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Now available online at the Archives of American Art- Smithsonian Institution, June 2018

 

Finding aids:

 

Cosmos Andrew Sarchiapone papers, 1940-2011

Cosmos Andrew Sarchiapone (1931-2010) was a conceptual photographer, composer, and photojournalist in New York, New York. He was also known as Cosmos, Cosmos Savage, and Richard Savage.

 

Calvin Burnett papers, 1920-1979

Calvin W. Burnett (1921-2007) was a graphic artist, illustrator, and arts educator in Boston, Massachusetts.

 

Tony DeLap papers, circa 1950-2015

Tony DeLap (1927- ) is an artist and professor of art in Corona de Mar, California. DeLap is a pioneer of West Coast minimalism with a special interest in visual illusion including performed magic and was a professor of art at the University of California, Irvine from 1965 to 1991.

 

Jack Brogan papers, 1968-2016

Jack Brogan (1930-) is a technical artist, conservator, and fabricator in Los Angeles, California. Brogan works with artists, architects, and industrial designers on the fabrication of prototypes and unique objects and he founded his business, Design Concepts, in 1965.

 

California Art Club guest register and scrapbooks, 1916-1961

The largest and most influential Los Angeles art organization during the early 20th century, the California Art Club was organized in 1909 from the Painters' Club.

 

Wayne Nowack papers, 1923-1989

Wayne Nowack (1923-2004) was a writer and painter in Spencer, New York.

 

Ruth Abrams papers, 1934-1983

Ruth Abrams (1912-1986) was a painter in New York, New York.

 

Michael P. Church papers, 1934-1984

Michael P. Church (1907-1991) was an arts administrator in Ann Arbor, Michigan.

 

 

Transcripts of oral history interviews with:

 

Kathan Brown (2017)

 

Paul Burlin (1962)

 

Jackie Ferrara (2009)

 

Lyle Ashton Harris (2017)

 

Peter and Paula Lunder (2017)

 

Mary Miss (2016)

 

Joey Terrill (2017)

 

Jack Waters (2018)

 

 

 

The Archives of American Art is the world’s pre-eminent and most widely used research center dedicated to collecting, preserving, and providing access to primary sources that document the history of the visual arts in America. Founded on the belief that the public needs free and open access to the most valuable research materials, our collections are available to all who wish to consult original papers at our research centers or use our reference services remotely every year, and to millions who visit us online to consult digitized collections.

 

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Caroline Donadio

Management Support Assistant

Archives of American Art

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