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<https://arthistoriography.wordpress.com/> Journal of Art Historiography General articles Susanna Avery-Quash with Christine Riding (National Gallery, London), ‘Two hundred years of women benefactors at the National Gallery: an exercise in mapping uncharted territory’ <https://arthistoriography.files.wordpress.com/2020/11/avery-quash-and-riding1.pdf> 23/AQR1 Rex Butler (Monash University, Melbourne), ‘Rosalind Krauss: between modernism and post-medium’ <https://arthistoriography.files.wordpress.com/2020/11/butler.pdf> 23/RB1 Thomas Hughes (Courtauld Institute), ‘Subjectivity, historical imagination and the language of art history’ <https://arthistoriography.files.wordpress.com/2020/11/hughes.pdf> 23/TH1 Janno Martens (KU Leuven), ‘Lost and found in translation: the post-war adaptation strategies of Sigfried Giedion and Alexander Dorner’ <https://arthistoriography.files.wordpress.com/2020/11/martens.pdf> 23/JM1 Stefan Muthesius (University of East Anglia), ‘How to write plausibly about Architecture and architectural History, according to A. Rosengarten (1809-1893)’ <https://arthistoriography.files.wordpress.com/2020/11/muthesius.pdf> 23/SM1 Gavin Parkinson (Courtauld Institute), ‘On “sensibility”: art, art criticism and Surrealism in New York in the 1960s’ <https://arthistoriography.files.wordpress.com/2020/11/parkinson.pdf> 23/GP1 Caroline Anjali Ritchie (Tate Britain and the University of York), ‘Dangerous disorder: ‘confusione’ in sixteenth-century Italian art treatises’ <https://arthistoriography.files.wordpress.com/2020/11/ritchie.pdf> 23/CAR1 Modern Lives – Modern Legends: artist anecdotes since the eighteenth century: Guest edited by Hans C. Hönes (University of Aberdeen) and Anna Frasca-Rath (Friedrich-Alexander-University in Erlangen) Hans C. Hönes (University of Aberdeen) and Anna Frasca-Rath (Friedrich-Alexander-University in Erlangen), ‘Introduction’ <https://arthistoriography.files.wordpress.com/2020/11/hones-intro1.pdf> 23/HFR1 Hans C. Hönes (University of Aberdeen), ‘A match not made in heaven: artist anecdotes and the “Dialogues of the Dead”’ <https://arthistoriography.files.wordpress.com/2020/11/hones1.pdf> 23/HCH1 Mark Ledbury (Power Institute at the University of Sydney), ‘Trash talk and buried treasure: Northcote and Hazlitt‘ <https://arthistoriography.files.wordpress.com/2020/11/ledbury.pdf> 23/ML1 Lois Oliver (University of Notre Dame (USA) in London), ‘Monk or lover? A nineteenth-century artist’s dilemma’ <https://arthistoriography.files.wordpress.com/2020/11/oliver-1.pdf> 23/LO1 Matthew Greg Sullivan (University of York), ’”Vivid presentiments of action and character”: Allan Cunningham’s Anecdotes of British Sculptors’ <https://arthistoriography.files.wordpress.com/2020/11/sullivan1.pdf> 23/MGS1 Anna Frasca-Rath (Friedrich-Alexander-University in Erlangen), ‘The origin (and decline) of painting: Iaia, Butades and the concept of ‘Women’s Art’ in the 19th Century‘ <https://arthistoriography.files.wordpress.com/2020/11/frasca-rath1.pdf> 23/AFR1 Benjamin Harvey (Mississippi State University), ‘Refusing to play Vasari: Roger Fry’s Cézannian anecdotes’ <https://arthistoriography.files.wordpress.com/2020/11/harvey1.pdf> 23/BH1 Christine Hübner (Leipzig University), ‘”Creations of the professor’s fertile mind” – August Hagen’s artists’ novels’ <https://arthistoriography.files.wordpress.com/2020/11/huebner1.pdf> 23/CH1 The influence of the Vienna School of Art History before and after 1918 – Part 3 Stefaniia Demchuk (Taras Shevchenko National University of Kyiv), ‘The influence of the Vienna School of Art History on Soviet and post-Soviet historiography: