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Journal of Art Historiography Number 12 June 2015 <https://arthistoriography.wordpress.com/> https://arthistoriography.wordpress.com/ The European scholarly reception of ‘primitive art’ in the decades around 1900: guest edited by Wilfried Van Damme and Raymond Corbey Introduction: Raymond Corbey (Tilburg and Leiden Universities) and Wilfried Van Damme (Leiden University) ‘European encounters with ‘primitive art’ during the late nineteenth century’ <https://arthistoriography.files.wordpress.com/2015/06/introduction.pdf> 12/vDC1 Articles: Maarten Couttenier (Royal Museum for Central Africa), ‘“One Speaks Softly, Like in a Sacred Place.” Collecting, Studying and Exhibiting Congolese Artefacts as African Art in Belgium (1850–1897)’ <https://arthistoriography.files.wordpress.com/2015/06/couttenier.pdf> 12/MC1 Christian Kaufmann (University of East Anglia), ‘Seeing art in objects from the Pacific around 1900: how field collecting and German armchair anthropology met between 1873 and 1910’ <https://arthistoriography.files.wordpress.com/2015/06/kaufmann.pdf> 12/CK1 Susanne Mersmann (Johannes Gutenberg-Universität Mainz), ‘Defining art in instructions for travellers: the agency of the Questionnaire de Sociologie et d’Ethnographie drafted by the Paris Anthropological Society in 1883’ <https://arthistoriography.files.wordpress.com/2015/06/mersmann.pdf> 12/SM1 Raymond Corbey (Tilburg and Leiden Universities) and Frans Karel Weener (Independent), ‘Collecting while Converting: Missionaries and Ethnographics’ <https://arthistoriography.files.wordpress.com/2015/06/corbey-weener.pdf> 12/RCFW1 Frances S. Connelly (University of Missouri-Kansas City), ‘John Ruskin and the Savage Gothic’ <https://arthistoriography.files.wordpress.com/2015/06/connelly.pdf> 12/FSC1 Ruud Welten (Tilburg University), ‘Paul Gauguin and the complexity of the primitivist gaze’ <https://arthistoriography.files.wordpress.com/2015/06/welten.pdf> 12/RWA1 Susanne Leeb (Leuphana Universität Lüneburg), ‘Primitivism and humanist teleology in art history around 1900’ <https://arthistoriography.files.wordpress.com/2015/06/leeb.pdf> 12/SLb1 Susan Lowish (Melbourne), ‘Evolutionists and Australian Aboriginal art: 1885-1915’ <https://arthistoriography.files.wordpress.com/2015/06/lowish.pdf> 12/SL1 Pierre Déléage (Laboratoire d’anthropologie sociale, Collège de France, Paris), ‘The origin of art according to Karl von den Steinen’ <https://arthistoriography.files.wordpress.com/2015/06/deleage.pdf> 12/PD1 Oscar Moro Abadía (Memorial University, St. John’s, Newfoundland), ‘The reception of Palaeolithic art at the turn of the twentieth century: between archaeology and art history’ <https://arthistoriography.files.wordpress.com/2015/06/moro-abadia.pdf> 12/OMA1 Marjan Groot (LUCAS Institute of Leiden University), ‘Inscribing women and gender into histories and reception of design, crafts, and decorative arts of small-scale non-European cultures’ <https://arthistoriography.files.wordpress.com/2015/06/groot.pdf> 12/MG1 Priyanka Basu (Scripps College), ‘Ornamental “Borderlands”: Elisabeth Wilson and Martin Heydrich’s historiographies of “primitive” ornament’ <https://arthistoriography.files.wordpress.com/2015/06/basu.pdf> 12/PB1 Kathryn W. Gunsch (Museum of Fine Arts, Boston), ‘Seeing the world: Displaying foreign art in Berlin, 1898-1926’ <https://arthistoriography.files.wordpress.com/2015/06/gunsch.pdf> 12/KG1 Julia Kelly (Loughborough), ‘“Dahomey!, Dahomey!”: the reception of Dahomean art in France in the late 19th and early 20th centuries’ <https://arthistoriography.files.wordpress.com/2015/06/kelly.pdf> 12/JK1 Kathleen De Muer (Free University, Brussels), ‘“Primitive art” in Henry Van de Velde’s art theory at the end of the nineteenth century’ <https://arthistoriography.files.wordpress.com/2015/06/de-muer.pdf> 12/KDM1 Ursula Helg (Zurich University of the Arts), ‘“Thus we forever see the ages as they appear mirrored in our spirits”: Willhelm Worringer’s Abstraction and Empathy as longseller, or the birth of artistic modernism from the spirit of the imagined other’ <https://arthistoriography.files.wordpress.com/2015/06/helg.pdf> 12/UH1 Yaëlle Biro (The Metropolitan Museum of Art, NY), ‘African arts between curios, antiquities, and avant-garde at the Maison Brummer, Paris (1908-1914)’ <https://arthistoriography.files.wordpress.com/2015/06/biro.pdf> 12/YB1 Rudolf Effert (Independent), ‘Ethnographic Art between debate and polemic: J.P.B. de Josselin de Jong’s hitherto unpublished manuscript “On uncivilized art and civilized “artistry” [1920]’ <https://arthistoriography.files.wordpress.com/2015/06/effert-introduction.p df> 12/RE1 Ruth B. Phillips (Carleton University), ‘Aesthetic primitivism revisited: The global diaspora of ‘primitive art’ and the rise of indigenous modernisms’ <https://arthistoriography.files.wordpress.com/2015/06/phillips.pdf> 12/RBP1 Translations: Rudolf Effert (independent), ‘On uncivilized art and civilized “artistry”: An ethnological enquiry’, J.P.B. de Josselin de Jong, previously unpublished [1920]. <https://arthistoriography.files.wordpress.com/2015/06/de-josselin-de-jong.p df> 12/RE2 Karl Johns (independent), ‘Alois Riegl and the Maori’: Alois Riegl ‘Ornament from New Zealand’, originally published as ‘Neuseeländische Ornamentik’, Mitteilungen der Anthropologischen Gesellschaft in Wien, vol. 20, new ser, vol, 10, 1890, 84-87. <https://arthistoriography.files.wordpress.com/2015/06/johns-riegl.pdf> 12/KJ1 Karl Johns (independent), ‘Schlosser and Montaigne in the Festschrift for Franz Wickhoff’: Julius Schlosser, ‘Glosses on a passage in Montaigne’, originally published as: ‘Randglossen zu einer Stelle Montaignes’, Beiträge zur Kunstgeschichte, Franz Wickhoff gewidmet von einem Kreise von Freunden und Schülern, Vienna: Schroll, 1903, 172-182 and reprinted in Schlosser, Präludien Vorträge und Aufsätze, Berlin: Bard, 1927, 213-226. <https://arthistoriography.files.wordpress.com/2015/06/johns-schlosser.pdf> 12/KJ2 Prof. Richard Woodfield Editor of the <http://arthistoriography.wordpress.com/> Journal of Art Historiography General Editor of Ashgate's <http://www.ashgate.com/default.aspx?page=5097&series_id=565&calcTitle=1> Studies in Art Historiography The Barber Institute of Fine Arts The University of Birmingham --- This email has been checked for viruses by Avast antivirus software. http://www.avast.com ~~~~~~~~~~~~~~~~~~~~~~ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/membership/join-arlisna Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] ~~~~~~~~~~~~~~~~~~~~~~