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Number 9 December 2013 Priyanka Basu, ‘Ideal and material ornament: rethinking the “beginnings” and history of art’ <http://arthistoriography.files.wordpress.com/2013/12/basu.pdf> 9/PB1 Colleen Becker, ‘Aby Warburg’s Pathosformel as methodological paradigm’ <http://arthistoriography.files.wordpress.com/2013/12/becker.pdf> 9/CB1 Rex Butler and A.D.S. Donaldson, ‘Surrealism and Australia: towards a world history of Surrealism’ <http://arthistoriography.files.wordpress.com/2013/12/butler_donaldson.pdf> 9/RBAD1 A.A. Donohue, ‘History and the Historian of Classical Art’ <http://arthistoriography.files.wordpress.com/2013/12/donohue.pdf> 9/AAD1 Antoinette Friedenthal, ‘John Smith, his Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters (1829–1842) and the “stigma of PICTURE DEALER”’ <http://arthistoriography.files.wordpress.com/2013/12/friedenthal.pdf> 9/AF1 Carolyn C. Guile, ‘Winckelmann in Poland: An Eighteenth-Century Response to the “History of the Art of Antiquity”’ <http://arthistoriography.files.wordpress.com/2013/12/guile.pdf> 9/CCG1 Christopher P. Heuer, ‘”Hundreds of eyes”: Beyond Beholding in Riegl’s “Jakob van Ruysdael” (1902)’ <http://arthistoriography.files.wordpress.com/2013/12/heuer.pdf> 9/CPH1 Vlad Ionescu, ‘The rigorous and the vague: aesthetics and art history in Riegl, Wölfflin and Worringer’ <http://arthistoriography.files.wordpress.com/2013/12/ionescu.pdf> 9/VI1 Emmanouil Kalkanis, ‘The “Meidias” hydria: a visual and textual journey of a Greek vase in the history of art of antiquity (c. 1770s–1840s)’ <http://arthistoriography.files.wordpress.com/2013/12/kalkanis.pdf> 9/EK1 Kwame Amoah Labi, ‘Afro-Ghanaian influences in Ghanaian paintings’ <http://arthistoriography.files.wordpress.com/2013/12/labi.pdf> 9/KAL1 Branko Mitrović, ‘Romantic worldview as a narcissistic construct’ <http://arthistoriography.files.wordpress.com/2013/12/mitrovic.pdf> 9/BM1 David Pestorius, ‘Ian Burn’s Questions: Art & Language and the rewriting of Conceptual Art history’ <http://arthistoriography.files.wordpress.com/2013/12/pestorius.pdf> 9/DP1 Parjanya Sen, ‘”Gaur as ‘Monument”: The Making of an Archive and Tropes of Memorializing’ <http://arthistoriography.files.wordpress.com/2013/12/sen.pdf> 9/PS1 Buildings and objects — the Rococo and after: Kristel Smentek, ‘Introduction. Buildings and objects: the Rococo and after’ <http://arthistoriography.files.wordpress.com/2013/12/smentek-intro.pdf> 9/KS1 Jean-François Bédard, Beds and thrones: the reform of aulic space in late eighteenth-century France’ <http://arthistoriography.files.wordpress.com/2013/12/bedard.pdf> 9/J-FB1 Alexis H. Cohen, ‘Domestic utility and useful lines: Jean-Charles Krafft’s and Thomas Hope’s outlines’ <http://arthistoriography.files.wordpress.com/2013/12/cohen.pdf> 9/AHC1 Michael Yonan, ‘Material transformations: thinking about objects and spaces at the Wieskirche’ <http://arthistoriography.files.wordpress.com/2013/12/yonan.pdf> 9/MY1 Irish art histories: Niamh NicGhabhann, ‘Introductory essay: writing Irish art histories’ <http://arthistoriography.files.wordpress.com/2013/12/nicghabhann-intro.pdf> 9/NNG1 Mary Jane Boland, ‘A troublesome “genre”? Histories, definitions and perceptions of paintings of everyday life from early nineteenth-century Ireland ‘ <http://arthistoriography.files.wordpress.com/2013/12/boland.pdf> 9/MJB1 Riann Coulter (F.E. McWilliam Gallery and Studios), ‘John Hewitt: Creating a Canon of Ulster Art’ <http://arthistoriography.files.wordpress.com/2013/12/coulter.pdf> 9/RC1 Gabriel Gee (Franklin College, Switzerland), ‘The catalogues of the Orchard Gallery: a contribution to critical and historical