FYI

-John

Dear colleagues,

Panorama, the journal of the Association of Historians of American Art, is pleased to announce the publication of its fall issue and the debut of its “Toward a More Inclusive Digital Art History” initiative, generously sponsored by the Terra Foundation for American Art. The centerpiece of this project is Sierra Rooney’s article “Commemoration of an Epoch: Mapping Monuments to the Women’s Suffrage Movement in the United States,” the first of three features to be published over the next two years. To access the current issue, please visit journalpanorama.org.

Panorama, published by the University of Minnesota Libraries, is the first peer-reviewed, open-access online publication dedicated to American art and visual culture (broadly defined) from the colonial period to the present day.  We welcome submissions in a variety of formats. Please visit our submissions page (https://editions.lib.umn.edu/panorama/submission) for more information, or contact us at [log in to unmask].

 

 

PANORAMA

Issue 7.2 (Fall 2021)

 

Editors’ Welcome

 

“AHAA 2021: Present, If Not Visible”

Ashley Cope

 

SPECIAL SECTION: Toward a More Inclusive Digital Art History

Introduction

Johnathan Hardy and Diana Seave Greenwald

 

“Plotting Counter Tactics to Erasive Strategies of Manifest Destiny: An Investigation of Representation in Images of US National Parks”

Theresa Avila

 

“Californian Women Photographers in the U.S. Archival Landscape: Toward a More Inclusive History of American Photography”

Carolin Görgen

 

“Mining @ Tenth Street: Visualizing New York City's Tenth Street Studio Building”

Mary Okin

 

“Analog Video in the Age of Digital Data: A Case Study of Shigeko Kubota’s ‘Social Practice’”

Helena Shaskevich

 

 

FEATURE ARTICLES

“Commemoration of an Epoch: Mapping Monuments to the Women’s Suffrage Movement in the United States”

Sierra Rooney

 

“Andrew Wyeth and Birds of War”

Cécile Whiting

 

“Art, Dance, and Social Justice: Franziska Boas, Dorothy Dehner, and David Smith at Bolton Landing, 1944–1949”

Paula Wisotzki

 

 

IN THE ROUND

Introduction: “Women Artists and Teaching: An Intersectional View”

Liz Kim and Amy Von Lintel

 

“‘The Art of Living’: Selma Burke’s Progressive Art Pedagogies from the New Deal to the Black Arts Movement”

Rebecca Giordano

 

“Institutional Time: Judy Chicago’s Career Through the Lens of Art Education”

Sally Brown

 

“‘The Art of Flocking’: Sapphire and Crystals, Education, Community Building, and Collaboration

Joanna Gardner-Huggett”

 

“An Interview with Art Educator Professor Johnnie Mae Maberry, Tougaloo College”

Lynnette Gilbert Gilbert

 

“Teaching and Creating Art in the Borderlands: A Conversation with Santa C. Barraza”

Mary Thomas

 

“An Interview with Black Ash Basket Makers Kelly Church and Reneé Wasson Dillard”

Melynda Seaton

 

 

COLLOQUIUM

Introduction: “When and Where Does Colonial America End?”

Emily Casey

 

“Where is Imperial (British) America?”

Janine Boldt

 

“Contact, and Contact Again: Reflections on an Eighteenth-Century Powder Horn”

Jennifer Y. Chuong and Kailani Polzak

 

“The Pervasive Nature of Colonialism, and Our Disciplinary Attachment to It”

Natalia Vargas Marquez

 

“Transformation on the Plains: The Extermination of the Buffalo and a Way of Life”

Darienne Turner

 

“The Decolonization of John Sloan”

Gwendolyn DuBois Shaw

 

 

RESEARCH NOTES

“Views of Chicago: Picturing the Ruins of the Great Fire”

Christina Michelon

 

“Problem Portraits: Francisco Oller and the Image of the Governor in Puerto Rico”

Natalia Vieyra

 

 

BOOK REVIEWS

Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World

by Anna Arabindan-Kesson

Reviewed by C.C. McKee

 

Domesticating the Invisible: Form and Environmental Anxiety in Postwar America

by Melissa Raigan

Reviewed by Ila Sheren

 

Horace Pippin, American Modern

by Anne Monahan

Reviewed by Rebecca VanDiver

 

Aesthetic Painting in Britain and America: Collectors, Art Worlds, Networks

by Melody Barnett Deusner

Reviewed by Adrienne Baxter Bell

 

Guide to Historic Artists’ Homes & Studios by Valerie Balint

At First Light: Two Centuries of Maine Artists by Anne Collins Goodyear, Frank H. Goodyear III, and Michael K. Komanecky

Reviewed by Emily Shapiro

 

 

EXHIBITION REVIEWS

Joshua Johnson: Portraitist of Early American Baltimore

Washington County Museum of Fine Arts

Reviewed by Anne Verplanck

 

Virginia Arcadia: The Natural Bridge in American Art

Virginia Museum of Fine Arts

Reviewed by Debra Hanson

 

Extra Ordinary: Magic, Mystery and Imagination in American Realism

Georgia Museum of Art

Reviewed by Kéla Jackson

 

Jacob Lawrence: The American Struggle

The Phillips Collection

Reviewed by Janell Pryor

 

Sonya Clark: Tatter, Bristle, and Mend

National Museum of Women in the Arts

Reviewed by Jordana Saggese