Looks at Degas.  Sterling and Francine Clark Institute, 2010. Softcover. Pp. 354. 

 

8.      Leal, Brigitte, et. al. Picasso from caricature to metamorphosis of style. Museu, Picasso (Barcelona), 2003. English edition. Softcover. Pp. 341.  

 

9.      Montreal Museum of Fine Arts.  Pablo Picasso: Meeting in Montreal. Montreal Museum of Fine Arts, 1985.  Hardcover. Pp. 309.   

 

10.   Penrose, Roland.  Picasso. The Arts Council of Great Britain, 1960.  Softcover. Pp. 85. 

 

11.  Rubin, William. Editor. Pablo Picasso: A Retrospective. Museum of Modern Art, New York, 1980. Hardcover. Pp. 463. 

 

12.  Rubin, William.  Picasso and Braque: Pioneering Cubism. Museum of Modern Art, New York.  Museum of Modern Art, 1989.  

 

13.  Rubin, William. Editor. Picasso and Portraiture: Representation and Transformation.  Museum of Modern Art, New York. Harry N. Abrams,1996. Hardcover. Pp. 496. 

 

14.  Umland, Ann.  Picasso Guitars, 1912-1914. Museum of Modern Art, New York. Museum of Modern Art, 2011. Hardcover.  Pp. 104.  

 

15.  Varnedoe, Kirk, Karmel, Pepe. Picasso: Masterworks from The Museum of Modern Art Museum of Modern Art in collaboration with National Gallery of Canada, 1997.  Softcover. Pp. 151.  

 

16.  Weiss Jeffrey.  Picasso: The Cubist Portraits of Fernande Olivier. National Gallery of Art, Washington, D.C. Princeton University Press, 2003..  Softcover. Pp. 196.  

Pollock, Jackson  

1.      Cernuschi, Claude. Jackson Pollock: Meaning and Significance. Icon Editions, 1992.  Softcover.  Pp. 336.  

 

2.      Karmel, Pepe.  Editor. Jackson Pollock: Interviews, Articles, and Reviews. Museum of Modern Art.  Harry N. Abrams, 1999.  Softcover. Pp. 283.  

 

3.      Landau, Ellen G. Jackson Pollock. Abradale Press, Harry N. Abrams, 1989.  Hardcover oversize. Pp. 283.  

 

4.      Lewison, Jeremy.  Interpreting Pollock. Tate Gallery Publishing, 1999.  Softcover. Pp. 84.  

 

5.      O’Hara, Frank.  Jackson Pollock.  George Braziller, 1959.  Softcover. Pp. 125.  

 

6.      Potter, Jeffrey.  To a Violent Grave: An Oral Biography of Jackson Pollock.  G. P. Putnam Sons, 1985.  Hardcover. Pp. 301.  

  Renoir, Pierre-Auguste 

  1. Feist, Peter H. Pierre-Auguste Renoir: A Dream of Harmony.  Taschen, 2000.  Softcover.  Pp. 96.  


Stella, Frank  

1.      Rosenblum, Robert.  Frank Stella. Penguin New Art 1.  Penguin Books, 1971.  Softcover.  62. 

 

2.      Rubin, William S.  Frank Stella.  Museum of Modern Art. New York Graphic Society,1970.  Hardcover.  Pp. 174. 

 

3.      Stella, Frank.  Working Space. Harvard University Press, 1986.  Softcover.  Pp. 177. 

Toulouse-Lautrec, Henre de  

  1. Milner, Frank. Toulouse-Lautrec.  Bison Books Limited, 1992, Hardcover large oversize.  Pp. 176,  

Van Gogh, Vincent  

1.      Pickvance, Ronald.  Van Gogh in Arles. Metropolitan Museum of Art, New York, 1984. Softcover oversize. Pp. 271.  

 

2.      Schapiro, Meyer.  Vincent van Gogh.  Harry N. Abrams, 2003.  Softcover oversize.  Pp. 127. 

 

3.      Uitert Evert van, Tilbourgh, Louis van, Heugten, Sjraar van.  Vincent van Gogh: Paintings. Rijksmuseum Vincent van Gogh, Amsterdam.  Arnoldo Mondadori Arte, 1990.  Softcover oversize.  Pp.292, 

 

4.      Wok, Johannes van de, Picvance, Ronald, Pey, E. B. F. Vincent van Gogh: Drawings.  Rijksmuseum Kroller-Muller, Otterlo, 1990.  Softcover oversize.  Pp. 336.   

