Error during command authentication.

Error - unable to initiate communication with LISTSERV (errno=10061, phase=CONNECT, target=127.0.0.1:2306). The server is probably not started. LISTSERV 16.5 - ARLIS-L Archives

Print

Print


The New York Public Library



presents



An Artist Dialogue Series Event



*Gopi-Contagion
<http://www.nypl.org/events/programs/2015/10/21/parallax-shahzia-sikander-anne-pasternak-arezoo-moseni-artist-dialogue>*



*Shahzia Sikander*

* in conversation with*

*Anne Pasternak*

*moderated by Arezoo Moseni*



Wednesday October 21, 2015

6:00 p.m.



Celeste Auditorium

South Court, Lower Level



The New York Public Library

Stephen A. Schwarzman Building

5th Avenue at 42nd Street

New York, NY 10016

917-275-6975

 www.nypl.org

*(directions) <http://www.nypl.org/locations/schwarzman>*



*Auditorium doors open to the public at 5:30 p.m.*

All events are FREE and subject to last minute change or cancellation



*Public art visionary and Brooklyn Museum director Anne Pasternak
joins internationally acclaimed artist Shazia Sikander to discuss the
creative process and its application, the nature of storytelling and how
historical narratives can be reshaped, redefined and re-appropriated. The
conversation is moderated by Arezoo Moseni.*



Focusing on the unique location of the Strait of Hormuz, and the area’s
historical power tensions

*Parallax* is inspired by the idea of conflict and control. Drawn elements
come together to create dissonance and disruption. Abstract,
representational and textual forms coexist and jostle for domination.
Spheres made of hair spin and sing, Christmas trees made of valves and
spools spout, while undulating color fields create pitch and fervor and
large swaths of static noise erupt into flocks. Human voices recite and
narrate, creating tension and rhythm while oscillating between audible
texts and the environmental sounds. The poetry in Arabic engages the
vernacular while its points of reference remain universal engaging
geographical locations that can be occupied from afar, through emotion.
Visual vocabulary is culled from drawings and paintings to construct the
animation, giving the motifs and symbols a shifting identity as they come
together to cultivate new associations within the digital space.



*Times Square Arts
<http://www.timessquarenyc.org/times-square-arts/index.aspx>* selected
Shahzia Sikander’s new short animation *Gopi-Contagion* as the October
feature for their public art series *Midnight Moment*
<http://www.timessquarenyc.org/times-square-arts/projects/midnight-moment/index.aspx>,
the largest coordinated effort in history by the sign operators in Times
Square to display synchronized, cutting-edge creative content on electronic
billboards and newspaper kiosks throughout Times Square every night. The
program premiered in May 2012 and is organized and supported by the Times
Square Advertising Coalition in partnership with Times Square Arts, the
public art program for the Times Square Alliance, with additional partners
of participating sign holders and artists.



*Sikander’s* painterly animation takes the viewer through the movement of
hundreds of digitally animated drawings to explore the idea of swarming, or
collective behavior, as an observable phenomenon yet unyielding to analysis.



The flocking particles in *Gopi-Contagion* are the silhouettes of hair from
the Gopi, female worshipers of the Hindu god, Krishna. By isolating the
hair from the female figure, new associations are cultivated.  When in
motion, the silhouette looks like insects, birds, bats, or can translate as
a particle. The flocking reflects behavior of cellular forms that have
reached self-organized criticality, resulting in a redistribution of both
visual information and experiential memory.



A parallax gap between concept and content is the core of the flock and
believing a subjective realm exists within objective, physical bases, what
something is like becomes more than a physical attribute.



*The artist explains*, "my process is driven by my interest in exploring
and rediscovering cultural and political boundaries, and using that space
to create new frameworks for dialogue and visual narrative. In my work,
deconstruction is not limited to the miniature-painting format; it extends
to the re-imagining of historical content and entrenched symbols."



*Shahzia Sikander* <http://www.shahziasikander.com/>'s *Parallax* and other
works are also the subject of two concurrent exhibitions at Guggenheim
Bilbao
<http://www.guggenheim-bilbao.es/en/exhibitions/shahzia-sikander-parallax-2/>
(July
16 – November 22, 2015) and at Aidekman Arts Center of Tuft University
<http://artgallery.tufts.edu/exhibitions/2015/parallax.htm> (September 10 –
December 6, 2015). A third exhibition titled *Apparatus of Power *will be
on view at Asia Society in Hong Kong
<http://lwalkes.asiasociety.org/hong-kong/exhibitions/shahzia-sikander-apparatus-power>
 from March 15 - June 5, 2016. Also, she is a participant in The
Metropolitan Museum's Artist Project Season 3
<http://artistproject.metmuseum.org/3/shahzia-sikander/>.



