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The New York Public Library presents An Artist Dialogue Series Event *Facts on the Ground* <http://www.nypl.org/events/programs/2016/05/10/facts-ground-shimon-attie-norman-kleeblatt-maya-benton-artist-dialogue> *Shimon Attie* *in conversation with* *Norman Kleeblatt, Maya Benton* Tuesday May 10, 2016 6:00 p.m. Celeste Auditorium Celeste Bartos Education Center Lower Level The New York Public Library Stephen A. Schwarzman Building 5th Avenue at 42nd Street New York, NY 10016 917-275-6975 www.nypl.org (directions <https://www.google.com/maps?saddr&daddr=Fifth+Avenue+at+42nd+Street+New+York,+NY,+10018> ) Auditorium doors open to public at 5:30 p.m. All events are FREE and subject to last minute change or cancellation *Internationally renowned visual artist Shimon Attie discusses his evocative new monograph and concurrent exhibition, Facts on the Ground, with Norman Kleeblatt, Chief Curator, The Jewish Museum, New York, and Maya Benton, Curator at the International Center of Photography.* For *Facts on the Ground*, Attie created thirty dramatic and enigmatic site-specific installations across Israel and Palestine. He fashioned and installed custom-made light boxes featuring illuminated texts at each site, the works specifically staged in-order-to-be-photographed. Rich with ambiguity, the phrases resist interpretation, while pointing to some of the psychological, cultural, and political anxieties at stake in present day Israel and Palestine. Kleeblatt, Benton and Attie explore the role of poetic ambiguity in his work with over-mediated sites and charged subject matter. They also converse about the physical aspects of language, image, and landscape in relation to the more conceptual qualities of space, time and identity. Time permitting; Attie discusses his current project, still in production, The Leave-Taking, created with Syrian refugees, recently arrived in Europe. *Attie’s* <http://www.jackshainman.com/artists/shimon-attie/> *exhibition* *People, Land, State* *is on view at Jack Shainman Gallery in Chelsea from April 28 to June 4, 2016.* The art monograph *Facts on the Ground* features Shimon Attie’s recent body of work created in Israel and Palestine. The book includes 22 full-page color plates, with an introduction by Mieke Bal, an essay by art historian Gannit Ankori and architect/artist Samir Srouji, and a poem by Maureen N. McLane. *Copies of* *Facts on the Ground* *(Nazraeli Press, 2016) are available for purchase and signing at the end of the event.* *Shimon Attie* <http://www.jackshainman.com/artists/shimon-attie/> is an internationally renowned visual artist, whose work spans photography, video, site-specific installations, public projects, and new media. Attie's projects allow us to reflect on the relationship between place, memory and identity. Attie's work has been exhibited and collected by numerous museums internationally, including New York’s Museum of Modern Art, the Corcoran Gallery of Art, the Centre Pompidou, the Institute of Contemporary Art, Boston, and the Miami Art Museum, among many others. In addition, he has received numerous visual artist fellowships and awards, including a Guggenheim, The Rome Prize, a Radcliffe Institute fellowship from Harvard University, and the Lee Krasner Lifetime Achievement Award. Several books have been published on Attie's prior work, which has also been the subject of numerous films, which have aired on PBS, BBC, and ARD. Since receiving his MFA in 1991, Shimon Attie has realized approximately 25 projects in ten countries around the world. *Maya Benton* is a curator at the International Center of Photography in New York, where she has worked since 2007. Her exhibition, *Roman Vishniac Rediscovered*, continues to travel internationally and was heralded as a “revelation” by *The New Yorker*, *ArtNEWS*, *Time*, and *The Economist*. Maya has curated numerous traveling exhibitions and is a frequent contributor to magazines and catalogs, addressing themes of modern and contemporary photography, Israeli art and Jewish visual and material culture. She is a graduate of Brown University, Harvard University and the Courtauld Institute of Art in London. She is currently working on an exhibition of photographer Gillian Laub’s contemporary images of segregated proms and race based violence in the American South, as well as an exhibition of photographs by the American Conceptual artist, Sol LeWitt. *Norman L. Kleeblatt*, Susan and Elihu Rose Chief Curator of The Jewish Museum in New York, is renowned for his well-crafted and broad ranging exhibitions. His 2008 award-winning show for The Jewish Museum, *Action/Abstraction: Pollock, De Kooning, and American Art, 1940-1976* is an example of his rethinking of art and cultural history as well as exhibition models. His curatorial achievements range from *The Dreyfus Affair: Art, Truth and Justice* (1987); and *Too Jewish? Challenging Traditional Identities* (1996); to *John Singer Sargent: Portraits of the Wertheimer Family *(2000); and *An Expressionist in Paris: The Paintings of Chaim Soutine* (1998) with Kenneth Silver. In 2014 he organized *Mel Bochner: Strong Language* and co-curated the exhibition *From the Margins: Lee Krasner | Norman Lewis, 1945-1952*. Norman Kleeblatt's articles have appeared in *Artforum*, *Art in America*, *The Art Journal*, and *Art News*. He was a recipient of grants from the Getty Research Institute, the National Endowment for the Arts, the National Endowment for the Humanities, and the Rockefeller Foundation, and currently serves on the boards of both the Vera List Center for Art and Politics of the New School and the U.S. section of the International Association of Art Critics (AICA). Initiated and organized by *Arezoo Moseni* <http://www.nypl.org/events/programs/2016/10/26/louise-nevelson-laurie-wilson-arezoo-moseni-art-book-series-event> in 2004, *Artist Dialogues Series* <http://www.nypl.org/search/apachesolr_search/%22an%20artist%20dialogue%20%20%20series%22> provide an open forum for understanding and appreciation of contemporary art. Artists are paired with critics, curators, gallerists, writers or other artists to converse about art and the potential of exploring new ideas. Events at The New York Public Library may be photographed or recorded. 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