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Dear colleagues, The Image Collections and Fieldwork Archives<http://www.doaks.org/library-archives/icfa>(ICFA) at Dumbarton Oaks presents a new online exhibit entitled *A Truthful Record: The Byzantine Institute Films*: http://www.doaks.org/icfa/truthful-record. This exhibit aims to reveal the context of the films created by the Byzantine Institute between the 1930s and 1940s by combining them with archival records from the collection *The Byzantine Institute and Dumbarton Oaks Fieldwork Records and Papers*<http://www.doaks.org/library-archives/icfa/icfa_pdfs/doaks-icfa-byzantineinstitute-dumbartonoaks-findingaid> . *A Truthful Record <http://www.doaks.org/library-archives/icfa/special-projects/online-exhibitions/a-truthful-record>*features thirteen motion picture films from the Byzantine Institute, which are stored and preserved at ICFA: one of the Red Sea Monasteries in Egypt, eleven of the Hagia Sophia, and one of the Kariye Camii, both in Istanbul, Turkey. The color films created by the Byzantine Institute’s photographer Pierre Iskender provide significant testimony of the mosaics at Hagia Sophia and Kariye Camii and the techniques employed to uncover and conserve them. When combined with notebook entries written by Byzantine Institute fieldworkers such as Ernest Hawkins and the brothers Richard and William Gregory, the history of the films’ creation truly comes alive. Thomas Whittemore, who founded the Byzantine Institute in 1930, made wide use of the moving images, screening them for donors and patrons (such as Robert Woods and Mildred Bliss), the Byzantine scholarly community, and an interested general audience in the United States and Europe. The exhibit is divided into three sections that investigate how the films were made and how they were received by contemporary audiences: *Style and Content*<http://www.doaks.org/library-archives/icfa/special-projects/online-exhibitions/a-truthful-record/style-and-content>, *Technique*<http://www.doaks.org/library-archives/icfa/special-projects/online-exhibitions/a-truthful-record/technique>, and *Purpose and Reception*<http://www.doaks.org/library-archives/icfa/special-projects/online-exhibitions/a-truthful-record/purpose-and-reception>. You can also explore the archival materials chronologically using a detailed *Timeline*<http://www.doaks.org/library-archives/icfa/special-projects/online-exhibitions/a-truthful-record/timeline> . This online exhibit was created by Fani Gargova, ICFA Byzantine Research Associate. The ICFA team would like to give special thanks<http://www.doaks.org/library-archives/icfa/special-projects/online-exhibitions/a-truthful-record/acknowledgements>to the Dumbarton Oaks Publications Department for their generous assistance and support throughout this project. For more information about ICFA’s Moving Image Collection, please see our website<http://www.doaks.org/library-archives/icfa/special-projects/moving-image-collection>or Vimeo album <http://vimeo.com/album/2292509>. Many thanks, Shalimar _____________________________________________ Shalimar Abigail Fojas White Manager, Image Collections and Fieldwork Archives Dumbarton Oaks Research Library and Collection 1703 32nd Street, NW Washington, DC 20007 Tel. 202.339.6972; Email [log in to unmask] Website: http://www.doaks.org/library-archives/icfa Blog: http://icfadumbartonoaks.wordpress.com/ Facebook: Dumbarton Oaks Library and Archives<https://www.facebook.com/pages/Dumbarton-Oaks-Library-and-Archives/188985567883483> ~~~~~~~~~~~~~~~~~~~~~~ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/join.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] ~~~~~~~~~~~~~~~~~~~~~~