 |
 |
The limits of connoisseurship: guest edited by Valérie Kobi Valérie Kobi (Bielefeld University), ‘The limits of connoisseurship. Attribution issues and mistakes. An introduction’ <https://arthistoriography.files.wordpress.com/2017/05/kobi-introduction.pdf > 16/VK1 David Pullins (The Frick Collection), ‘The individual’s triumph: the eighteenth-century consolidation of authorship and art historiography’ <https://arthistoriography.files.wordpress.com/2017/05/pullins.pdf> 16/DP1 Catherine B. Scallen (Case Western Reserve University), ‘Do mistakes always matter? Jakob Rosenberg’s Rembrandt Life and Work’ <https://arthistoriography.files.wordpress.com/2017/05/scallen.pdf> 16/CBS1 Noa Turel (The University of Alabama at Birmingham), ‘Genius disrobed: the Early Netherlandish underdrawing craze and the end of a connoisseurship era’ <https://arthistoriography.files.wordpress.com/2017/05/turel.pdf> 16/NT1 Joris Corin Heyder (Bielefeld University), ‘Same, similar, semblable – languages of connoisseurship’ <https://arthistoriography.files.wordpress.com/2017/05/heyder.pdf> 16/JCH1 Stefano Pierguidi (La Sapienza in Rome), ‘Che si conoscono al suo già detto segno: Vasari’s connoisseurship in the field of engravings’ <https://arthistoriography.files.wordpress.com/2017/05/pierguidi.pdf> 16/SP1 Sharon Hecker (Independent), ‘The afterlife of sculptures: posthumous casts and the case of Medardo Rosso (1858–1928)’ <https://arthistoriography.files.wordpress.com/2017/05/hecker.pdf> 16/SH1 Pamella Guerdat (Institut national d’histoire de l’art in Paris and Neuchâtel University), ‘Through the appraisal process: René Gimpel (1881-1945) and Nicolas Poussin’s Self-Portrait, from rediscovery to de-attribution’ <https://arthistoriography.files.wordpress.com/2017/05/guerdat.pdf> 16/PG1 <https://arthistoriography.files.wordpress.com/2017/05/guerdat-images.pdf> Link to images Peter-David Friedrich (University of Bielefeld and Graduate School of the University Paris 1 Panthéon-Sorbonne), ‘Determining the value of connoisseurship – an art of lasting topicality’, review of Copy.Right – Adam von Bartsch – Kunst, Kommerz, Kennerschaft, edited by Stephan Brakensiek, Anette Michels, and Anne-Katrin Sors, Petersberg: Michael Imhof Verlag, 2016 <https://arthistoriography.files.wordpress.com/2017/05/friedrich-review.pdf> 16/P-DF1 Portuguese art historiography Edward J. Sullivan (New York University), ‘Portuguese art history: a view from North America’ <https://arthistoriography.files.wordpress.com/2017/05/sullivan.pdf> 16/EJS1 Foteini Vlachou (Instituto de História Contemporânea, Lisbon), ‘The discourse on utility: art theory in eighteenth-century Portugal’ <https://arthistoriography.files.wordpress.com/2017/05/vlachou.pdf> 16/FV1 General papers Vlad Ionescu (Faculty of Architecture and Arts, Hasselt University), ‘On moths and butterflies, or how to orient oneself through images. Georges-Didi Huberman’s art criticism in context’ <https://arthistoriography.files.wordpress.com/2017/05/ionescu.pdf> 16/VI1 Eva Kernbauer (University of Applied Arts, Vienna), ‘Anachronic concepts, art historical containers and historiographical practices in contemporary art’ <https://arthistoriography.files.wordpress.com/2017/05/kernbauer.pdf> 16/EK1 Reviews Ingrid R. Vermeulen (Vrije Universiteit Amsterdam), ‘Pierre-Jean Mariette, enlightened art connoisseur and scholar of art history’, Mariette and the Science of the Connoisseur in Eighteenth-Century Europe by Kristel Smentek, Farnham: Ashgate, 2014 <https://arthistoriography.files.wordpress.com/2017/05/vermeulen-review.pdf> 16/IRV1 Arnold Witte (University of Amsterdam and Royal Netherlands Institute in Rome), ‘Occupied Europe and German art historiography: methodology and morals’, Kunstgeschichte in den besetzten Gebieten 1939-1945, edited by Magdalena Bushart, Agnieszka Gasior and Alena Janatkova. Cologne/Weimar/Vienna: Böhlau, 2016 <https://arthistoriography.files.wordpress.com/2017/05/witte-review.pdf> 16/AW1 Report Matthew Rampley, Report on Rudolf von Eitelberger: Netzwerker der Kunstgeschichte. Conference held for the 200th Anniversary of the birth of Rudolf Eitelberger (1817-1885). Museum of Applied Art, Vienna, 27-29 April 2017. <https://arthistoriography.wordpress.com/kunstgeschichte.univie.ac.at/einzel ansicht/news/rudolf-von-eitelberger-netzwerker-der-kunstgeschichte/> Link to conference website. <https://arthistoriography.files.wordpress.com/2017/05/rampley-report.pdf> 16/MR1 This journal has been recognized by the online <http://www.dictionaryofarthistorians.org/> Dictionary of Art Historians as ‘the major research organ of the field’. It is indexed by ProQuest, EBSCO, DOAJ and is linked to by the world’s leading research centres for art history. It is archived by <http://www.lockss.org/community/publishers-titles-gln/> LOCKSS and the <https://archive-it.org/organizations/484/?q=journal+of+art+historiography&s how=ArchivedPages> New York Art Resources Consortium (NYARC). It has also been awarded the <https://doajournals.wordpress.com/2015/11/03/indexed-in-doaj-versus-the-doa j-seal/> DOAJ Seal. Prof. Richard Woodfield Editor of the <https://mail.campus.gla.ac.uk/owa/redir.aspx?REF=FMrpIISpaTJWcrfkD1SJQUnvEf Zbso_qrRL0A9C7-3sapY9LSUfTCAFodHRwOi8vYXJ0aGlzdG9yaW9ncmFwaHkud29yZHByZXNzLm NvbS8.> Journal of Art Historiography General Editor of Routledge's <https://mail.campus.gla.ac.uk/owa/redir.aspx?REF=r_EsL1TgWkiawLwEROU0xYD0dL 57wu-0HcDPvOpdKx0apY9LSUfTCAFodHRwOi8vd3d3LmFzaGdhdGUuY29tL2RlZmF1bHQuYXNweD 9wYWdlPTUwOTcmc2VyaWVzX2lkPTU2NSZjYWxjVGl0bGU9MQ..> Studies in Art Historiography The Barber Institute of Fine Arts The University of Birmingham ~~~~~~~~~~~~~~~~~~~~~~ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] ~~~~~~~~~~~~~~~~~~~~~~