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Thank you Daniel for sharing this. It’s these kinds of tidbits that help some of us feel part of a larger community.

 

Best wishes and condolences to the Met Museum family.

 

 

 

Last fall I received one of those e-mails catalogers hate to get:

 

“I see that when one searches Watsonline keyword ‘ter Brugghen,’ you get some recent lit, but not (anywhere in the list) the classic monograph by Nicolson. However, if you go with the Anglicized ‘Terbrugghen,’ you get his book and some of the other key works on the artist drop out. The results should be the same using either form. This would apply also to ‘ter Borch,’ etc. Thanks!”

 

Over the years I’ve learned that it pays to be flexible about cataloging whenever possible since it usually doesn’t pay to get into long discussions about rules with the unilluminated. So I was willing to make some changes, especially since this message came from Walter Liedtke, our distinguished colleague, who died so tragically in the MTA crash Tuesday.  I added some keywords to our records to address his concern. It was easy to do and didn’t break any rules. Since it was Walter I thought I’d go one step further and explain what was happening:

 

“I have adjusted our cataloging records to make the improvements you suggest. A keyword search for ‘ter Brugghen’ will now include the Nicolson book (http://tinyurl.com/mlthewj) as well as some of the other titles that were missing. Because Nicholson used the form ‘Terbrugghen’ in his title there is no way for me to make this work appear earlier in the results than number 15 since the ranking is by an algorithm I can’t control.

 

If you’d like the technical explanation for why the problem arose it is because American libraries use ‘Terbrugghen, Hendrik, 1588?-1629’ as the preferred form of his name based on Princeton’s formulation of the heading in the National Authority File. The different forms matter less in a subject search because all variations will be brought together under the preferred form: http://tinyurl.com/lvj9el7. If someone searches the subject ‘ter Brugghen’ they will be directed to a hyperlink that takes them to the ‘Terbrugghen’ form of the name: http://tinyurl.com/nfsxmw2. Thank you for making these suggestions. It is gratifying to know scholars still use Watsonline and care about these things.”

 

I never thought I’d get a response, but one arrived quickly:

 

“[T]hanks so much for this full explanation. I wonder what the ‘National Authority File’ does with Van Dyck. As you'll see in my Dutch and Flemish catalogues, and any scholarly American publication of the past 30 years or so, these artists are all alphabetized as in Europe, so Borch, Dyck, Gogh, Goyen, et al. Anyway, the important thing is that the search reveals what we have. “

 

This exchange was going much better than I thought possible. Maybe I should have stopped here but I went on:

 

“When Princeton decided to use ‘Terbrugghen’ instead of ‘Ter Brugghen’ in 1988 they based their decision on how the name appeared in two general Dutch languages encyclopedias in spite of the fact that the book on Dutch painting they were cataloging used the latter form:

 

1.      Hollandische Malerei in neuem Licht, 1986: t.p. (Hendrick ter Brugghen) p. 65 (Hendrick Jansz ter Brugghen, Den Haag (?) 1588-1629 Utrecht)

2.      Grote Winkler Prins, 1974: v. 18, p. 348 (Terbrugghen, Hendrik, 1588 (?)-Nov. 9, 1629)

3.      E.N.S.I.E.: v. 10, p. 1160 (Terbrugghen, Hendrik (1587/1588-1629), Ned. schilder)

 

Rest assured that whenever the prefix (van, ter, van der etc.) is written separately for a Dutch name the artist is alphabetized by the form following the prefix and there is a reference from one form to the other--except for Van Dyck. Because he died in London the Library of Congress consulted English language sources and decided he was ‘Van Dyck, Anthony’ not ‘Dyck, Anthonie van’ just the way they would treat the American name ‘Van Buren, Martin.’

 

These are some of the compromises we have to live with because we are part of a national network of libraries.”

 

Walter’s response showed what a good teacher he was: he always had something useful and interesting to add.

 

“Actually it's worse overseas. Today Flemish names use the prefix and when compound run it together, so that my colleague in Brussels is (in a bibliography) Vander Auwera, Joost, not Auwera, Joost van der. This is perhaps one of the diseases they caught from the Spanish. Ter, by the way, is a contraction of ‘te der,’ meaning ‘at the.’ Henrick ter Brugghen = Henry at the Bridges.”

 

We will miss him.

 

Daniel

 

********************************

Daniel Starr

Associate Chief Librarian

Thomas J. Watson Library

The Metropolitan Museum of Art

1000 Fifth Avenue

New York, NY  10028

 

212-650-2582

 

 

 

 

 

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