The New York Public Library

 

presents

 

An Artist Dialogue Series Event

 

Fred Herko: Warhol’s First Superstar

 

Jean-Claude van Itallie

and

Michael Townsend

 in conversation with

Gerard Forde

   

Wednesday October 29, 2014

6:00 p.m. 

 

South Court Auditorium

South Court, Lower Level

 

The New York Public Library

Stephen A. Schwarzman Building

5^th Avenue at 42^nd Street

New York, NY 10016

917-275-6975

 www.nypl.org

(directions)

 

 Auditorium doors open to public at 5:30 p.m.
All events are FREE and subject to last minute change or cancellation.  

 

As part of a week long program of events to mark the fiftieth anniversary of the death of Fred Herko, his biographer Gerard Forde talks with Herko's friends Jean-Claude van Itallie and Michael Townsend Smith about Herko's role in Judson Dance Theater, Off-Off-Broadway theater and Warhol's Factory. For details of all the events in this program visit www.freddieherko.com.

 

Fred Herko (1936-1964) was a central figure in New York’s downtown avant-garde around 1960. A musical prodigy, he studied piano at the Juilliard School of Music before switching to ballet at the age of twenty. In 1956 he won a scholarship to study at American Ballet Theatre School and within a few years was dancing with established choreographers including John Butler, Katherine Litz, Buzz Miller, Glen Tetley and James Waring. He was a founder member of Judson Dance Theater, presenting six of his own works in the group’s concerts between 1962 and 1964 and dancing in works by Al Hansen, Deborah Hay, Arlene Rothlein, and Elaine Summers. He was a co-founder of the New York Poets Theatre, which staged one-act plays by poets and provided a podium for happenings by Ray Johnson, Allan Kaprow and Robert Whitman; dances by Yvonne Rainer and Trisha Brown; music by La Monte Young, John Herbert McDowell and Philip Corner; and films by Brian De Palma, Stan VanDerBeek and Andy Warhol. Herko starred in seven of Warhol’s earliest cinematic experiments in 1963, including Jill and Freddy Dancing,  Rollerskate/Dance Movie, and Salome and Delilah. His untimely death in 1964, at the age of 28, robbed New York’s underground scene of one of its most exuberant and versatile performers, equally at home performing Comb Music by Fluxus composer George Brecht or camping it up in Rosalyn Drexler’s musical comedy Home Movies.

 

Jean-Claude van Itallie is a playwright and teacher, and a seminal figure in the 1960s Off-Off-Broadway movement, writing plays for La MaMa and the Caffe Cino. His plays include the anti-war trilogy America Hurrah, Tibetan Book of the Dead, and Bag Lady, and acclaimed translations of Genet’s The Balcony and Chekhov’s major plays. He introduced Fred Herko to Alan Marlowe, with whom Herko co-founded the New York Poets Theatre in 1961. 

 

Michael Townsend Smith is a playwright, director and publisher. He directed early Off-Off-Broadway productions of works by Sam Shepard, Ronald Tavel, and Jean-Claude van Itallie. As theatre critic for The Village Voice, he reviewed several of Herko's performances and performed Peter Hartman's piano music for Herko's 1962 piece Edge – A Work for Dancers and Actors.

 

Gerard Forde is an independent scholar and curator. He has curated exhibitions at the Design Museum in London and Museum Boijmans Van Beuningen in Rotterdam. Over the past twenty years he has lectured widely on art and design history. He is writing a book about the New York Poets Theatre and a biography of Fred Herko. 

 

Initiated and organized by Arezoo Moseni in 2004, Artist Dialogues Series provide an open forum for understanding and appreciation of contemporary art. Artists are paired with critics, curators, gallerists, writers or other artists to converse about art and the potential of exploring new ideas.