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The New York Public Library



presents



An Art Book Series Event



*Intimate Geometries*
<https://www.nypl.org/events/programs/2017/02/15/intimate-geometries-robert-storr-christopher-lyon-and-special-guests-art>



*Robert Storr*

*In conversation with*

*Deborah Kass, Irving Sandler*

*moderated by Christopher Lyon*



Wednesday February 15, 2017

*6:30 PM*



Celeste Auditorium
Celeste Bartos Education Center

 Lower Level



The New York Public Library

Stephen A. Schwarzman Building

5th Avenue at 42nd Street

New York, NY 10016

917-275-6975

 www.nypl.org

(directions
<https://www.google.com/maps?saddr&daddr=Fifth+Avenue+at+42nd+Street+New+York,+NY,+10018>
)



Event is free. Registration is recommended.

Priority is given to those who have registered in advance.



*REGISTER NOW*
<https://intimategeometries.eventbrite.com/?aff=emailinvitation>



 Auditorium doors open to public at 6 PM
All events are subject to last minute change or cancellation



*In celebration of the unprecedented publication of **Intimate Geometries:
The Art and Life of Louise Bourgeois**, Robert Storr, author, art
historian, curator, painter and critic; and special guest experts converse
about the book and the artist's oeuvre and life. The discussion is
moderated by Christopher Lyon, editor and Bookforum columnist. Robert Storr
worked closely with Louise Bourgeois on the book for over twenty years. *



In a career spanning nearly 75 years, *Louise Bourgeois*
<http://www.theeastonfoundation.org/biography> created a vast body of work
that enriched the formal language of modern art while it expressed her
intense inner struggles with unprecedented candor and unpredictable
invention. Her 1982 solo retrospective at The Museum of Modern Art launched
an extraordinarily productive late career, making her a much-honored and
vivid presence on the international art scene until her death in 2010 at
the age of 98.



*Intimate Geometries: The Art and Life of Louise Bourgeois*
<http://www.monacellipress.com/book/?isbn=9781580933636> is the first
comprehensive survey of Bourgeois's oeuvre and biography, and a unique
critical evaluation of the intertwining of the two. Robert Storr,
acknowledged as Bourgeois's leading interpreter, worked closely with the
artist on this book for some twenty years. He describes her sometimes
fitful but extraordinarily long and prolific career and explores the many
metamorphic aspects of the work to which the alternating currents of her
imagination gave rise to.



From his uniquely privileged point of view, Storr considers how such
longevity, stamina, and accomplishment were possible and what prodigious
imaginative powers that produced them. Long awaited, this handsome volume
is sure to be among the major artists’ biographies of our time, confirming
Louise Bourgeois’s legendary status, both as a witness to art history in
her era and as one of its moving forces.* Intimate Geometries* is a
riveting look into the life and works of this iconic artist.



*Copies of Intimate Geometries: The Art and Life of Louise
Bourgeois (Monacelli Press, November 2016) are available for purchase and
signing at the end of the event.*



*Robert Storr* is a painter, critic, museum man, and exhibition-maker. From
1990 until 2002, he worked at the Museum of Modern Art in New York where he
was curator and then senior curator in the Department of Painting and
Sculpture. His group exhibitions there included ISLOCATIONS, a survey of
installation art that included Louise Bourgeois, and Modern Art despite
Modernism, in addition to which he organized retrospectives of Robert
Ryman, Tony Smith, Chuck Close, Elizabeth Murray, Gerhard Richter, and Max
Beckmann. From 1990 until 2000 he directed MoMA’s Projects program, for
which he assembled small monographic shows by Art Spiegelman (the first
exhibition devoted to a “comix” artist in MoMA’s history), Franz West, Ann
Hamilton, and others. In 2002 he was named the first Rosalie Solow
Professor of Modern Art at the Institute of Fine Arts, New York University,
and from 2006 to 2016 he served as Dean of the Yale University School of
Art, where he is also a professor of painting. Since 1982 his essays,
reviews, and columns have appeared in Art in America, Artpress, Frieze,
Artforum, Corriere della Sera, The New York Review of Books (online
edition) and numerous other magazines and journals. Robert Storr’s latest
book is *Intimate Geometries: The Art and Life of Louise Bourgeois *(The
Monacelli Press, 2016). In addition to catalogues written for shows he has
organized in Brazil, Greece, Japan, Spain, and the United States, he has
contributed to exhibition publications for all the major museums in New
York and for many other museums around the world. In 2007 he served as
Director of the Venice Biennale, the first American to hold that position.
Storr is the recipient of five honorary doctorates and awards from
organizations including the International Association of Art Critics and
the Archives of American Art. In 2000 he was made Chevalier des Arts et des
Lettres by the French Ministry of Culture and was later promoted to
Officier of the same order. He lives

and works in New Haven, Connecticut, and Brooklyn, New York.