Vermeer, Johannes   

  1. Wheelock. Jr., Arthur K. Johannes Vermeer.  National Gallery of Art, Washington, D.C.. Yale University Press, 1995. Hardcover oversize. Pp. 229.  


Wyeth, Andrew  

1.      Richardson, Edgar P.  Andrew Wyeth.  Pennsylvania Academy of the Fine Arts, 1966.  Softcover.  Pp. 111.  

 

2.      Wilmerding, John. Andrew Wyeth: The Helga Pictures. National Gallery of Art, Washington.  Harry N. Abrams, 1987.  Pp. 208.  

 

II.                Taschen artist series  

These volumes are from a series published by Taschen over the years, Each volume is a 96 page softcover devoted to an artist consisting of a text by an expert and high quality illustrations.  Some of the artists listed also have other title in Section I.   

1.      Bacon, Francis.  Ficacci, Luigi. Francis Bacon.  2003.  

 

2.      Balthus. Neret, Gilles.  Balthus: The King of Cats. 2005.  

 

3.      Botticelli, Sandro.  Deimling, Barbara.  Sandro Botticelli. 2004.  

 

4.      Calder, Alexander.  Baal-Teshuva, Jacob.  Alexander Calder.  2002.   

 

5.      Caravaggio.  Lambert, Gilles.  Caravaggio.  2000. 

 

6.      Cezanne, Paul:  Becks-Malorny, Ulrike. Pioneer of Modernism. 2001.  

 

7.      Chagall, Marc.  Walther, Ingo F., Metzger, Rainer. Marc Chagall: Painting as Poetry. 2000.  

 

8.      Christo.  Baal-Teshuva, Jacob.  Christo and Jeanne-Claude. 2001.  

 

9.      Courbet, Gustave.  Masanes, Fabrice.  Gustave Courbet: The Last of the Romantics. 2006.  

 

10.  Dali, Salvador.  Neret, Gilles.  Salvador Dali.  2005.  

 

11.  Degas, Edgar.  Growe, Bernd.  Edgar Degas. 2001.  Pp. 96.  

 

12.  De Kooning, Willem. Hess, Barbara.  Willem de Kooning: Content as a Glimpse.  2004.  

 

13.  Delacroix, Eugene.  Neret, Giles. Eugene Delacroix: The Prince of Romanticism. 2000.  

 

14.   Duchamp, Marcel.  Mink, Janis.  Marcel Duchamp.  2000. 

 

15.  Durer, Albrecht.  Berger, John.  Albrecht Durer: Watercolours and Drawings. 2004. 

 

16.  Durer, Albrecht.  Wolf, Norbert.  Albrecht Durer: The Genius of the German Renaissance. 2006.  

 

17.  El Greco.  Scholz-Hansel, Michael. El Greco.  2004.   

 

18.  Fontana, Lucio.  Hess, Barbara.  Lucio Fontana: “A New Fact in Sculpture.”  2006. 

 

19.  Freud, Lucian.  Smee, Sebastian. Lucian Freud. 2007.  

 

20.  Gauguin, Paul.  Walther, Ingo F. Paul Gauguin: The Primitive Sophisticate.  2004.  

 

21.  Giotto.  Wolf, Norbert.  Giotto de Bondone: The Renewal of Painting. 2006. 

 

22.  Goya, Francisco.  Hagen, Rose Marie and Rainer. Francisco Goya. 2003.  

 

23.  Haring, Keith.  Kolossa, Alexandra. Keith Haring: A Life for Art. 2004.  

 

24.  Holbein, Hans.  Wolf Norbert. Hans Holbein The Younger: The German Raphael. 2004.  

 

25.  Hopper, Edward.  Renner, Rolf Gunter.  Edward Hopper: Transformation of the Real. 2005.  

 

26.  Ingres, Jean-Auguste-Dominque.  Grimme, Karin H.   Jean-Auguste- Dominque Ingres. 2006. 

 

