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Posted on behalf of
Amanda Rogalski
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MEDIA CONTACT
Tim Greyhavens, Editor
The Curtis Census www.curtiscensus.com<http://www.curtiscensus.com/>
(206) 769-1370 [log in to unmask]<mailto:[log in to unmask]>
Seattle WA
FOR IMMEDIATE RELEASE
April 9, 2018

THE CURTIS CENSUS: TRACKING THE BOOKS THAT DOCUMENTED
THE MOST EXPENSIVE PHOTOGRAPHIC PROJECT OF ALL TIME

In recognition of the 150th anniversary of the birth of photographer Edward S. Curtis (1858-
1952) and the continuing national interest in his work, an ambitious effort has launched to
catalog all of the published sets of Curtis's epic twenty-volume masterpiece The North American
Indian.

The North American Indian is one of the most expensive undertakings in the history of book
production and one of the most comprehensive ethnographic records of the native tribes of
North America. Curtis funded the project that produced the books by securing significant
support from financier J. P. Morgan and by selling lavishly expensive subscriptions. Each
twenty volume set initially sold in 1907 for $3,000 for a standard edition and $3,850 for a deluxe
edition (equivalent to approximately $77,750 and $99,750 in 2017).

The books were planned to be issued in a limited edition of 500 sets, but it appears that no more
than 300 sets were published due to the extremely high cost of the books and the prolonged
publication cycle. (Volume 1 was published in 1907; Volumes 19 and 20 were not published
until 1930.) Curtis did not keep a master subscription list, and different historical
documentation about the project provides conflicting information.

According to author and critic A.D. Coleman, The North American Indian is "an absolutely
unmatched masterpiece of visual anthropology, and one of the most thorough, extensive and
profound photograph works of all time" (Sacred Legacy: Edward S. Curtis and the North American
Indian, ed. Christopher Cardozo, NY, 2000, p.25).

In addition to his photographs, Curtis recorded a multitude of interviews with tribal leaders,
transcribed detailed family histories, created glossaries of many Indian languages, and
described historical ceremonies, dances, and many other important aspects of Indian life in the
early decades of the 20th century.

Today it is recognized that The North American Indian is reflective of the time in which it was
created and is filled with cultural biases and prejudices, but as a record of its time and
American Indian history, it is beyond comparison. Complete sets of The North American Indian
rarely come up for auction, and they command top dollar when they do. One set was sold at
auction in 2012 for $2,882,500.

The Curtis Census will determine, as accurately as possible, the actual number of complete or
partial sets that were printed, the present locations, and any provenance that can be
documented. The project is complicated by the fact that some copies of the books and portfolios
are thought to have been unbound and the contents dispersed in order to sell the highly
valuable prints; nonetheless, it hopes to complete its work by the end of 2018.

The Census maintains a "Mysteries" page (www.curtiscensus.com/mysteries<http://www.curtiscensus.com/mysteries>), where it asks for the
public's help in locating missing book sets. Anyone with information about current owners of
any of the books may contact the census at [log in to unmask]<mailto:[log in to unmask]>.

The census was conceived and is directed by Tim Greyhavens, a Seattle-based writer,
researcher, and photographer. In 2017 he started both the Curtis Census and the North
American Photographic History website, a place where students, academics, scholars, and
independent researchers of the history of photography in North America can connect with each
other. In 2016 he developed the Photo Funds Database, a free, searchable list of more than 2,600
grants, awards, and crowdfunding campaigns for photography.

Judith Hayner, recently retired Director of the Muskegon Museum of Art (MMA), Muskegon,
Michigan, is the Associate Editor of the Census. The MMA owns edition #70 of The North
American Indian, originally acquired by a subscription signed in 1907. In 2017, Hayner headed
up the very successful exhibition of the entire set of 723 photogravures and all 20 volumes that
comprise The North American Indian, an historic effort thought to be the first ever to present the
entire collection.

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