*Deborah Kass* is an artist whose paintings examine the intersection of art
history, popular culture and the self. Her work is in the collections of
The Metropolitan Museum of Art, The Museum of Modern Art, The Whitney
Museum of Art, The Solomon Guggenheim Museum, The Jewish Museum, The Museum
of Fine Art, Boston, The Cincinnati Museum, The New Orleans Museum, The
National Portrait Gallery, Smithsonian Institute, Fogg/ Harvard Museum, as
well as other museums and private collections. Her work has been shown
nationally and internationally. The Andy Warhol Museum presented *Deborah
Kass, Before and Happily Ever After, Mid- Career Retrospective* in 2012,
accompanied by a catalogue published by Rizzoli. The artist's monumental
sculpture *OY/YO* located in Brooklyn Bridge Park has become an instant
icon, appearing on the front page of *The New York Times* and is a beloved
destination in NYC. In 2014, Kass was inducted into the New York Foundation
for the Arts Hall of Fame. She was honored with the Passionate Artist of
the Year Award by the Neuberger Museum in 2016. The Jewish Museum is
honoring her in 2017. She is a member of the Board of the Andy Warhol
Foundation. Deborah Kass’s work is represented by Paul Kasmin Gallery.



*Christopher Lyon* publishes art books in digital and print editions under
the imprint Lyon  Artbooks. He is the author of *Nancy Spero: The Work* (2010),
a co-author and the editor of *The Art and Spirit of Paris* (2003), and
writes regularly on art and art publishing. His "Artful Volumes" column
appears in *Bookforum*. Lyon was a writer and editor at the Museum of
Modern Art, New York, for ten years, and subsequently held senior editorial
positions at publishers including Abbeville Press, Bulfinch/Little, Brown,
The Monacelli Press, Prestel Publishing, and Rizzoli International
Publications. He received his BA from the University of Chicago and pursued
graduate studio at the University of California at Los Angeles and the
Institute of Fine Arts, NYU. He lives in Brooklyn.



*Irving Sandler* is an art critic, writer and professor of art at SUNY
Purchase since 1972. He joined the Marine Corps during War War II,
receiving some training at Franklin and Marshall College between1943-1944.
He rose to the rank of second lieutenant.  After the war he attended Temple
University where he was awarded a B.A. in 1948.  He continued at University
of Pennsylvania, gaining an M.A. in 1950. Sandler ran a private New York
Gallery from 1956 to 1959 and was senior critic for the magazine *Art
News* between
1956-62.  He came to personally know many of the abstract expressionist
artists of the 1950's and 1960's.  He married the art historian Lucy
Freeman in 1958. He and NYU professor Robert Goldwater wrote the book *Three
American Sculptors: Ferber, Hare, Lassaw* in 1959. After receiving a Tona
Shepherd grant for research in Germany and Austria for 1960, he joined the *New
York Post* as art critic the following year which he held until 1964.
Irving Sandler was a signer of the infamous 1961 "Letter to the New York
Times" chastising its critic, John Canaday, for disparaging modern art.  In
1963 he was appointed a lecturer in art history at New York University.  He
was a 1965 Guggenheim fellow. In 1970 he authored an important
memoir/history of the abstract expressionist movement, *The Triumph of
American Painting*. He was a major force in the organization of Artist's
Space, an alternative exhibition space for young artists, in 1972. He was
appointed professor of art at the State University of New York College at
Purchase, NY, in 1972. He completed his Ph.D., from New York University in
1976. He gained a National Endowment for the Arts fellowship in 1977.  He
was a board member of the College Art Association 1985-89.  His papers are
housed at the Getty Center Research Institute. His writing on Abstract
Expressionist art was criticized in 1983 by Serge Guilbaut in his book *How
New York Stole the Idea of Modern Art* as incorporating historical
idealism. Charging that Irving Sandler had ignored political ramifications
of Abstract Expressionism, particularly how the U.S. state department used
it as an advertisement for freedom of expression.



*The event is free and advanced registration is recommended. *



In its ninth year the program series *An Art Book*
<http://www.nypl.org/search/apachesolr_search/%2522An%2520Art%2520Book%2520Series%2522>,
initiated and organized by *Arezoo Moseni*
<https://www.nypl.org/events/programs/2017/03/08/big-picture-nicholas-baume-jens-hoffman-matthew-israel-arezoo-moseni>,
is a celebration of the essential importance and beauty of art books. The
events showcase book presentations and discussions by world renowned
artists, critics, curators, gallerists, historians and writers.



Events at The New York Public Library may be photographed or recorded. By
attending these events, you consent to the use of your image and voice by
the Library for all purposes.


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