discourses in Northern Ireland, 1978-2003’ <http://arthistoriography.files.wordpress.com/2013/12/gee.pdf> 9/GG1 Nicholas E. Johnson, ‘Performative Criticism: Samuel Beckett and Georges Duthuit’ <http://arthistoriography.files.wordpress.com/2013/12/johnson.pdf> 9/NEJ1 Róisín Kennedy, ‘The Irish Imagination 1971 – Stereotype or Strategy’ <http://arthistoriography.files.wordpress.com/2013/12/kennedy.pdf> 9/RK1 Una Walker, ‘The Scandinavian Report: its origins and impact on the Kilkenny Design Workshops’ <http://arthistoriography.files.wordpress.com/2013/12/walker.pdf> 9/UW1 To what end? Eschatology in art historiography’: Jeanne-Marie Musto, ‘To what end? Eschatology in art historiography’ <http://arthistoriography.files.wordpress.com/2013/12/musto-intro.pdf> 9/J-MM1 Robert Born, ‘World Art Histories and the Cold War’ <http://arthistoriography.files.wordpress.com/2013/12/born.pdf> 9/RB1 Benjamin Harvey, ‘The rest is silence: the senses of Roger Fry’s endings’ <http://arthistoriography.files.wordpress.com/2013/12/harvey.pdf> 9/BH1 Henrik Karge, ‘Projecting the future in German art historiography of the nineteenth century: Franz Kugler, Karl Schnaase, and Gottfried Semper‘ <http://arthistoriography.files.wordpress.com/2013/12/karge.pdf> 9/HK1 David O’Brien, ‘Delacroix, Chenavard, and the End of History’ <http://arthistoriography.files.wordpress.com/2013/12/obrien.pdf> 9/DOB1 Travelling Artists in Medieval and Renaissance Europe: Sandra Cardarelli, ‘Travelling Artists in Medieval and Renaissance Europe: An Introduction’ <http://arthistoriography.files.wordpress.com/2013/12/cardarelli-intro.pdf> 9/SC1 Sandra Cardarelli, ‘Antonio Ghini and Andrea di Francesco Guardi: Two 15th-century Tuscan Artists in the Service of Local Governments’ <http://arthistoriography.files.wordpress.com/2013/12/cardarelli.pdf> 9/SC2 Katja Fält, ‘Locality, nation and the ‘primitive’ – notions about the identities of late medieval non-professional wall painters in Finnish historiography from 1880 to 1940’ <http://arthistoriography.files.wordpress.com/2013/12/falt.pdf> 9/KF1 Michelle Moseley-Christian, ‘Confluence of Costume, Cartography and Early Modern European Chorography’ <http://arthistoriography.files.wordpress.com/2013/12/moseley-christian.pdf> 9/MM-C1 Cinzia Maria Sicca, ‘Vasari’s Vite and Italian artists in sixteenth-century England’ <http://arthistoriography.files.wordpress.com/2013/12/sicca.pdf> 9/CMS1 Translation: Alois Riegl, ‘Lovers of art, ancient and modern’ posthumously published as ‘Über antike und moderne Kunstfreunde Vortrag gehalten in der Gesellschaft der Wiener Kunstfreunde,’Kunstgeschichtliches Jahrbuch der K. K. Zentral-Kommission zur Erforschung und Erhaltung der kunst- und historischen Denkmale, Volume 1, 1907, Beiblatt für Denkmalpflege, column 1-14, reprinted in Alois Riegl, Gesammelte Aufsätze, Augsburg Vienna: Filser, 1929, 194-206. Translated with an introduction by Karl Johns <http://arthistoriography.files.wordpress.com/2013/12/johns-trans.pdf> 9/KJ1 Reports: Kristina Jõekalda, ‘What has become of the New Art History?’ <http://arthistoriography.files.wordpress.com/2013/12/jc3b5ekalda.pdf> 9/JK1 Stefan Muthesius, ‘Towards an “exakte Kunstwissenschaft”(?), A report on some recent German books on the progress of mid-19th century art history. Part I: Work by German art historians on nineteenth-century art-historiography since 2000’ <http://arthistoriography.files.wordpress.com/2013/12/muthesius-report-1.pdf> 9/SM1 Stefan Muthesius, ‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth-century: a summary of some problems’ <http://arthistoriography.files.wordpress.com/2013/12/muthesius-report-2.pdf> 9/SM2 Reviews: Branko Mitrović, ‘A