27.  Johns, Jasper.  Hess, Barbara.  Jasper Johns: “The Business of the Eye. 2007. 

 

28.  Kandinsky, Wassily.  Duchting, Hajo.  Wassily Kandinsky: A Revolution in Painting.  2000. 

 

29.  Klee, Paul.  Partsche, Susanna.  2007.  

 

30.  Klimt, Gustav.  Neret, Gilles. Gustav Klimt. 2007.  

 

31.  Klein, Yves.  Weitemeier, Hannah.  Yves Klein: International Klein Blue. 2001. 

 

32.  Leonardo da Vinci.  Zollner, Frank.  Leonardo da Vinci.  2000.  

 

33.  Lichtenstein, Roy.  Hendrickson, Janis. Roy Lichtenstein. 2006.  

 

34.  Magritte, Rene.  Paquet, Marcel.  Rene Magritte: Thought Rendered Visible. 2000. 

 

35.  Malevich, Kazimir. Neret, Gilles. Kazimir Malevich and Suprematism. 2003. 

 

36.  Manet, Edouard. Neret, Gilles.  Edouard Manet: The First of the Moderns. 2003.   

 

37.  Matisse, Henri.  Essers, Volkmar. Henri Matisse: Master of Colour. 2002. 

 

38.  Michelangelo.  Neret, Gilles. Michelangelo. 2000.  

 

39.  Miro, Joan.  Mink, Janis.  Joan Miro. 2000.  

 

40.  Modigliani, Amedeo.  Krystof, Doris. Amedeo Modigliani: The Poetry of Seeing. 2000, 

 

41.  Mondreian, Piet.  Deicher, Susanne. Piet Mondrian: Structures in Space. 2004.  

 

42.  O’Keeffe, Georgia. Benke, Britta.  Georgia O’Keeffe: Flowers in the Desert. 2005.  


 

43.  Munch, Edvard.  Bischoff, Ulrich. Edvard Munch: Images of Life and Death. 2007.  


 

44.  Picasso, Pablo.  Walther, Ingo F. Pablo Picasso: Genius of the Century. 2000.  

 

45.  Pollock, Jackson. Emmerling, Leonhard.  Jackson Pollock. 2003.   

 

46.  Poussin, Nicolas.  Keazor, Henry.  Nicolas Poussin. 2007. 

 

47.  Raphael.  Thoenes, Christof. Raphael.  2005.  

 

48.  Rembrandt.  Bockemuhl, Michael.  Rembrandt: The Mystery of the Revealed Form. 2004. 

 

49.  Renoir, Pierre-Auguste.  Feist, Peter H.  Pierre-Auguste Renoir: A Dream of Harmony. 2000.  

 

50.  Rivera, Diego.  Kettenmann, Andrea.  Diego Rivera: A Revolutionary Spirit in Modern Art. 2005. 

 

51.  Rothko, Mark.  Ball-Teshuva, Jacob.  Mark Rothko: Pictures as Drama. 2003. 

 

52.  Rubens, Peter Paul.  Neret, Gilles. Peter Paul Rubens: The Homer of Painting. 2004. 

 

53.  Schiele, Egon.  Steiner, Reinhard. Egon Schiele: The Midnight Soul of the Artist.  2000. 

 

54.  Seurat, Georges.  Duchting, Hajo.  Georges Seurat: The Master of Pointillism. 2000.  

 

55.  Titian.  Kennedy, Ian G.  Titian. 2006. 

 

56.  Toulouse-Lautrec, Henri de.  Arnold, Matthias. Henri de Toulouse-Lautrec: The Theatre of Life. 2000.  

 

57.  Van Eyck, Jan.  Borchert, Till-Holger.  Jan Van Eyck. 2008.  

 

58.  Van Gogh, Vincent.  Walther, Ingo F.  Vincent van Gogh: Vision and Reality. 2000.    

 

59.  Velazquez, Diego.  Wolf, Norbert. Diego Velazaquez: The Face of Spain. 1999. 

 

60.   Vermeer.  Schneider, Norbert.  Vermeer: Veiled Emotions. 2000. 

 

61.  Warhal, Andy.  Honnef, Klaus. Andy Warhol: Commerce into Art. 2000,  

 

62.   Watteau, Antoine.  Lauterbach, Iris.  Antoine Watteau. 2008. 

 

III.             Art Movements 

Abstract art 

  1. Gooding, Mel.  Abstract Art.  Movements in Modern Art.  Cambridge University Press, 2001.  Softcover.  Pp. 96. 


Abstract Expressionism 

1.      Balken, Debra Bricke.  Abstract Expressionism.  Movements in Modern Art. Tate Publishing, 2005.  Softcover. Pp. 80, 

 

2.      Leja, Michael. Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s. Yale University Press, 1993.  Softcover.  Pp. 392.  

