The co-editors of the ARLIS/NA Reviews are pleased to announce the publication of the March 2020 edition on the ARLIS/NA website at https://www.arlisna.org/publications/reviews  We thank all our reviewers!

Avant-Garde in the Cornfields: Architecture, Landscape, and Preservation in New Harmony edited by Ben Nicholson and Michelangelo Sabatino. University of Minnesota Press
reviewed by Alan Michelson

Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School edited by Elizabeth Otto and Patrick Rössler. Bloomsbury
reviewed by Rose Orcutt

The Detroit Printing Co-op: The Politics of the Joy of Printing by Danielle Aubert. Inventory Press
reviewed by Ann Kearney

Studio Lives: Architect, Art and Artist in 20th-Century Britain by Louise Campbell. Lund Humphries
reviewed by Karyn Hinkle

The End: Artists’ Late and Last Works by Carel Blotkamp. Reaktion Books
reviewed by Lindsey Reno

Fashion and Politics edited by Djurdja Bartlett. Yale University Press
reviewed by Alyssa Vincent

Frederick Kiesler: Face to Face with the Avant-Garde. Essays on Network and Impact edited by Peter Bogner and Gerd Zillner. Birkhäuser
reviewed by Rebecca Friedman

Picturing Cuba: Art, Culture and Identity on the Island and in the Diaspora edited by Jorge Duany. University of Florida Press
reviewed by Gilda Santana

Protest! A History of Social and Political Protest Graphics by Liz McQuiston. Princeton University Press
reviewed by Maggie Murphy

The Romare Bearden Reader edited by Robert G. O’Meally. Duke University Press
reviewed by Lynora Williams

Toward a Global Middle Ages: Encountering a World Through Illuminated Manuscripts edited by Bryan C. Keene. J. Paul Getty Museum
reviewed by Virginia Moran

When Home Won’t Let You Stay: Migration through Contemporary Art edited by Ruth Erickson and Eva Respini. Yale University Press
reviewed by Carol Ng-He

 

Terrie Wilson / Rebecca Price

ARLIS/NA Reviews co-editors