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I join in celebrating Eileen's  long tenure as copy editor of Art Doc!! Her exceptional attention to detail and style have made it the premier publication it is. Thank you for your years of caring for our words!! Best wishes, Ted Goodman 

On Wed, Dec 1, 2021, 1:09 AM Judy Dyki <[log in to unmask]> wrote:

The electronic edition of Art Documentation Fall 2021 (v. 40, no. 2) is now available to ARLIS/NA members through the members-only section of the ARLIS/NA website. The print copies have been mailed and will be arriving in mailboxes shortly. 

 

To access the electronic version, go to https://www.arlisna.org/art-documentation, click on the Members-Only Access to Art Documentation link, then sign in. If you are having trouble logging in, contact the ARLIS/NA headquarters office at [log in to unmask] or 978-674-6211.


The table of contents for the Fall 2021 issue appears below.


It is with deep gratitude and a sense of sadness that I announce Eileen Markson’s departure from Art Documentation. Eileen has served as the journal’s exceptional copy editor for twenty-five (!) years, working with six different editors and producing forty-nine issues of the publication. She helped countless authors bring clarity and poetry to their words. Eileen has been a guiding force, and I will miss her wisdom, hard questions, eagle eye—and most of all her friendship. Enjoy the next chapter in your life, Eileen!


Judy

___________________________________________


Judy Dyki

Editor, ART DOCUMENTATION

Director of Academic Programs and Library

Cranbrook Academy of Art and Art Museum

39221 Woodward Avenue, Box 801

Bloomfield Hills, MI   48303-0801

248-645-3364  phone

248-645-3464  fax

[log in to unmask]  e-mail



________________________________________


ART DOCUMENTATION 40:2, Fall 2021

Table of Contents


Artist Catalogs: An Approach to the Foundations of an Artistic Genre 

Salvador Haro González  

 

Why Have There Been No Great Art Libraries: The Role of Radical Cataloging in the Reassessment of Art History 

Janna Singer-Baefsky  

 

The Contingency and Fiction of Performance Art Documentation: Theory and Practice 

Małgorzata Kaźmierczak  

 

Computer Vision for Visual Arts Collection: Looking at Algorithmic Bias, Transparency, and Labor 

Jessica Craig  

 

The Work of Art in the Age of Neural Reproduction 

Ana Peraica  

 

How I Learned to Stop Worrying and Love the Cloth: The Collection Management and Descriptive Cataloging of Publishers’ Bindings in Research Libraries 

Chris Fripp  

 

Explorations in Library Design: A Study of Master of Architecture Thesis Projects 

Cathryn Copper  

 

Core or Not: Redefining the AASL List of Periodicals 

Rose Orcutt, Kathy Edwards, Lucy Campbell, Barbara Ann Opar 

 

Framing a Gallery Program: Integrating the ACRL Framework into a University Library Art Gallery 

Loretta Esparza, Catherine Fonseca, Mary Wegmann 

 

Fashioning the Framework: Information Literacy for Fashion Studies 

Laura B. Thompson 

 

Demand-Driven Acquisition for an Academic Architecture Library Collection: A Case Study and Commentary 

Hillary Veeder 



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Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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