 

3.      Sandler, Irving.  The Triumph of American Painting: A History of Abstract Expressionism. Praeger Publishers, 1970. Softcover oversize.  P.p. 301.   

  Art Povera 

4.      Lumley, Robert.  Arte Provera. Movements in Modern Art. Tate Publishing, 2004.  Softcover.  Pp.79.  

  Conceptual Art 

5.      Wood, Paul. Conceptual Art. Movements in Modern Art. delano greenidge editions, 2002. Hardcover.  Pp. 80.   

  Contemporary art 

6.      Stallabrass, Julian.  Contemporary Art: A Very Short Introduction. Oxford Unitersity Press, 2004.  Pp. 154. ` 

  Cubism 

7.      Berger, John.  The Moment of Cubism and Other Essays. Pantheon Books, 1969. Hardcover.  Pp. 139. 

 

8.      Cooper, Douglas.  The Cubist Epoch.  Phaidon,1970.  Softcover. Pp. 320.  

 

9.      Golding, John. Cubism: A History and an Analysis, 1907-1914.  Boston Book & Art Shop, 1968. Hardcover, Pp. 208 text. 47 un-numbered pages of illustrations.  

 

10.  Cottington, David.  Cubism.  Movements in Modern art. Cambridge University Press, 1998.  Softcover. Pp. 80.  

 

11.  Rosenblum, Robert.  Cubism and Twentieth-Century Art.  Harry N. Abrams, 2001.  Softcover.  Pp. 246. 

  Expressionism  

12.  Myers, Bernard S.  The German Expressionists: A Generation in Revolt. Frederick A. Praeger, 1966.  Softcover.  Pp. 348.  

 

13.  Behr, Shulamith. Expressionism. Movements in Modern Art. Cambridge University Press,1999.  Softcover. Pp. 80. 

  Fauvism 

14.  Elderfield, John.  Fauvisim: The ‘Wild Beasts’ and Its Affinities. Museum of Modern Art, 1976.  Softcover.  Pp. 167.   

  Futurism 

15.  Humphreys, Richard.  Futuism.  Movements in Modern Art. Cambridge University Press, 1999.  Softcover.  Pp. 80.    

  Impressionism 

16.  Bazin, Germain. French Impressionist Paintings in the Louvre.  Harry N. Abrams,  

 

17.  Belloli, Andrea P. A. Editor, A Day in the Country: Impressionism and the French Landscape. Harry N. Abrams, 1984.  Hardcover oversize.  Pp. 375.  

 

18.  Bellony-Rewald, Alice. The Lost World of the Impressionists. Book Club Associates London, 1976.  Hardcover oversize.  Pp. 288.  

 

19.  Herbert, Robert L.  Impressionism: Art, Leisure, & Parisian Society. Yale University Press, 1988. Softcover oversize.  Pp. 324.  

 

20.  House, John.  Impressionism: Paint and Politics. Yale University Press, 2004.  Hardcover oversize.  Pp. 256. 

 

21.  Moffett, Charles S. The New Painting: Impressionism 1874-1886.  Richard Burton SA, 1986.  Hardcover oversize. Pp. 507.  

 

22.  Rewald, John.  The History of Impressionism. Fourth revised edition. New York Graphic Society, 1973. Hardcover.  Pp. 672.  

 

23.  Richardson, John.  Impressionist and Post-Impressionist Paintings from the U.S.S.R. 

National Gallery of Art, Washington, D. C., 1973. Softcover oversize.  Pp. 120.  

