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Come early for the conference and spend part of Monday, February 6th
getting to know one of the country’s most unique institutions of higher
learning, Tulane University. ARLIS/NA has organized three fantastic tours
of some of Tulane’s most notable special collections. Keep reading for full
details.

Tour: Louisiana Research Collection, Hogan Jazz Archive, Southeastern
Architectural Archive

Monday, February 6, 2017 11am-1pm

(Max participants 25 / $40)

Join us on the first tour as we make our way to Jones Hall, home of the
distinguished Louisiana Research Collection (LaRC), Hogan Jazz Archive, and
the Southeastern Architectural Archive. The LaRC <https://larc.tulane.edu/>
is one of the oldest, largest, and most comprehensive research centers for
New Orleans and Louisiana as a whole. As an integrated research library and
archives, LaRC offers a full range of library and archival research
resources, from books and manuscripts to maps and images. Participants can
get an early peek of tour highlights by checking out the online exhibit “The
Treasures of Tulane: Rarities and Wonders from the Louisiana Research
Collection” <http://library.tulane.edu/exhibits/exhibits/show/treasures>
which features items from a broad spectrum of Colonial and Civil War era
history as well as Louisiana arts and literature.

Down the hall from the LaRC, the Hogan Jazz Archive
<https://jazz.tulane.edu/> is one of the most renowned resources for the
study of New Orleans jazz and related music. Its collection includes oral
histories, recorded music, photographs and film, and sheet music and
orchestrations. In addition to vintage and contemporary books and
periodicals, the reference shelf includes discographies and encyclopedias
that can be browsed in the patron area. Special collections also include
significant donations from jazzmen Nick LaRocca (leader of the Original
Dixieland Jass Band <https://www.youtube.com/watch?v=5WojNaU4-kI>), Ray
Bauduc and Knocky Parker.

This tour finishes at the Southeastern Architectural Archive
<https://seaa.tulane.edu/>, the largest repository of architectural records
in the southern United States. Established in 1980, the SEAA focuses on the
preservation and conservation of architectural records associated with the
built environment of the southeastern Gulf Region (Alabama, Florida,
Louisiana & Mississippi). Tour goers will have the opportunity to engage
with an exhibit dedicated to Thomas Sully
<https://seaa.tulane.edu/sites/default/files/seaa/documents/thomas_sully_online_exhibit_opt.pdf>,
grand-nephew of the Philadelphia portrait painter and prolific Gulf South
architect.

At this point in the day participants will have the option to return to the
conference or stay Uptown for lunch on your own and to attend one of 2 more
Tulane tours, either at the Newcomb College Institute Archives or the Amistad
Research Center. Both will surely be worth the trip!

Tour: Amistad Research Center

Monday, February 6, 2017 2-3:30pm

(Max participants 20 / $40)

Located in historic Tilton Hall, site of Tulane’s original library, the Amistad
Research Center <http://www.amistadresearchcenter.org/> houses the
country’s largest collection of manuscripts concerning African Americans,
race relations, and civil rights, including materials that more broadly
reference the social and cultural importance of America's ethnic and racial
history, the African Diaspora and human relations. This tour will include a
brief explanation of the Amistad Event, a discussion of Amistad's holdings,
and an introduction to material currently on display in the Exhibition
Gallery, with special emphasis on holdings from the Center’s fine arts
collection as well as the personal papers of artists in the collection.

Tour: Newcomb Archives & Vorhoff Library Special Collections

Monday, February 6, 2017 2-3:30pm

(Max participants 20 / $40)

As the final option in a jam-packed tour day at Tulane, the Newcomb
Archives <http://www2.tulane.edu/newcomb/archives-library.cfm>collects,
preserves, and makes available records that document the legacy of Newcomb
College and the history of women and gender in the Gulf South. Archives
Director Chloe Raub plans to share with visitors items from several
collections that document the legacies of Newcomb-trained artists. She is
excited to report that “[Newcomb Archives] has acquired the collections of
several Newcomb-educated artists - most recently, the papers of Carolyn
Heller and Louise Grosz - in tandem with the Art Museum, in which
they've accepted works that could be used for exhibition, while we've
accepted works that are not exhibit quality but that demonstrate the
progression of the artists' education, as well as other records that
document their experiences, such as correspondence, student records, etc.
I'll also plan to share some graphic art from our oversized flat files, as
well as some items from our zine collection.”


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