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The New York Public Library



presents



Art and Literature Series Event



*Persophilia
<http://www.nypl.org/events/programs/2016/03/23/persophilia-hamid-dabashi-and-special-guest-art-and-literature-series>*

*Persian Culture on the Global Scene
<http://www.nypl.org/events/programs/2016/03/23/persophilia-hamid-dabashi-and-special-guest-art-and-literature-series>*


*Hamid Dabashi **in conversation with* Drucilla Cornell, Firoozeh
Kashani-Sabet



Wednesday March 23, 2016

6:00 p.m.



Celeste Auditorium

South Court, Lower Level



The New York Public Library

Stephen A. Schwarzman Building

5th Avenue at 42nd Street

New York, NY 10016

917-275-6975

 www.nypl.org

*(directions) <http://www.nypl.org/locations/schwarzman>*



*Auditorium doors open to the public at 5:30 p.m.*

All events are FREE and subject to last minute change or cancellation



*Celebrating the publication of the ground breaking new volume* *Persophilia:
Persian Culture on the Global Scene
<http://www.hup.harvard.edu/catalog.php?isbn=9780674504691>, **influential
and prolific writer and cultural critic Hamid Dabashi is joined by
acclaimed philosopher and feminist theorist Drucilla Cornell* *and
celebrated historian and author Firoozeh Kashani-Sabet to converse about
the evolution of Persian culture and how it has inspired Western culture
through the ages*.



From the Biblical period and Classical Antiquity to the rise of the
Renaissance and the Enlightenment, aspects of Persian culture have been
integral to European history. A diverse constellation of European artists,
poets, and thinkers have looked to Persia for inspiration, finding there a
rich cultural counterpoint and frame of reference. Interest in all things
Persian was no passing fancy but an enduring fascination that has shaped
not just Western views but the self-image of Iranians up to the present day.
*Persophilia* maps the changing geography of connections between Persia and
the West over the centuries and shows that traffic in ideas about Persia
and Persians did not travel on a one-way street.



How did Iranians respond when they saw themselves reflected in Western
mirrors? Expanding on Jürgen Habermas’s theory of the public sphere, and
overcoming the limits of Edward Said,

*Hamid Dabashi *answers this critical question by tracing the formation of
a civic discursive space in Iran, seeing it as a prime example of a modern
nation-state emerging from an ancient civilization in the context of
European colonialism. The modern Iranian public sphere, Dabashi argues,
cannot be understood apart from this dynamic interaction.



*Persophilia* takes into its purview works as varied as Xenophon’s
*Cyropaedia* and Nietzsche’s

*Thus Spoke Zarathustra*, Handel’s *Xerxes* and Puccini’s *Turandot*, and
Gauguin and Matisse’s fascination with Persian art. The result is a
provocative reading of world history that dismantles normative
historiography and alters our understanding of postcolonial nations.


*Copies of* *Persophilia: Persian Culture on the Global Scene* *(Harvard
University Press, October 2015) are available for purchase and signing at
the end of event*.



*Hamid Dabashi* <http://hamiddabashi.com/> is an internationally renowned
cultural critic and award-winning author, his books and articles have been
translated into numerous languages, including Japanese, German, French,
Spanish, Italian, Russian, Hebrew, Danish, Arabic, Korean, Persian,
Portuguese, Polish, Turkish, Urdu and Catalan. *He* is also the Hagop
Kevorkian Professor of Iranian Studies and Comparative Literature at
Columbia University
<http://www.columbia.edu/cu/mesaas/faculty/directory/dabashi.html>. *His
books*
<http://browse.nypl.org/iii/encore/search/C__Sa%3A%28dabashi%2C%20hamid%29__O-date__U__X0?lang=eng&suite=def>
 include *Authority in Islam* (1989);* Theology of Discontent* (1993); *Truth
and Narrative* (1999); *Close Up: Iranian Cinema, Past, Present, Future*
(2001);* Staging a Revolution: The Art of Persuasion in the Islamic
Republic of Iran* (2000); *Masters and Masterpieces of Iranian Cinema*
(2007); *Iran: A People Interrupted*

(2007); and an edited volume, *Dreams of a Nation: On Palestinian
Cinema *(2006).
His most recent works are *Islamic Liberation Theology: Resisting the
Empire* (Routledge, 2008) and *Post-Orientalism: Knowledge and Power in
Time of Terror* (Transaction Publishers, 2009). He received a dual Ph.D. in
Sociology of Culture and Islamic Studies from the University of
Pennsylvania in 1984, followed by a postdoctoral fellowship at Harvard
University. He wrote his dissertation on Max Weber's theory of charismatic
authority with Philip Rieff (1922-2006), the most distinguished Freudian
cultural critic of his time. Professor Dabashi has taught and delivered
lectures in many North American, European, Arab, and Iranian universities.