 

24.   Schapiro, Meyer. Impressionism: Reflections and Impressionism. George Braziller, 1997.  Hardcover.  Pp. 359.  

 

25.  Willsdon, Clarke  A. P. In the Gardens of Impressionism. Vendome Press, 2004.  Hardcover large oversize.  Pp. 288.  

  Minimalism   

26.  Batchelor, David. Minimalism. Movements in Modern Art.  Cambridge University Press, 1997. Softcover.  Pp. 80.   

 Modernism   

27.  Harrison, Charles.  Modernism.  Movements in Modern Art.  Cambridge University Press, 1997.  Softcover.  Pp. 80.  

 Pop Art  

28.  McCarthy, David.  Pop Art. Movements in Modern Art. Tate Publishing, 2000. Softcover. Pp. 80.  

 Post-Impressionism  

29.  Thomson, Belinda.  Post-Impressionism.  Movements in Modern Art.  Cambridge University Press, 1998.  Softcover.  Pp. 80.  

 Postmodernism   

30.  Heartney, Eleanor.  Postmodernism.  Movements in Modern Art.  Cambridge University Press, 2001. Softcover.  Pp. 80.  

 Realism   

31.  Malpas, James. Realism. Movements in Modern Art. Cambridge University Press, 1997.  Softycover.  Pp. 80.  

Surrealism 

32.  Breton, Andre. Surrealism and Painting.  Translated by Simon Watson Taylor. Museum of Fine Arts, Boston, 1965.  Softcover.  Pp. 416.  

 

33.  Chenieux-Gendron, Jacqueline.  Surrealism.  Translated by Vivian Folkenflik. Columbia University Press, 1990.  Softcover.  Pp. 227.   

 

34.  Tashjian, Dikran.  A Boatload of Madmen:  Surrealism and the American Avant-Garde, 1920-1950.  Thames and Hudson, 1995.  Hardcover.  Pp. 424.  

 

IV.             Art and culture  

  1. Arnold, Dana.  Art History: A Very Short Introduction. Oxford University Press, 2004.  Softcover.  Pp. 125.  

     
  2. Baxandall, Michael. Painting and Experience in Fifteenth Century Italy.  Second edition. Oxford University Press, 1988.  Softcover.  Pp. 183.   

     
  3. Baxandall, Michael. Patterns of Intention: On the Historical Explanation of Pictures. Yale University Press, 1985.  Softcover.  Pp. 147 +30 unnumbered pages of illustrations.  

     
  4. Baxandall, Michael.  Words for Pictures: Seven Papers on Renaissance Art and Criticism. Yale University Press, 2003. Hardcover.  Pp. 169.  

     
  5. Bayer, Herbert, Gropius, Walter, Gropius Ise.  Editors. Bauhaus, 1919-1928.  Charles T. Branford Company, 1959 (1938).  Hardcover.  Pp. 224.   

     
  6. Beardsley, John.  Earthworks and Beyond: Contemporary Art in the Landscape. Abbeville Press Publishers, 1998.  Softcover oversize.  Pp. 224.  

     
  7. Clark, Kenneth.  The Nude: A Study in Ideal Form.  Princeton University Press, 1956. Hardcover.  Pp. 458. 

     
  8. Clark, T. J.  Farewell to an Idea: Episodes From a History of Modernism. Yale University Press, 1999.  Hardcover.  Pp. 451.  

     
  9. Cox, Madison. Artists’ Gardens:  From Claude Monet to Jennifer Bartlett. Harry N. Abrams, 1993.  Hardcover oversize.  Pp. 208.  

     
  10. Crane, Diana.  The Transformation of the Avant-Garde: The New York Art World, 1940-1985.  University of Chicago Press, 1987.  Softcover.  Pp. 194. 

     
  11. Dunlop, Ian.  The Shock of the New: Seven Historic Exhibitions of Modern Art. American Heritage Press, 1975.  Hardcover.  Pp. 272. 

     
  12. Fried, Michael.  Art and Objecthood: Essays and Reviews. University of Chicago Press, 1998.  Softcover. Pp. 333. 

     
  13. Gay, Peter.  Art and Act: On Causes in History—Manet, Gropius, Mondrian.  Harper and Row, 1976.  Hardcover. Pp. 265.   

     
  14. Gay. Peter.  Modernism: The Lure of Heresy From Baudelaire to Beckett and Beyond. W. W. Norton, 2008. Hardcover. Pp. 610.  

