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Number 14 June 2016 The history of architectural historiography Guest edited by Branko Mitrovicì Branko Mitrovicì (Norwegian University of Science and Technology, Trondheim, Norway), ‘Introduction’ <https://arthistoriography.wordpress.com/mitrovic-introduction/> 14/BM1 Caterina Cardamone (UCLouvain-la-Neuve), ‘ Josef Frank and the history of architecture: Gothic and the Renaissance, Leon Battista Alberti and Albrecht Dürer in the architectural discourse on Neues Bauen at the beginning of the 1930s’ <https://arthistoriography.files.wordpress.com/2016/05/cardamone.pdf> 14/CC1 Miriam Cera (Universidad Autónoma de Madrid), ‘The Noticias de los arquitectos: towards a ‘National’ definition of Spanish architecture’ <https://arthistoriography.files.wordpress.com/2016/05/cera.pdf> 14/MC1 Braden Engel (Academy of Art University, San Francisco), ‘Ambichronous historiography: Colin Rowe and the teaching of architectural history’ <https://arthistoriography.files.wordpress.com/2016/05/engel.pdf> 14/BE1 Johanna Gullberg (Norwegian University of Science and Technology in Trondheim, Norway), ‘Voids and bodies: August Schmarsow, Bruno Zevi and space as a historiographical theme’ <https://arthistoriography.wordpress.com/gullberg/> 14/JG1 Nadejda Podzemskaia (CNRS (CRAL, Paris)), ‘ Publication of Renaissance architectural treatises in the Soviet Union in the 1930s: Alexander Gabrichevsky’s contribution to the theory and history of architecture’ <https://arthistoriography.files.wordpress.com/2016/05/podzemskaia.pdf> 14/NP1 Michela Rosso (Politecnico di Torino), ‘Between history, criticism, and wit: texts and images of English modern architecture (1933-36)’ <https://arthistoriography.wordpress.com/rosso/> 14/MR1 <https://arthistoriography.files.wordpress.com/2016/05/rosso-plates.pdf> Plates Matthew Wells (Royal College of Art), ‘The practice of history: the Smithsons, Colin St John Wilson, and the writing of architectural history’ <https://arthistoriography.wordpress.com/wells/> 14/MW1 Olga Yakushenko (European University Institute in Florence), ‘Anatole Kopp’s Town and Revolution as history and a manifesto: a reactualization of Russian Constructivism in the West in the 1960s’ <https://arthistoriography.wordpress.com/yakushenko/> 14/OY1 Translations: Sedlmayr Ian Verstegen (University of Pennsylvania), ‘Sedlmayr’s Borromini’ <https://arthistoriography.files.wordpress.com/2016/05/verstegen.pdf> 14/IV1 Hans Sedlmayr, The Architecture of Borromini, Munich: Piper 1930, introduced, edited and translated by Karl Johns (Independent) <https://arthistoriography.wordpress.com/johns-sedlmayr-translation/> 14/KJ1 <https://arthistoriography.files.wordpress.com/2016/05/sedlmayr-plates.pdf> Plates Rose’s Wolfflin Andrew Hopkins (University of L’Aquila), ‘Reprinting and republishing Wölfflin in the 1920s’ <https://arthistoriography.files.wordpress.com/2016/05/hopkins.pdf> 14/AH1 Arnold Witte (University of Amsterdam and Royal Netherlands Institute in Rome), ‘”An appendix of manageable proportions”: Heinrich Wölfflin and Hans Rose between Baroque Studies and National-Socialism’ <https://arthistoriography.wordpress.com/witte/> 14/AW1 Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins <https://arthistoriography.wordpress.com/witte-hopkins-rose-trans/> 14/WHR1 Review: Branko Mitrovicì (Norwegian University of Science and Technology, Trondheim, Norway), ‘Visuality, intentionality and architecture’: John Searle: Seeing things as they are. Oxford: Oxford University Press, 2015 <https://arthistoriography.files.wordpress.com/2016/05/mitrovic-review.pdf> 14/BM2 Prof. Richard Woodfield Editor of the <https://mail.campus.gla.ac.uk/owa/redir.aspx?REF=FMrpIISpaTJWcrfkD1SJQUnvEf Zbso_qrRL0A9C7-3sapY9LSUfTCAFodHRwOi8vYXJ0aGlzdG9yaW9ncmFwaHkud29yZHByZXNzLm NvbS8.> Journal of Art Historiography General Editor of Routledge's <https://mail.campus.gla.ac.uk/owa/redir.aspx?REF=r_EsL1TgWkiawLwEROU0xYD0dL 57wu-0HcDPvOpdKx0apY9LSUfTCAFodHRwOi8vd3d3LmFzaGdhdGUuY29tL2RlZmF1bHQuYXNweD 9wYWdlPTUwOTcmc2VyaWVzX2lkPTU2NSZjYWxjVGl0bGU9MQ..> Studies in Art Historiography The Barber Institute of Fine Arts The University of Birmingham ~~~~~~~~~~~~~~~~~~~~~~ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] ~~~~~~~~~~~~~~~~~~~~~~