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Number 22 June 2020: https://arthistoriography.wordpress.com/ ‘Art for the Nation: John Ruskin, Art Education and Social Change’: a series of articles arising from a conference held at the National Gallery, London, 20–21 September 2019 Guest edited by Susanna Avery-Quash (The National Gallery) Janet Barnes (Guild of St George) and Paul Tucker (University of Florence), ‘Introduction: Art for the Nation: John Ruskin, Art Education and Social Change’ <https://arthistoriography.files.wordpress.com/2020/06/ruskin-introduction.pdf> 22/AQB Dinah Birch (University of Liverpool), ‘Ruskin and his Victorian readers’ <https://arthistoriography.files.wordpress.com/2020/05/birch.pdf> 22/DB1 Susanna Avery-Quash (The National Gallery, London), ‘John Ruskin and the National Gallery: evolving ideas about curating the nation’s paintings during the second half of the nineteenth century’ <https://arthistoriography.files.wordpress.com/2020/05/avery-quash.pdf> 22/SAQ1 Anthony Burton (Victoria and Albert Museum), ‘Ruskin and South Kensington: contrasting approaches to art education’ <https://arthistoriography.files.wordpress.com/2020/05/burton.pdf> 22/AB1 John Holmes (Birmingham) and Paul Smith (Oxford), ‘Visions of nature: reviving Ruskin’s legacy at the Oxford University Museum’ <https://arthistoriography.files.wordpress.com/2020/05/holmes-and-smith.pdf> 22/JH1 Lucy West (Leeds), ‘”She enclosed & decorated this hall on the advice of John Ruskin”: Pauline, Lady Trevelyan and the creation of Wallington Hall’s Central Hall’ <https://arthistoriography.files.wordpress.com/2020/05/west.pdf> 22/LW1 Paul Tucker (University of Florence), ‘A ‘new clue’: Ruskin’s Guide to the Principal Pictures in the Academy of Fine Arts at Venice (1877), the history of Venetian art and the idea of the museum’ <https://arthistoriography.files.wordpress.com/2020/05/tucker.pdf> 22/PT1 Louise Pullen (Ruskin Collection, Museums Sheffield), ‘The joy of pretty things: a museum for Sheffield’s workers’ <https://arthistoriography.files.wordpress.com/2020/05/pullen.pdf> 22/LP1 Donata Levi (Udine) and Paul Tucker (University of Florence), ‘J after J. Ruskin’: line in the art teaching of John Ruskin and Ebenezer Cooke’ <https://arthistoriography.files.wordpress.com/2020/05/levi-and-tucker.pdf> 22/LT1 Jenny Graham (Plymouth), ‘ ‘An ass with precious things in his panniers’: John Ruskin’s reception of The Lives of the Most Excellent Painters, Sculptors and Architects by Giorgio Vasari’ <https://arthistoriography.files.wordpress.com/2020/05/graham.pdf> 22/JC1 Suzanne Fagence Cooper (Independent), ‘Stones and Lilies: Ruskin’s legacy since 1969’ <https://arthistoriography.files.wordpress.com/2020/05/fagence-cooper.pdf> 22/SFC1 Alistair Hudson (Whitworth Gallery), ‘Ruskin unleashed: towards a revised political economy of art or Joy for ever: How to use art to change the world (and its price beyond the market)’ <https://arthistoriography.files.wordpress.com/2020/05/hudson.pdf> 22/AH1 Jacqueline Yallop (Aberystwyth), ‘”And now, come with me”: a closer look at Ruskin’s writing’ <https://arthistoriography.files.wordpress.com/2020/05/yallop-.pdf> 22/JY1 Art history and its ‘well-(un)known’ masters: introductory remarks Guest edited by Julia Trinkert and Reinhard Köpf (Heinrich-Heine-Universität (HHU) in Düsseldorf), ‘To be [titled] or not to be [titled]? Art history and its ‘well-(un)known’ masters: introductory remarks’ <https://arthistoriography.files.wordpress.com/2020/05/trinkert-and-kopf-introduction.pdf> 22/TK1 Marjan Debaene (museum M in Leuven), ‘The problem with Leuven sculpture around 1500: the creation of anonymous sculpture workshops’ <https://arthistoriography.files.wordpress.com/2020/06/debaene.pdf> 22/MD1 Agnieszka Patała (University of Wrocław), ‘Masters without Names in Medieval Silesia: the Master of the Years 1486–1487, the Master of the Gießmannsdorf Polyptych and Wilhelm Kalteysen von Oche’ <https://arthistoriography.files.wordpress.com/2020/05/patala.pdf> 22/AP1 Elina Räsänen (Helsinki), ‘Interpreting an anomaly: the encounter of Olga Alice Nygren and Carl Axel Nordman with the crowned Saint Anne’ <https://arthistoriography.files.wordpress.com/2020/05/rc3a4sc3a4nen.pdf> 22/NR1 Julia Trinkert (Heinrich-Heine-Universität (HHU) in Düsseldorf), ‘Art centres in the Lower Rhine and the Maasland revisited: research potential of a methodological reorientation of medieval art history’ <https://arthistoriography.files.wordpress.com/2020/05/trinkert.pdf> 22/JT1 The influence of the Vienna School of Art History before and after 1918 – Part 2 Marta Filipová (Masaryk University, Brno), ‘The Czech Vienna school and the art of the “small people”’ <https://arthistoriography.files.wordpress.com/2020/05/filipova.pdf> 22/MF1 Greta Monica Miron (Babeș-Bolyai University, Cluj-Napoca), ‘Learned history- lived history: the national overtones of Coriolan Petranu’s art historical discourse’ <https://arthistoriography.files.wordpress.com/2020/05/miron.pdf> 