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 <https://arthistoriography.wordpress.com/> Journal of Art Historiography

 


Number 20 June 2019


General articles

Hammam Aldouri (Independent), ‘Search for a method: a reassessment of
Hegel’s dialectic in art history’
<https://arthistoriography.files.wordpress.com/2019/05/aldouri.pdf> 20/HA1

Csilla Markója (Hungarian Academy of Sciences), ‘ The modification of
meaning: Cézanne, Hildebrand, Meier-Graefe and the problems of cultural
transfer’
<https://arthistoriography.files.wordpress.com/2019/05/markoja.pdf> 20/CM1

Jacob Stewart-Halevy (Tufts University), ‘Sypher’s Cipher: ‘Paradoxes of
Conduct’ in the Reception of Mannerism, 1954-1973’
<https://arthistoriography.files.wordpress.com/2019/05/stewart-halevy.pdf>
20/JSH1

Reviews

Eloise Donnelly (University of Cambridge and the British Museum), ‘A
material influence imperceptibly exercised on the taste and judgement of the
public’: The Burlington Fine Arts Club and the history of collecting’:
Stacey J. Pierson, Private Collecting, Exhibitions, and the Shaping of Art
History in London. The Burlington Fine Arts Club, London, Routledge, 2017,
222pp, 10 col. plates, 24 b. & w. illus., ISBN 978-1-138-23262-4
<https://arthistoriography.files.wordpress.com/2019/03/donnelly-rev.pdf>
20/ED1

Ladislav Kesner (Masaryk University Brno), ‘Saving the humanities from
evolutionary and neuroscientific imperialism’: Matthew Rampley, The
Seductions of Darwin. Art, Evolution, Neuroscience, The Pennsylvania State
University Press, University Park, PA 2017,189 pp., ISBN 978-0-271-07742-0
<https://arthistoriography.files.wordpress.com/2019/01/kesner-rev.pdf>
20/LK1

Aaron Kozbelt (Brooklyn College and the Graduate Center of the City
University of New York), ‘Gombrich’s cosmos of thought: past and future’:
Art and the Mind – Ernst H. Gombrich: Mit dem Steckenpferd unterwegs, edited
by Sybille Moser-Ernst with editorial assistance by Ursula Marinelli,
Göttingen, Germany: V& R unipress, 2018, 442 pp., 59 figures, ISBN
9783847107941
<https://arthistoriography.files.wordpress.com/2019/03/kozbelt-rev.pdf>
20/AK1

Elizabeth Mansfield (Pennsylvania State University), ‘Where centre and
periphery meet: art history in Greece’: Art History in Greece: Selected
Essays, edited by Evgenios D. Matthiopoulos, Athens: Melissa Publishing
House, 2018, 150 pp., 22 b. & w. illus., ISBN 9789602043790
<https://arthistoriography.files.wordpress.com/2019/01/mansfield-rev-1.pdf>
20/EM1

France Nerlich (INHA Paris), ‘The invention of the homogeneity and
continuity of peoples. Or the essential ethnicization of art history’: Eric
Michaud, Les Invasions barbares. Une généalogie de l’histoire de l’art, nrf
essais Gallimard, 2015, 304 pages, 14 b. & w. illus., ISBN 978-2-07-012265-3
<https://arthistoriography.files.wordpress.com/2019/04/nerlich-rev.pdf>
20/FN1

Alessandro Nova (Kunsthistorisches Institut in Florenz), ‘Raphael and the
redefinition of art in Renaissance Italy’ In memoriam Robert Williams:
Robert Williams, Raphael and the Redefinition of Art in Renaissance Italy,
Cambridge: Cambridge University Press, 2017, 304 pp., 113 b. & w. illus.,
ISBN 978-1-107-13150-7
<https://arthistoriography.files.wordpress.com/2019/04/nova-rev.pdf> 20/AN1

Matthew Rampley (Brno), ‘Theories of agency in art’: Horst Bredekamp, Image
Acts: A Systematic Approach to Visual Agency. Translated by Elizabeth Clegg.
Berlin and New York: Walter de Gruyter, 2018, 361 pp, ISBN 978-3110536300
<https://arthistoriography.files.wordpress.com/2019/04/rampley-rev.pdf>
20/MR1

Richard Read (University of Western Australia), ‘Opened eyes on Australian
exhibition history’: Australian Art Exhibitions: Opening our Eyes by Joanna
Mendelssohn, Catherine De Lorenzo, Alison Inglis and Catherine Speck,
Melbourne, Thames & Hudson, 2018, 432 pages, 396 col. Plates, 63 b. & w.
illus., ISBN 9780500501214
<https://arthistoriography.files.wordpress.com/2019/04/read-rev-1.pdf>
20/RR1

Ariane Varela Braga (University of Zurich), ‘Ornament and European
Modernism: from art practice to art history’: Ornament and European
Modernism. From Art Practice to Art History, by Loretta Vandi (ed.), New
York and London: Routledge, 2018, 198 pp., 38 colour & b/w illus., ISBN:
978-1-138-74340-3
<https://arthistoriography.files.wordpress.com/2019/03/varelabraga_rev.pdf>
20/VB1

Kamini Vellodi (Edinburgh College of Art, University of Edinburgh), ‘A
timely collection?’: Time in the History of Art. Temporality, chronology and
anachrony, edited by Dan Karlholm and Keith Moxey, Studies in Art
Historiography, New York and London: Routledge 2018, 254 pages, 50 B/W
Illus, ISBN 978-0-415-34744-0,
<https://arthistoriography.files.wordpress.com/2019/01/vellodi-rev-1.pdf>
20/KV1

This journal has been recognized by the online
<http://www.arthistorians.info/> Dictionary of Art Historians as ‘The major
serial organ for the study of art historiography. Essays, primary texts,
translations. Seminal.’ It is indexed by ProQuest, EBSCO, DOAJ and is linked
to by the world’s leading research centres for art history. It is archived
by  <http://www.lockss.org/community/publishers-titles-gln/> LOCKSS and the
<https://archive-it.org/organizations/484/?q=journal+of+art+historiography&s
how=ArchivedPages> New York Art Resources Consortium (NYARC). It has also
been awarded the
<https://doajournals.wordpress.com/2015/11/03/indexed-in-doaj-versus-the-doa
j-seal/> DOAJ Seal.

 

 

Prof. Richard Woodfield

Editor of the Journal of Art Historiography
<https://arthistoriography.wordpress.com/> 

General Editor of Routledge's Studies in Art Historiography
<https://www.routledge.com/Studies-in-Art-Historiography/book-series/ASHSER2
250> 

Editor of The Gombrich Archive <https://gombrich.co.uk/> 

The Barber Institute of Fine Arts

The University of Birmingham

 

 

 

Prof. Richard Woodfield

Editor of the  <https://arthistoriography.wordpress.com/> Journal of Art
Historiography

General Editor of Routledge's
<https://www.routledge.com/Studies-in-Art-Historiography/book-series/ASHSER2
250> Studies in Art Historiography

Editor of  <https://gombrich.co.uk/> The Gombrich Archive

The Barber Institute of Fine Arts

The University of Birmingham

 



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