Prior to beginning her life as an academic, *Drucilla Cornell*
<http://browse.nypl.org/iii/encore/search/C__Sdrucilla%20cornell__Orightresult__U?lang=eng&suite=def>
 was a union organizer for a number of years. She worked for the UAW, the
UE, and the IUE in California, New Jersey, and New York. She played a key
role in organizing the conference on deconstruction and justice at the
Benjamin N. Cardozo School of Law in 1989, 1990, and 1993-a conference at
which Jacques Derrida is thought by many to have made his definitive
philosophical turn toward the ethical. In addition, she has worked to
coordinate Law and Humanities Speakers Series with the Jacob Burns
Institute for Advanced Legal Studies and the Committee on Liberal Studies
at the New School for Social Research. She has been a senior fellow at A.D.
Whitehouse, Cornell University, and a Mellon fellow at the Institute for
Advanced Study in Princeton. Professor Cornell has been the director
of the Ubuntu
Project <http://projectubuntu.info/> in South Africa an organization that
both researches into and advocates for the importance of indigenous values
in the new dispensation. She held the National Research Foundation chair in
Indigenous values, and the dignity jurisprudence and the living customary
law from 2007 until 2010 which was sponsored by the University of Cape
Town. Professor Cornell is also a produced playwright whose plays have been
produced in New York, Atlanta and Boca Ratonb Florida. *She* is
currently a Distinguished
Professor in the Department of Political Science of Rutgers University's
School of Arts and Sciences
<http://polisci.rutgers.edu/cb-profile/userprofile/dcornell>. She
specializes in women and politics and political theory. Professor Cornell
earned her B.A. in philosophy and mathematics from Antioch College in 1978,
and her J.D. from UCLA Law School in 1981.



*Firoozeh Kashani-Sabet*
<http://www.history.upenn.edu/people/faculty/firoozeh-kashani-sabet> is the
Robert I. Williams Term Professor of History at the University of
Pennsylvania, where she has taught for the last fifteen years. She is also
the director of Penn's Middle East Center <https://www.sas.upenn.edu/mec/>.
She received her B.A. from the University of North Carolina at Chapel Hill,
where she was a Morehead Scholar. She completed her M.A., M.Phil., and
Ph.D. in history at Yale University. Dr. Kashani-Sabet
<http://www.upenn.edu/pennnews/current/2013-10-17/interviews/qa-firoozeh-kashani-sabet>
 teaches courses on various aspects of modern Middle Eastern history,
including ethnic and political conflicts, gender and women's issues,
popular culture, diplomatic history, revolutionary ideologies, and general
surveys. *She*
<http://browse.nypl.org/iii/encore/search/C__Sfiroozeh%20kashani%20sabet__Orightresult;jsessionid=E40A75264035BE7CD6C51DDF4E6E0024?lang=eng&suite=def>
 is the author of several books, including *Frontier Fictions: Shaping the
Iranian Nation, 1804-1946* (Princeton University Press, 1999) that analyzes
the significance of land and border disputes to the process of identity and
nation formation, as well as to cultural production, in Iran and its
borderlands. It pays specific attention to Iran's shared boundaries with
the Ottoman Empire (later Iraq and Turkey), Central Asia, Afghanistan, and
the Persian Gulf region. Her recent book *Conceiving Citizens: Women and
the Politics of Motherhood in Iran* (Oxford University Press, 2011), which
received the 2012 book award from the Journal of *Middle East Women’s
Studies* for outstanding scholarship in the field of Middle East gender
studies.  She has also written several fictional pieces including *Martyrdom
Street*. Dr. Kashani-Sabet is currently completing a book on Iran and
America, entitled *From Heroes to Hostages: A History of US-Iranian
Relations, 1800-2015*. Dr. Kashani-Sabet is currently completing a book on
Iran and America, entitled: "From Heroes to Hostages: A History of
US-Iranian Relations, 1800-2015.


Conceived and organized by *Arezoo Moseni*
<http://www.nypl.org/events/programs/2016/04/27/persian-poetry-elizabeth-t-gray-porochista-khakpour-arezoo-moseni-roger>,
and in its sixth year, *Art and Literature Series*
<http://www.nypl.org/search/apachesolr_search/%2522art%2520and%2520literature%2520series%2522>
 events bring forth pollinations across the literary and visual arts with
readings and discussions by acclaimed artists, authors and poets.



Events at The New York Public Library may be photographed or recorded. By
attending these events, you consent to the use of your image and voice by
the Library for all purposes.


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