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_REMINDER: DEADLINE FOR PROPOSALS IS THE 16TH OF JANUARY, 2015!_ 

FALL 2015 SPECIAL ISSUE OF THE TAP REVIEW, GUEST EDITED BY CLAIRE
ROBERTS (UNIVERSITY OF ADELAIDE, AUSTRALIA) AND YI GU (UNIVERSITY OF
TORONTO, CANADA) 

COMPOSITE REALITIES: THE ART OF PHOTOGRAPHIC MANIPULATION IN ASIA 

Manipulation - of light, time and process - is central to the production
of photographs. It is because of this inherent flexibility, perhaps,
that practitioners have long played with the apparent objectivity of the
medium. In the pre-digital era, techniques that have been used to
improve upon or challenge the rhetoric of truth associated with
photography include the use of painted studio backdrops, and techniques
such as masking, vignetting, multiple exposures, composite photography,
photo montage, photo collage, as well as retouching, inscribing and hand
colouring. 

How have photographers working across Asia engaged in practices that
might be regarded as thinking beyond the camera to create images that
combine document and artifice? The art of photographic manipulation in
Asia will be the topic of the fall issue (2015) of the _Trans Asia
Photography Review_. Photographs under discussion can be historic or
contemporary (including digitally manipulated images), artistic,
promotional, conceptual or personal. Photographs can come from any
location within Asia or Asian diaspora communities. We welcome articles
(length open), interviews and curatorial projects (12-20 images with
introductory text). 

PLEASE SEND PROPOSALS (INCLUDING YOUR NAME, TITLE AND INSTITUTIONAL
AFFILIATION, WORKING TITLE OF PAPER, 300-500 WORD ABSTRACT, AND A COUPLE
OF INDICATIVE IMAGES) BY 16 JANUARY 2015 TO CLAIRE
ROBERTS [log in to unmask] 

Please circulate this call for papers to all you know who may be
interested. 

Sandra Matthews
Associate Professor of Film and Photography
Hampshire College
Amherst, MA 01002, USA
Editor, Trans-Asia Photography Review
tapreview.org 

 


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