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Dear ARLIS Members,



A last reminder that the VRA affiliate panel, “*Critical Cataloging
Conversations in Teaching, Research, and Practice*
<https://caa.confex.com/caa/2022/meetingapp.cgi/Session/9169>” will take
place online this *Friday, February 18, 2022, from 11:00am–12:30pm CST* where
we hope to have a lively discussion about this pertinent topic. A summary
of the session is below.



Please visit CAA’s conference page at
https://www.collegeart.org/programs/conference/conference2022 for more
information or contact us directly.



We also have an exciting update. Due to popular demand and the enthusiasm
of our wonderful presenters, the Visual Resources Association planners have
managed to fit a repeat of this session into the 2022 VRA conference
<https://vraweb.org/2022-baltimore/> taking place the last week of March in
Baltimore.



Hope you can join us!


Maureen Burns, VRA CAA Affiliate Liaison, [log in to unmask]

Bridget Madden, Session Chair, [log in to unmask]



*Critical Cataloging Conversations in Teaching, Research, and Practice*

This session seeks to explore the ways in which increased access to
digitized materials coincides with increasingly urgent conversations about
social justice, cultural humility, and ethical stewardship. What are the
ethical implications inherent in metadata, cataloging, classification
standards, practice, and infrastructure in archives, libraries, museums,
and visual resources collections? How have the fields of art history,
museum practice, and studio practice as well as associated current
curricula in these fields and in library science responded to the necessity
for critical cataloging when describing visual art? The speakers explore
ways to mitigate hierarchies of oppression in descriptive metadata through
a variety of perspectives on critical and radical cataloging, including:
assessments of these fields of study; curricular opportunities in the arts
and library science; special topics of outsider art, race, gender, and
sexuality; and adapting to non-Western knowledge systems. The goal is to
raise awareness about critical cataloging issues, to incorporate
marginalized communities’ language in order to give voice to the
historically underrepresented, and to discuss successful learning
opportunities, projects, and workflows for change.



*Describing Art on the Street: The Graffiti Art Community Voice *

*Ann M. Graf, **Assistant Professor of Library and Information Science,
Simmons University*



*Queer Work / Queer Archives*


*Jenn Sichel, Assistant Professor of Contemporary Art and Theory,
University of LouisvilleMiriam Kienle, Associate Professor of Art History,
University of Kentucky*


*Pattern and Representation: Critical Cataloging for a New Perspective on
Campus History*
*Megan Macken, Digital Scholarship Librarian, Edmon Low Library, Oklahoma
State UniversityLouise Siddons, Professor of Art History, Oklahoma State
University*

*Adapting to non-Western information workflows and protocols with Critical,
Relational Metadata*

*Devon Murphy, Metadata Librarian for Latin American Resources at the
University of Texas at Austin Libraries*


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