Pakistani-born and internationally recognized, *Sikander*'s pioneering
practice <http://www.pbs.org/art21/artists/shahzia-sikander> takes
Indo-Persian miniature painting as a point of departure. *She*
<https://www.facebook.com/Shahzia-Sikander-1486939471599318/timeline/?ref=hl>
 challenges the strict formal tropes of miniature painting as well as its
medium-based restrictions by experimenting with scale and media. Such media
include animation, video, mural, and collaboration with other artists. Her
process-based work is concerned with examining the forces at stake in
contested cultural and political histories. *She*
<https://instagram.com/explore/tags/shahziasikander> received her BFA in
1991 from the National College of Arts, Lahore, Pakistan and her MFA from
the Rhode Island School of Design in 1995. *Sikander*
<http://www.pilarcorrias.com/artists/shahzia-sikander/> has been the
recipient of numerous grants and awards, including the Asia Society Award
for Significant Contribution to Contemporary Art (2015), Art Prize in
Time-Based Art from Grand Rapids Museum (2014), US Department of State’s
Medal of Art, presented by the former US Secretary of State, Hillary Rodham
Clinton (2012), and a John D. and Catherine T. MacArthur Foundation “genius
award”. *She* presented an inspiring commencement speech
<http://amt.parsons.edu/blog/inspiration-from-shahzia-sikander-for-the-2015-bfa-fine-arts-graduates/>
 for the Bachelor of Fine Arts graduates at The New School, Parsons in
spring 2015.



*Anne Pasternak* <https://www.brooklynmuseum.org/about/next_director.php> is
Shelby White and Leon Levy Director of Brooklyn Museum. She was previously
the President and Artistic Director of Creative Time. Her imagination and
skill serves to envision new ways to connect Brooklyn Museum’s historical
collections with contemporary ideas and practice. She believes in the
limitless power of art to move, motivate, and inspire, and few cultural
leaders have succeeded in reaching huge audiences. Deeply passionate about
engaging broad audiences that transcend geographic, racial, and
socioeconomic divisions, Pasternak has continually championed artists and
works relevant to the contemporary age. During her two decades at Creative
Time, she proved herself to be ambitious and innovative, with multifaceted
management skills, leading the organization in commissioning, funding, and
presenting hundreds of artist projects and installations throughout New
York City and around the world. Born in West Hartford, Connecticut,
Pasternak holds a Bachelor of Arts degree in Arts Administration from the
University of Massachusetts at Amherst and was a Master of Arts candidate
at Hunter College, from which she received an Honorary Doctor of Fine Arts
degree in 2013.  She has presented hundreds of talks at esteemed
institutions and organizations including Brown University and the Yale
University School of Art.



*Arezoo Moseni <https://twitter.com/arezoomoseni>* is an artist. Her work
has been exhibited in many solo and group exhibitions at major venues in
the United States and abroad such as FIAC 2014, and it is held in numerous
public and private collections including the Brooklyn Museum, Bibliotheque
nationale de France, Mead Gallery and Musee de La Photographie. She is the
recipient of several fellowships and grants including the Carnegie
Corporation of New York | New York Times award, Kentler International Work
on Site grant, Yaddo Fellowship and Artists Space Independent Project
grant. She received a BFA at Utah State University, a MA and MFA at the
University of New Mexico, and a MLIS at Pratt Institute. She curates
exhibitions and events at The New York Public Library where she has
initiated several exhibition and program series featuring the work of
emerging and renowned artists, authors, critics, designers and others.



Initiated and organized by *Arezoo Moseni
<http://www.nypl.org/events/programs/2016/04/27/persian-poetry-elizabeth-t-gray-porochista-khakpour-arezoo-moseni-roger>*
 in 2004, *Artist Dialogues Series
<http://www.nypl.org/search/apachesolr_search/%22an%20artist%20dialogue%20series%22>*
 provide an open forum for understanding and appreciation of contemporary
art. Artists are paired with critics, curators, gallerists, writers or
other artists to converse about art and the potential of exploring new
ideas.



Events at The New York Public Library may be photographed or recorded. By
attending these events, you consent to the use of your image and voice by
the Library for all purposes.


~~~~~~~~~~~~~~~~~~~~~~
Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
~~~~~~~~~~~~~~~~~~~~~~