Bruegel’s case’ <https://arthistoriography.files.wordpress.com/2020/11/demchuk.pdf> 23/SD1 Csilla Markója (Hungarian Academy of Sciences) and Kata Balázs (acb ResearchLab, Budapest), ’The Tolnay–Panofsky affair or, loyalty to the youth: Max Dvořák, the Vienna School, and the Sunday Circle’ <https://arthistoriography.files.wordpress.com/2020/11/markoja.pdf> 23/MB1 Zehra Tonbul (Istanbul Sehir University), ‘From Strzygowski’s “Orient oder Rom” to Hans Sedlmayr’s “Closest Orient”’ <https://arthistoriography.files.wordpress.com/2020/11/tonbul.pdf> 23/ZT1 The Artist Interview – An interdisciplinary approach to its history, process and dissemination: Guest edited by Lucia Farinati (Kingston University) and Jennifer Thatcher (University of Edinburgh) Lucia Farinati (Kingston University) and Jennifer Thatcher (University of Edinburgh), ‘Preface’ <https://arthistoriography.files.wordpress.com/2021/01/preface.pdf> 23/FT1 Papers Lucia Farinati (Kingston University) and Jennifer Thatcher (University of Edinburgh), ‘Mapping the contemporary historiography of the artist interview as a literary and critical genre: a critical introduction’ <https://arthistoriography.files.wordpress.com/2020/11/introduction-to-the-artist-interview-2.pdf> 23/FT2 Reva Wolf (State University of New York at New Paltz), ‘The artist interview: an elusive history’ <https://arthistoriography.files.wordpress.com/2020/11/wolf.pdf> 23/RW1 Poppy Sfakianaki (University of Crete), ‘From ‘Portraits d’artistes’ to the interviewer’s portrait: interviews of modern artists by Jacques Guenne in L’art vivant (1925–1930)’ <https://arthistoriography.files.wordpress.com/2020/11/sfakianaki.pdf> 23/PS1 Documents for The Artist Interview Lucia Farinati (Kingston University) and Jennifer Thatcher (University of Edinburgh), ‘Commentary on the documents’ <https://arthistoriography.files.wordpress.com/2020/11/commentary.pdf> 23/FT3 Clive Phillpot (Independent), ‘Both sides of the microphone’ <https://arthistoriography.files.wordpress.com/2020/11/phillpot.pdf> 23/CP1 Jean Wainwright (The University for the Creative Arts, London), ‘Small lies? Authenticity and the artist interview’ <https://arthistoriography.files.wordpress.com/2020/11/wainwright.pdf> 23/JW1 Claire M. Holdsworth (Independent), ‘Vocal acts: video art and the artist’s voice’ <https://arthistoriography.files.wordpress.com/2020/11/holdsworth.pdf> 23/CH1 Lauren Cross (Independent), ‘Artist interviews and revisionist art history: women of African descent, critical practice and methods of rewriting dominant narratives’ <https://arthistoriography.files.wordpress.com/2020/11/cross.pdf> 23/LC1 Translations Karl Johns (trans.), ‘Ernst Gombrich: “Some reminiscences of Julius von Schlosser as a teacher”, Kritische Berichte, 16th Year, 1988 no. 4, pp. 5-9’. Originally published as Ernst H. Gombrich, ‘Einige Erinnerungen an Julius von Schlosser als Lehrer’, Kritische Berichte 4/1988, pp. 5-9. <https://arthistoriography.files.wordpress.com/2020/11/johns-trans-gombrich.pdf> 23/KJ1 Karl Johns (ed. and trans.), ‘Erica Tietze-Conrat, “On Drawings”’. Originally published as ‘Ueber Handzeichnungen’, Kunstgeschichtliche Anzeigen Beiblatt de Mitteilungen des Instituts für österreichische Geschichtsforschung, Redigiert von Max Dvořák, Jahrgang 1913 Heft 1/2, Innsbruck: Wagner 1913, pp. 41-51, signed February 1914. <https://arthistoriography.files.wordpress.com/2020/11/karl-trans-etcondrawings.pdf> 23/KJ2 Karl Johns (ed. and trans.), ‘Erica Tietze-Conrat, “On leg poses in art history”’. Originally published as ‘J. J. Tikannen, “Die Beinstellungen in der Kunstgeschichte. Ein Beitrag zur Geschichte der künstlerischen Motive”, Tom. XLII Nr. 1 der Acta Societatis