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Authenticity
in Art
Denis
Dutton
The
ontology of forgery
Roger
Pouivet
Forgery
and Reproduction
Gregory
Currie
Replicative
forgery
John
Zeimbekis
Ambiguity
and intention
David
Cohen
The
artwork and its creator
Alain
Grumbach
Objects
and aesthetic attention
Nicolas
Bullot
Beauty
and the mind: lessons from Kant
John
Armstrong
The
neurological basis of artistic universals
Vilayanur
S. Ramachandran
Pictorial
composition and emotional
response
David
Freedberg
Art
as enaction
Alva
Noë
Postural
sense and human figure in Renaissance art
francois
quiviger
Pictorial
language
Avigdor
Arikha
The
unity of the kind artwork
Roberto
Casati
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Dear Colleagues,
The proliferation of books, articles, and documentaries about forgeries testifies to considerableinterest on the part of the educated public. But most of these materials are produced by journalistsand filmmakers, and thus they do not afford the opportunity to enter the expert mind.
Accordingly, I have decided to edit a book of which each chapter will be a factual first-personnarrative in which an expert relates an encounter with forged art, manuscripts, or books. Eachnarrative will be a nose-to-tail account, delineating everything from the expert’s first contactwith the forged item(s) to the ultimate consequences, with emphasis on what goes on the expert’sMind.
Necessary background information must of course also be supplied, and everything must becomprehensible to the intelligent and educated reader with no specific training in connoisseurship.While I envision chapters of approximately 5,000 to 8,000 words, all lengths will be considered.I conceive this book as a useful guide for those interested in learning about the detection of forgeries,but it should also be entertaining – even wildly so.
I have a couple of very promising leads concerning publication, but success will ultimately dependon quality. All revenues, which will probably be scant at best, will of course be divided among allContributors.
Interested individuals should write me at [log in to unmask].
Please pass this information along to colleagues who may want to participate.
Best wishes,
Bill Cole
My background:
I am an art and rare book dealer. I have published dozens of articles, reviews, and notes concerningconnoisseurship in Print Quarterly, The Library, Word & Image, The Burlington Magazine, The Art Journal, Art in Print,Modern Philology, The Book Collector, and many other journals, both scholarly and semi-scholarly. Among mybooks are First and Otherwise Notable Editions of Medieval French Texts Printed from 1742 to 1874 (2005), The Juvenilia ofWilliam Kentridge: An Unauthorized Catalogue Raisonné (2016), and A Jack Greenberg Lexicon (2017).~~~~~~~~~~~~~~~~~~~~~~
Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
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