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The New York Public Library



presents



An Art Book Series Event



*Inquiries into Contemporary Sculpture*
<http://www.nypl.org/events/programs/2015/04/15/inquires-contemporary-sculpture-mary-ceruti-ruba-katrib-malik-gaines>



*Mary Ceruti and Ruba Katrib*

*in conversation with*

*Malik Gaines, Candice Hopkins *

*and Margaret Lee*



Wednesday April 15, 2015

6:00 p.m.



Celeste Auditorium
South Court, Lower Level



The New York Public Library

Stephen A. Schwarzman Building

5th Avenue at 42nd Street

New York, NY 10016

917-275-6975

 www.nypl.org

(directions) <http://www.nypl.org/locations/schwarzman>



 Auditorium doors open to public at 5:30 p.m.
All events are FREE and subject to last minute change or cancellation



*This event unpacks some of the themes that emerge in* *Inquires into
Contemporary Sculpture: What about Power**?. Co-editors Mary Ceruti and
Ruba Katrib lead a conversation with contributors Malik Gaines, Candice
Hopkins, and Margaret Lee about the various power dynamics embedded in and
surrounding contemporary sculpture*.



As part of SculptureCenter <http://www.sculpture-center.org/> series of
books *Inquiries into Contemporary Sculpture * (published by
SculptureCenter, Long Island City and Black Dog Publishing London), the
second title *What about Power?*, looks at the contemporary intersections
of power and sculpture.  From ritual to monument, sculpture has been
embedded within various power dynamics, whether political, spiritual,
erotic, or otherwise. Sculpture's relationship to power is distinct from
other artistic forms, as it is engaged with particular spatial and physical
realms. Hinged on issues around architecture and the body, sculpture
reflects on will, subjugation, desire, fetish, scale, etc. These
relationships have shifted throughout time, where do they stand now? What
is the power dynamic around sculpture today? Does sculpture wield power
today? If so, what kind? Is it necessary to understand sculpture through
power relations? What are the potentials of this kind of reading, its
pitfalls? Other contributors to *What about Power?* include Gregg
Bordowitz, Dominic Eichler, Jörg Heiser, Chris Kraus, and Jumana Manna
among others.



The series takes an earnest look at what constitutes, excites, entangles,
and necessitates ideas and questions around sculpture now. Each topic is
determined through a closed think tank meeting with a small group of
artists, curators, and historians. The first book in the series* Where is
Production?* was published last fall and features contributions by Michelle
Kuo, Camille Henrot, Ei Arakawa, Carol Bove, Miki Kaneda, Trevor Paglen,
and Shahryar Nashat, among others.



*Copies of* *What about Power?
<http://blackdogonline.com/all-books/what-about-power.html>* *(Black Dog
Publishing, 2015) are available for purchase and signing after audience Q&A
at the end of the event*.



*Mary Ceruti* is Executive Director and Chief Curator at SculptureCenter
and co-editor of *What about Power?*

*Ruba Katrib* is Curator at SculptureCenter and co-editor of *What about
Power?*



*Malik Gaines*
<http://www.hunter.cuny.edu/art/studio-art/faculty-and-staff/malik-gaines/malik-gaines>
is
an artist and writer based in New York. He has performed and exhibited
extensively with the group My Barbarian and his newer collaboration,
Courtesy the Artists. Gaines has written about art and performance for
magazines, exhibition catalogues, artist monographs, and journals
including *Art
Journal* and *Women & Performance*. His first book, on 1960’s black
performance, is in the publication process. He is assistant professor of
Art at Hunter College.



*Candice Hopkins* is an Albuquerque-based curator and a writer. She has
held curatorial positions at the National Gallery of Canada, The Walter
Phillips Gallery, and The Western Front. She is presently Interim Curator
at the Museum of Contemporary Native Arts. Her writings on art, history and
vernacular architecture are published widely. Her co-curated exhibitions
include “Unsettled Landscapes,” SITE Santa Fe (2014); “Sakahàn,” National
Gallery of Canada (2013); “Close Encounters: The Next 500 Years”, Plug In
ICA (2010); “Before the Internet: Networks and Art,” Western Front (2007),
and “Jimmie Durham: Knew Urk,” Reg Vardy and Walter Phillips Gallery (2005).



*Margaret Lee* <http://www.margaret-lee.com/> lives and works in New York.
As an artist she has exhibited extensively both in the US and abroad and
has been included in exhibitions including Made In L.A. 2014, Hammer
Museum, Los Angeles; the 12th Biennale de Lyon, France; New Pictures of
Common Objects, MoMA PS1, New York and The 6th White Columns Annual, New
York, amongst others. As a curator, Lee founded the artist run space 179
Canal from 2009 - 2010 and has curated projects at White Columns, New York
and the X-Initiative, New York. In 2011, Lee partnered with Oliver Newton
to open 47 Canal, a commercial gallery in New York which acts as an
extension of her curatorial practice and ongoing commitment to supporting
emerging art.



In its seventh year the program series *An Art Book*
<http://www.nypl.org/events/programs/2014/04/23/art-problem-joshua-decter-john-miller-and-special-guests-art-book-series-event>,
initiated and organized by *Arezoo Moseni*
<http://www.nypl.org/events/programs/2015/02/10/trends-art-book-publishing-deb-aranson-todd-bradway-patricia-fidler>,
is a celebration of the essential importance and beauty of art books. The
events showcase book presentations and discussions by world renowned
artists, critics, curators, gallerists, historians and writers.



Events at The New York Public Library may be photographed or recorded.  By
attending these events, you consent to the use of your image and voice by
the Library for all purposes.


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