     
  15. Goffen, Rona. Editor. Masaccio’ Trinity.  Cambridge University Press, 1998.  Softcover.  Pp. 166.  

     
  16. Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial Representation. Princeton University Press, 1969.  Softcover.  Pp. 466. 

     
  17. Gombrich, E. H.  The Story of Art. Phaidon Press, 1995.  Softcover. Pp. 688.  

     
  18. Greenberg, Clement.  Art and Culture: Critical Essays.  Beacon Press, 1961.  Softcover.  Pp. 278.  

     
  19. Hampl, Patricia. Blue Arabesque: A Search for the Sublime.  Harcourt, 2006.  Hardcover.  Pp. 215.   

     
  20. Hobbs, Stuart D.  The End of the American Avant Garde. New York University Press, 1997.  Hardcover.  Pp. 230.   

     
  21. Hobhouse, Janet. The Bride Stripped Bare” The Artist and the Female Nude in the Twentieth Century,  Weidenfeld & Nicolson, 1988.  Hardcover oversize.  Pp. 288.  

     
  22. Hopkins, David. After Modern Art: 1945-2000.  Oxford University Press, 2000.  Softcover.  Pp. 282.  

     
  23. Hughes, Robert.  American Visions: The Epic History of Art in America.  Alfred A. Knopf, 1999.  Softcover.  Pp. 635.   

     
  24. Hughes, Robert.  The Shock of the New. Revised edition. Alfred A. Knopf, 1991.  Softcover.  Pp. 444.  

     
  25. Hustvedt, Siri. Mysteries of the Rectangle. Princeton Architectural Press, 2005.  Softcover.  Pp. 179. 

     
  26. Krauss, Rosalind E.  The Originality of the Avant-Garde and Other Modernist Myths.  MIT Press, 1985.  Softcover.  Pp. 307.  

     
  27. Lucie-Smith, Edward.  Movements in Art Since 1945.  New Edition. Thames & Hudson, 2001.  Softcover.  Pp. 304. 

     
  28. Matthews, Samuel V. Editor. Atlas of Design. Vol. 3. North American Cartographic Society, 2016, Hardcover. Pp. 89.  

     
  29. Newhouse, Victoria.  Art and Power of Placement.  Monacelli Press, 2005.  Hardcover. Pp. 303. 

     
  30. Paolucci, Antonio.  Great Museums of Europe:  The Dream of the Universal Museum. Skira, 2002, Hardcover oversize. Pp. 255.  

     
  31. Quantum Books Ltd.  Techniques of the Great Masters of Art. Quantum Books Ltd, 1985.  Softcover oversize.  Pp. 546. 

     
  32.  Schama, Simon.  Power of Art. Viking Canada, 2006.  Hardcover.  Pp. 448. 

     
  33.  Steinberg, Leo. Other Criteria: Confrontations with Twentieth-Century Art. University of Chicago Press, 1972.  Softcover.  Pp. 436. 

     
  34. Sylvester, David.  About Modern Art: Critical Essays 1948-2000.  Revised edition. Pimlico, 2002.  Softcover.  Pp. 542.  

     
  35. Tomkins, Calvin.  The Bride & the Bachelors: The Heretical Courtship in Modern Art.  Viking Press, 1965.  Softcover.  Pp. 246. 

     
  36. Tomkins, Calvin.  Lives of the Artists. Henry Holt and Company, 2008.  Hardcover.  Pp. 254.  

     
  37. Varnedoe, Kirk.  Pictures of Nothing: Abstract Art Since Pollock. Princeton University Press, 2006.  Hardcover.  Pp. 297.  

     
  38. Woodfield, Richard.  The Essential Gombrich: Selected Writings on Art and Culture.  Phaidon Press, 1996.  Softcover. Pp. 624. 

     

V.                Museum holdings catalogues  

  1. Brutvan, Cheryl A. Masterworks on Paper From the Albright-Knox Art Gallery.  Buffalo, New York. Hudson Hills Press, 1987. Hardcover oversize.  Pp. 168. 

  2.  Braun, Emily, Rabinow, Rebecca.  Cubism: The Leonard A. Lauder Collection.  Metropolitan Museum of Art, New York. Yale University Press, 2014. Hardcover.  Oversize. Pp. 381.  