realist theory of art history’. Review of: Ian Verstegen, A Realist Theory of Art History (Ontological Explorations), London and New York: Routledge 2013, 192 pages, £89.72 hbk, ISBN-10: 0415531519, ISBN-13: 978-0415531511. <http://arthistoriography.files.wordpress.com/2013/12/mitrovic-rev.pdf> 9/BM2 Andrea Pinotti (Università Statale di Milano), ‘Styles of Renaissance, renaissances of style’. Review of: L’idée du style dans l’historiographie artistique. Variantes nationales et transmissions, edited by Sabine Frommel and Antonio Brucculeri, Roma: Campisano Editore, 2012, 343 pp, 91 b & w ills., € 40,00, ISBN 9788888168982. Was war Renaissance? Bilder einer Erzählform von Vasari bis Panofsky, edited by Hans Christian Hönes, Léa Kuhn, Elizabeth J. Petcu, Susanne Thüringen, with a foreword by Ulrich Pfisterer and Wolf Tegethoff, Passau: Dietmar Klinger Verlag, 2013, 182 pp, 90 colour and b & w ills., $ 47,50, ISBN 9783863281212. <http://arthistoriography.files.wordpress.com/2013/12/pinotti.pdf> 9/AP1 Matthew Rampley, ‘Images of Globalisation: Paris 1889’. Review of Beat Wyss, Bilder von der Globalisierung. Die Weltausstellung von Paris 1889. Berlin: Insel Verlag, 2010, 285 pp., 112 b. & w. illus., € 49.90 hbk, ISBN 9783458174851 <http://arthistoriography.files.wordpress.com/2013/12/rampley-rev.pdf> 9/MR1 Mark A. Russell, ‘”Cannon fodder for respectable question marks”: Fritz Saxl and the history of the Warburg Library’. Review of: Dorothea McEwan, Fritz Saxl – Eine Biografie: Aby Warburgs Bibliothekar und Erster Direktor des Londoner Warburg Institutes, Wien, Köln, Weimar: Böhlau Verlag, 2012, 344 pp., 36 b. & w. illus., €39.00 hdbk, ISBN 978-3-205-78863-8. <http://arthistoriography.files.wordpress.com/2013/12/russell-rev.pdf> 9/MAR1 Kathryn A. Smith, ‘Medieval women are “good to think’ with”. Review of: Therese Martin, ed.,Reassessing the Roles of Women as ‘Makers’ of Medieval Art and Architecture, Visualising the Middle Ages, volume 7, 2 vols, Leiden and Boston: Brill, 2012, 1,280 pp., 287 b&w illustrations, 32 colour plates, ISBN: 978-90-04-18555-5 (hardback), E-ISBN: 978-90-04-22832-0, Euro 215.00 / US$ 299.00. <http://arthistoriography.files.wordpress.com/2013/12/smith-rev.pdf> 9/KAS1 Ian Verstegen, ‘Art is not what you think it is (but we can approach it through the Art Matrix)’. Review of: Donald Preziosi and Claire Farago, Art is Not What You Think It Is. Wiley-Blackwell, 2012. 171 pp. ISBN-10: 1405192402. ISBN-13: 978-1405192408. <http://arthistoriography.files.wordpress.com/2013/12/verstegen-rev.pdf> 9/IV1 Jindřich Vybíral, ‘Writing the history of modern architecture after the fall of the Iron Curtain’. Review of: Hans Ibelings, European Architecture since 1890, Amsterdam: SUN, 2011, 236 pp., 735 col. illus. 38 EUR, ISBN 978 90 8506 8815. <http://arthistoriography.files.wordpress.com/2013/12/vybiral-review.pdf> 9/JV1 Document: André Chastel (1912-1990), Histoire de l’Art & Action Publique, Catalogue de l’Exposition, Institut National d’Histoire de l’Art, 8 février 2013 – 6 avril 2013. <http://arthistoriography.files.wordpress.com/2013/12/2013-expo-chastel-catalogue.pdf> 9/AC1 The Dictionary of Art Historians acknowledges the Journal of Art Historiography for its role as the major research organ of the field. <http://www.dictionaryofarthistorians.org/> http://www.dictionaryofarthistorians.org. Prof. Richard Woodfield Editor of the Journal of Art Historiography <http://arthistoriography.wordpress.com/> The Barber Institute of Fine Arts The University of Birmingham ~~~~~~~~~~~~~~~~~~~~~~ Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/join.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask] ~~~~~~~~~~~~~~~~~~~~~~