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We're excited to announce the May issue of ARLIS/NA Reviews<https://reviews.arlisna.hcommons.org/>.   Many thanks to all of our reviewers for their excellent contributions!

Follow the links from the list below to read the reviews in the ARLIS/NA Commons CORE Repository<https://urldefense.com/v3/__https:/arlisna.hcommons.org/deposits/?facets*5Bgroup_facet*5D*5B*5D=ARLIS*2FNA*Reviews*Editors*20__;JSUlJSUrKyU!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4rusfSim$>.

Consuming Painting: Food and the Feminine in Impressionist Paris https://doi.org/10.17613/dfmp-2v59<https://urldefense.com/v3/__https:/doi.org/10.17613/dfmp-2v59__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4hocBoSq$>
Reviewed by Carling Spinney

Flesh and Bones: The Art of Anatomy  https://doi.org/10.17613/svxh-8q65<https://urldefense.com/v3/__https:/doi.org/10.17613/svxh-8q65__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4tc2FA1B$>
Reviewed by Alfonso Huerta

Florine Stettheimer: A Biography  https://doi.org/10.17613/2gng-0t32<https://urldefense.com/v3/__https:/doi.org/10.17613/2gng-0t32__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4perg5Z7$>
Reviewed by Vada Komistra

Landscapes of Extraction: The Art of Mining in the American West https://doi.org/10.17613/6hk7-1k52<https://urldefense.com/v3/__https:/doi.org/10.17613/6hk7-1k52__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4iOPUvky$>
Reviewed by Dai Newman

Marcia Resnick: As It Is or Could Be https://doi.org/10.17613/h9h1-3b85<https://urldefense.com/v3/__https:/doi.org/10.17613/h9h1-3b85__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4rULETxe$>
Reviewed by Claire Payne

Modelwork: The Material Culture of Making and Knowing  https://doi.org/10.17613/422b-9v86
Reviewed by Michele Jennings

Paul Nash: Designer and Illustrator https://doi.org/10.17613/f7q4-dg39<https://urldefense.com/v3/__https:/doi.org/10.17613/f7q4-dg39__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4r0FUsDR$>
Reviewed by Jerrold Shiroma

Playful Pictures: Art, Leisure, and Entertainment in the Venetian Renaissance Home https://doi.org/10.17613/y9rq-3b81<https://urldefense.com/v3/__https:/doi.org/10.17613/y9rq-3b81__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4obNtfo6$>
Reviewed by Annalise Welte

Reconstructing the Garrick, Adler & Sullivan's Lost Masterpiece https://doi.org/10.17613/ytwx-wf02<https://urldefense.com/v3/__https:/doi.org/10.17613/ytwx-wf02__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4u5HAJbA$>
Reviewed by Keli Rylance

The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-Century Europe https://doi.org/10.17613/k641-6q95<https://urldefense.com/v3/__https:/doi.org/10.17613/k641-6q95__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4r7aoSaa$>
Reviewed by Andrea Walton

Theatres of Melancholy: The Neo-Romantics in Paris and Beyond https://doi.org/10.17613/8dzv-3998<https://urldefense.com/v3/__https:/doi.org/10.17613/8dzv-3998__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4h6BbJeT$>
Reviewed by Lindsay King

Traitor, Survivor, Icon: The Legacy of La Malinche https://doi.org/10.17613/q585-9t87<https://urldefense.com/v3/__https:/doi.org/10.17613/q585-9t87__;!!HXCxUKc!wOwcFhRsPMpyc1HPRDxQavxE1hjVnEcEPzh3SZVNKPd2avUo3Eb9ZmCEiPvo9FfUwMnuUfo0_5Z0ZvWLXWEW4lLpqlLm$>
Reviewed by Clayton Kirking


Terrie Wilson and Megan Macken
ARLIS/NA Reviews co-editors


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