Scientiarum Fennicae Helsingfors 1912’, Kunstgeschichtliche Anzeigen Beiblatt der ‘Mitteilungen des Instituts für österreichische Geschichtsforschung, Redigiert von Max Dvořák, Jahrgang 1912 Heft 3/4, Innsbruck: Wagner 1912, pp. 66-69. <https://arthistoriography.files.wordpress.com/2020/11/karl-trans-etctikannen-1.pdf> 23/KJ3 Document David Cast (Bryn Mawr College), ‘Germany/ England: inside/outside’ <https://arthistoriography.files.wordpress.com/2020/11/cast.pdf> 23/DC1 Reviews Jeffrey Collins (Bard Graduate Center), ‘Market values in eighteenth-century Rome’. Review of: The Art Market in Rome in the Eighteenth Century: A Study in the Social History of Art, edited by Paolo Coen, Leiden and Boston: Brill, 2018 [Studies in the History of Collecting and Art Markets, vol. 5], xii + 234 pp., 80 colour illus., €116/$134 hdbk, ISBN 978-90-04-33699-5. <https://arthistoriography.files.wordpress.com/2020/09/collins-rev.pdf> 23/JC1 Cynthia Paces (The College of New Jersey), ‘Nationalising Czech Modernism’. Review of: Marta Filipová, Modernity, History, and Politics in Czech Art, Series: Routledge Research in Art and Politics, New York: Routledge, 2019, 224 pp, 31 b. & w. illus., bibliography, index, $155 hdbk, ISBN 978-1138585669. <https://arthistoriography.files.wordpress.com/2020/06/paces-rev.pdf> 23/CP1 William E. Wallace (Washington University in St. Louis), ‘Michelangelo’s principles or Panofsky’s?’. Review of: Michelangelo’s Design Principles, Particularly in Relation to Those of Raphael by Erwin Panofsky, edited by Gerda Panofsky, translated by Joseph Spooner, Princeton and Oxford: Princeton University Press, 2020, ISBN 978-0-691-6526-4. <https://arthistoriography.files.wordpress.com/2020/09/wallace-rev.pdf> 23/WW1 Alex Weintraub (Columbia University), ‘Art History in light of Mallarmé’. Review of: Trevor Stark, Total Expansion of the Letter: Avant-Garde Art and Language after Mallarmé, Cambridge: MIT Press, 2020, 440pp., 10 col. plates, 60 b. & w. illus., $£45.00 hdbk, ISBN 9780262043717. And Andrei Pop, A Forest of Symbols: Art, Science, and Truth in the Long Nineteenth Century, New York: Zone, 2019, 15 col. plates, 101 b. & w. illus., £25.00 hdbk, ISBN 9781935408369. <https://arthistoriography.files.wordpress.com/2020/12/weintraub-rev-3.pdf> 23/AW1 This journal has been recognized by the online <http://www.arthistorians.info/> Dictionary of Art Historians as ‘The major serial organ for the study of art historiography. Essays, primary texts, translations. Seminal.’ It is indexed by ProQuest, EBSCO, DOAJ and is linked to by the world’s leading research centres for art history. It is archived by <http://www.lockss.org/community/publishers-titles-gln/> LOCKSS and the <https://archive-it.org/organizations/484/?q=journal+of+art+historiography&show=ArchivedPages> New York Art Resources Consortium (NYARC). It has also been awarded the <https://doajournals.wordpress.com/2015/11/03/indexed-in-doaj-versus-the-doaj-seal/> DOAJ Seal. The journal has been approved for inclusion in <https://dbh.nsd.uib.no/publiseringskanaler/erihplus/periodical/info?id=480027> ERIH PLUS. Prof. Richard Woodfield Editor of the <https://arthistoriography.wordpress.com/> Journal of Art Historiography General Editor of Routledge's <https://www.routledge.com/Studies-in-Art-Historiography/book-series/ASHSER2250> Studies in Art Historiography Editor of <https://gombrich.co.uk/> The Gombrich Archive The Barber Institute of Fine Arts The University of Birmingham -- This email has been checked for viruses by Avast antivirus software. https://www.avast.com/antivirus ~~~~~~~~~~~~~~~~~~~~~~ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] ~~~~~~~~~~~~~~~~~~~~~~