  4. Donahue, Kenneth.  A Decade of Collecting, 1965-1975.   Los Angeles County Museum of Art, 1975. Softcover oversize.  Pp. 247.  

     
  5. Hamlyn, Paul.  The Hermitage, Leningrad: French 19th Century Masters.  Hamlyn House, 1968.  Hardcover oversize.  Pp. 110. 

     
  6. Kendall, Richard.  Van Gogh to Picasso: The Berggruen Collection at the National Gallery. London. National Gallery, 1991.  Softcover.  Pp. 209. 

     
  7. Krens, Thomas. A Century of Painting from Renoir to Rothko. Solomon R. Guggenheim Museum, 2004. Softcover oversize.  Pp. 125. 

     
  8. Lerner, Abram.  The Hirshhorn Museum & Sculpture Garden. Harry N. Abrams, Inc., 1974.  Softcover oversize.  Pp. 770.  

     
  9. Riopelle, Christopher.  Manet to Picasso: The National Gallery.  The National Gallery.  London.  National Gallery Company, 2006. Softcover.  Pp. 71.  

     
  10. Sterling, Charles.  Great French Painting in the Hermitage.  Second edition.  Harry N. Abrams, 1988.  Hardcover oversize.  Pp. 251. 

 

VI.             Exhibition catalogs  

Exhibitions devoted to an individual artist are listed under the artist in Section I.  

 

  1. Baker, Joe, McMaster, Gerald.  Editors.  Remix: New Modernities in a Post-Indian World. National Museum of the American Indian, Smithsonian Institution, 2007. Softcover. Pp. 95.  

     
  2. Baur, John I. H.  Between the Fairs: 25 years of American Art, 1939-1964.  Whitney Museum of American Art.  Frederick A. Praeger, 1964. Hardcover.  Pp. 91. 

     
  3. Cate, Phillip Dennis, et al.  Prints Abound: Paris in the 1890s.  National Gallery of Art, Washington, D.C., 2000.  Softcover oversize.  Pp. 183.  

     
  4. Chan, Victor.  Rubens to Picasso: Four Centuries of Master Drawings. University of Alberta, 1996, Softcover.  Pp. 159. 

     
  5. Chicago.  Art Institute of Chicago, Metropolitan Museum of Art, New York. From Poussin to Matisse: The Russian Taste for French Painting. A Loan Exhibition from the USSR,  Distributed by Harry N. Abrams, 1990.  Softcover oversize.  Pp. 168.  

     
  6. Clare, Jean.  Cosmos: From Romanticism to the Avant-garde. Montreal Museum of Fine Arts, 1999.  Hardcover oversize.  Pp. 396. 

     
  7. De Salvo, Donna. Editor. Open Systems: Rethinking Art c. 1970.  Tate Modern, London.  Tate Publishing, 2005.  Softcover. Pp. 193.  

     
  8. Kahng, Eik.  The Repeating Image: Multiples in French Painting From David to Matisse. Walters Art Museum, Baltimore.  Yale University Press, 2007.  Softcover.  Pp. 200. 

     
  9. Kosinski, Dorothy.  The Artist and the Camera: Degas to Picasso.  Dallas Museum of Art.  Yale University Press, 2000.  Hardcover oversize.  Pp. 335. 

     
  10. Luijten, Ger, Schatborn, Peter, Wheelock, Jr. Arthur K.  Drawings for Paintings in the Age of Rembrandt. National Gallery of Art, Washington, D.C. Skira, 2017. Oversize hardcover.  Pp. 318.  

     
  11. Museum of Contemporary Art.  Chicago. Collective Vison: Creating a Contemporary Art. Museum of Contemporary Art, 1996, Hardcover oversize.  Pp. 129.  

     
  12. Philadelphia Museum of Art.  Great French Paintings from the Barnes Foundation: From Cezanne to Matisse. Alfred A. Knopf, 1995.  Softcover oversize.  Pp. 318.  

  13. Wilton, Andrew, Barringer, Tim.  American Sublime: Landscape Painting in the United States, 182-1880.  Tate Britain, London.  Princeton University Press, 2002.  Hardcover.  p. 284. ` 



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