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Hi Jaime,

 

While it would probably be a bit time-consuming, I imagine getting permission wouldn’t be all that difficult for most of the poets involved. You’ll probably run into the most trouble with no longer living poets whose rights are managed by someone (at least that’s been my experience when trying to ‘reprint’ something…tho that too has been a mixed bag…Paul Blackburn’s estate nixed an idea of mine, while Linda Oppen was very enthusiastic about my wanting to release a digital version of Mary Oppen’s sole book of poetry). Still, for those poets still living, I bet you’d run into little resistance.

 

At any rate, this was probably not too helpful!

 

Best wishes,

 

Jerrold

 

 

Jerrold Shiroma

University Archivist and Librarian for Special Collections

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Schedule an appointment

 

 

From: ARLIS/NA List <[log in to unmask]> on behalf of Jaime Groetsema <[log in to unmask]>
Reply-To: Jaime Groetsema <[log in to unmask]>
Date: Friday, July 17, 2020 at 10:29 AM
To: "[log in to unmask]" <[log in to unmask]>
Subject: [ARLIS-L] Question - Letterpress & Transformative Use, Exhibition & Catalog

 

Dear All,

 

I hope this email finds you well!

 

Our small university archive is looking to exhibit student work in partnership with a local curator and local museum in town. Most of the works the curator wants to exhibit are letterpress broadsides printed by students on campus during our Summer Writing Program--an annual, international writing intensive that is a requirement for writing students of the school but also open to outside applicants.

 

Most of the broadsides utilize full poems of other writers' work, both unpublished and published work at the time of creation (1970s-90s). Many of the poems were written by people that were visiting faculty members during the Summer Writing Program.

 

I have been told by our letterpress faculty and the SWP Director that students worked closely with faculty during the program and were encouraged to ask for permission to letterpress the poems. A few of the broadsides have copyright statements acknowledging the ownership rights of the poet, but many do not.

 

I was hoping that we could exhibit these student broadsides under 'transformative use'--where the broadside is considered an artistic rendering. We've also been asked to include images of these broadsides in a catalog publication as well, that would be sold. Unfortunately, I have received pushback from our administration for both the exhibition and the catalog publication out of fear of legal ramifications.

 

Would anyone have any guidance or resources that would support exhibiting these materials or including images of them in a catalog publication?

 

Responses on and off list are welcome. Many thanks in advance!

 

Best,

 

Jaime

Jaime Groetsema, MLIS

Technical Services and Collections Management Librarian

Liaison to Archives and Special Collections

Allen Ginsberg Library & Naropa University Archives

Naropa University

2130 Arapahoe Avenue

Boulder, CO 80302

303-245-3505

Pronouns: she, her, hers

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Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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