22/GMM1 Rebeka Vidrih (Ljubljana), ‘The scope and ambition of Izidor Cankar’s “systematics of style”’ <https://arthistoriography.files.wordpress.com/2020/05/vidrih.pdf> 22/RV1 Michael Young (University of Connecticut, Storrs), ‘Oskar Pollak reconsidered: a Bildungsroman in miniature of late Austrian culture and politics’ <https://arthistoriography.files.wordpress.com/2020/05/young.pdf> 22/MY1 General articles Charlotte Denoël (Bibliothèque nationale de France), ‘The beginnings of scholarship on early medieval book illumination (1700-1850): between classicism and ethnicity’ <https://arthistoriography.files.wordpress.com/2020/05/denoel.pdf> 22/CD1 Eleonora Gaudieri (Vienna), ‘Alois Riegl and his lecture notes. A reconsideration of his concept of “Baroque”’ <https://arthistoriography.files.wordpress.com/2020/05/gaudieri.pdf> 22/EG1 Alexander Kauffman (Philadelphia Museum of Art), ‘Manet, museum, modernism: Michel Foucault and modernist art history’ <https://arthistoriography.files.wordpress.com/2020/05/kauffman.pdf> 22/AK1 Chari Larsson (Griffith University’s Queensland College of Art), ‘Didi-Huberman and art history’s amicable incursions’ <https://arthistoriography.files.wordpress.com/2020/05/larsson.pdf> 22/CL1 Milica Madanovic (University of Auckland) and Renata Jadresin Milic (Unitec Institute of Technology, Auckland), ‘Uncharted architectural theory of critical regionalism in the work of Aleksandar Deroko between the world wars’ <https://arthistoriography.files.wordpress.com/2020/05/madjanovic_jadresin-milic.pdf> 22/MRM1 Marjorie Munsterberg (Independent), ‘Writing about the ymage in fifteenth-century England’ <https://arthistoriography.files.wordpress.com/2020/05/munsterberg.pdf> 22/MM1 Katarzyna Murawska-Muthesius (Birkbeck College, University of London), ‘A Company of Artists Watching a Mountebank Show: studies in seventeenth-century caricature’ <https://arthistoriography.files.wordpress.com/2020/05/murawska-muthesius.pdf> 22/KMM1 César Saldaña Puerto (Universitat Politècnica de Catalunya), ‘Arnold Hauser, Walter Benjamin and the mythologization of history’ <https://arthistoriography.files.wordpress.com/2020/05/saldana.pdf> 22/CS1 Reviews Claire Farago (University of Colorado Boulder), ‘The Truth in Painting’. Review of: Lexicographie artistique: forme, usages et enjeux dans l’Europe moderne, edited by Michèle-Caroline Heck with Marianne Freyssinet and Stéphanie Trouvé (Montepellier: Presses Universitaires de la Méditerranée, 2018). <https://arthistoriography.files.wordpress.com/2020/02/farago-rev.pdf> 22/CF1 Sylvester Okwunodu Ogbechie (University of California, Santa Barbara), ‘The pathfinder paradox: historicizing African art within global modernity’. Review of: Chika Okeke-Agulu, Postcolonial Modernism: Art and Decolonization in 20th Century Nigeria. Durham: Duke University Press, 2015. <https://arthistoriography.files.wordpress.com/2020/03/ogbechie-rev.pdf> 22/SOO1 Marie Tavinor (Royal Academy), ‘“You ought to write. You need to probe the heart of life”: art dealer and diarist René Gimpel and the interwar transatlantic art trade (1918-1939)’. Review of: The Journal of a Transatlantic Art Dealer. René Gimpel, 1918-1939, by Diana J. Kostyrko, London, Turnhout: Harvey Miller/ Brepols Publishers, 2017. <https://arthistoriography.files.wordpress.com/2020/01/tavinor-rev.pdf> 22/MT1 Report Julia Secklehner, ‘Moving times, moving spaces’. Conference report on ‘Questions of Periodisation in the Art Historiographies of Central and Eastern Europe’, Bucharest. <https://arthistoriography.files.wordpress.com/2020/03/secklehner-report.pdf> 22/JS1 This journal has been recognized by the online <http://www.arthistorians.info/> Dictionary of Art Historians as ‘The major serial organ for the study of art historiography. Essays, primary texts, translations. Seminal.’ It is indexed by ProQuest, EBSCO, DOAJ and is linked to by the world’s leading research centres for art history. It is archived by <http://www.lockss.org/community/publishers-titles-gln/> LOCKSS and the <https://archive-it.org/organizations/484/?q=journal+of+art+historiography&show=ArchivedPages> New York Art Resources Consortium (NYARC). It has also been awarded the <https://doajournals.wordpress.com/2015/11/03/indexed-in-doaj-versus-the-doaj-seal/> DOAJ Seal. The journal has been approved for inclusion in <https://dbh.nsd.uib.no/publiseringskanaler/erihplus/periodical/info?id=480027> ERIH PLUS. Prof. Richard Woodfield Editor of the Journal of Art Historiography <https://arthistoriography.wordpress.com/> General Editor of Routledge's Studies in Art Historiography <https://www.routledge.com/Studies-in-Art-Historiography/book-series/ASHSER2250> Editor of The Gombrich Archive <https://gombrich.co.uk/> The Barber Institute of Fine Arts The University of Birmingham -- This email has been checked for viruses by Avast antivirus software. https://www.avast.com/antivirus ~~~~~~~~~~~~~~~~~~~~~~ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] ~~~~~~~~~~~~~~~~~~~~~~