Print

Print


The New York Public Library

presents

 An Art Book Series
Event<http://www.nypl.org/events/programs/2013/11/20/reckoning-eleanor-heartney-helaine-posner-nancy-princenthal-sue-scott-art>

*The Reckoning *



*Eleanor Heartney, Helaine Posner, *

*Nancy Princenthal, Sue Scott*



Wednesday November 20, 2013

6:00 p.m.

Margaret Liebman Berger Forum
Room 227 (2nd Floor)



The New York Public Library

Stephen A. Schwarzman Building

5thAvenue at 42nd Street

New York, NY 10016

917-275-6975

 www.nypl.org
*(directions) <http://www.nypl.org/locations/tid/36/directions>*

  Room 227 opens to public at 5:30 p.m.
All events are FREE and subject to last minute change or cancellation.

*Authors Eleanor Heartney, Helaine Posner, Nancy Princenthal, and Sue Scott
engage in an in-depth discussion about their new book The Reckoning: Women
Artists of the New Millennium. They explore the work of women artists in
the contemporary art world, highlighting several innovative artists from
around the globe*.



The authors of *After the Revolution* return with an incisive study of the
work of contemporary women artists. In *The Reckoning*, authors Heartney,
Posner, Princenthal, and Scott bring into focus the accomplishments of 24
acclaimed international women artists born since 1960 who have benefited
from the groundbreaking efforts of their predecessors. The book is
organized in four thematic sections. *Bad Girls* profiles artists whose
work represents an assault on conventional notions of gender and racial
difference. *History Lessons* offers reflections on the self in the context
of history and globalization. *Spellbound* focuses on women’s embrace of
the irrational, subjective, and  surreal, while *Domestic Disturbances* takes
on women’s conflicted relationship to home, family, and  security. Written
in lively prose and fully illustrated throughout, this book gives an
informed account of the wonderful diversity of recent contemporary art by
women.



*Copies of the book are available for purchase and signing at the event
after the audience Q&A*.



*Helaine Posner* is Senior Curator at the Neuberger Museum of Art, Purchase
College, State University of New York. Her exhibitions at the Neuberger
Museum include *Dana Schutz: If the Face Had Wheels* accompanied by a
monograph (Prestel, 2011) and *Tania Bruguera: On the Political Imaginary*.
From 1991-1998, she was curator at the MIT List Visual Arts Center,
Cambridge, MA where she curated exhibitions of contemporary art and wrote
the accompanying catalogues. Posner is the author of a monograph on
artist *Kiki
Smith* (Monacelli, 2005) and was U.S. Co-commissioner for the 48th Venice
Biennale where she organized *Ann Hamilton: Myein*. She is the co-author of
the award winning book *After the Revolution: Women Who Transformed
Contemporary Art* (published by Prestel, 2007) and of *The Reckoning: Women
Artists of the New Millennium* to be released by Prestel in 2013. Posner
was curator of a mid-career survey of the work of *Lorna Simpson* which
traveled to the Museum of Contemporary Art, Los Angeles; the Miami Art
Museum, and the Whitney Museum of American Art.



*Nancy Princenthal* is a New York-based critic and former Senior Editor of *Art
in America*, for which she continues to write regularly; she has also
contributed to *Art News*, *Artforum*, *Parkett*, the *Village Voice*, and
the *New York Times*. Her monograph on *Hannah Wilke* was published by
Prestel in 2010; her essays have also appeared in monographs on Doris
Salcedo and Alfredo Jaar, among others. *After the Revolution*, a book
about twelve women artists that she co-authored, has just been reprinted in
an enlarged edition; a sequel on younger artists will be released in fall
2013. At present Princenthal is writing a book about Agnes Martin for The
Monacelli Press. Having taught at the Center for Curatorial Studies, Bard
College; Princeton University; Yale University, RISD, and elsewhere, she is
currently on the faculty of the School of Visual Arts.



*Eleanor Heartney* is a New York based art writer and cultural critic who
has been writing about art since 1981. Heartney’s books include *Critical
Condition: American Culture at the Crossroads, Postmodernism, Postmodern
Heretics: The Catholic Imagination in Contemporary Art, Defending
Complexity*; and *Art and Today*. She is a co-author of After the
Revolution: Women who Transformed Contemporary Art, 2007, which won the
Susan Koppelman Award. She is also author, with the same team, of *The
Reckoning: Women Artists in the New Millenniu*m. Heartney is past President
of AICA-USA, the American section of the International Art Critics
Association. Heartney was the 1992 recipient of the College Art
Association’s Frank Jewett Mather Award for distinction in art criticism In
2008 she was honored by the French government as a Chevalier dans l’Ordre
des Arts et des Lettres. She is currently critic in residence at Montclair
State University.



*Sue Scott* is an independent curator and writer living in New York.  She
was Adjunct Curator of Contemporary Art at the Orlando Museum of Art for
nineteen years, where she curated solo exhibitions of the works of Bryan
Hunt, Jane Hammond, Suzanne McClelland, Katherine Bowling, Frank Moore,
Kerry James Marshall, Jennifer Bartlett and Alex Katz, among others. Group
exhibitions include *Proof Positive: Forty Years of Printmaking at ULAE* at
the Corcoran Gallery of Art, Witness *Theories of Seduction* for Dorsky
Curatorial Programs, and *The Washington Color School: The First
Generation*and *The
Edward R. Broida Collection: A Selection of Works for the Orlando Museum of
Art*. She is a co-author, along with Helaine Posner, Eleanor Heartney and
Nancy Princenthal of the award-winning book *After the Revolution: Women
Who Transformed Contemporary Art* (Prestel, 2007), and of *The Reckoning:
Women Artists of the New Millennium* (Prestel 2013).

In its fifth year the program series *An Art Book*, initiated and organized
by* Arezoo Moseni*, is a celebration of the essential importance and beauty
of art books. The events showcase book presentations and discussions by
world renowned artists, critics, curators, gallerists, historians and
writers.


~~~~~~~~~~~~~~~~~~~~~~
Mail submissions to [log in to unmask] For information about joining ARLIS/NA see: http://www.arlisna.org/join.html Send administrative matters (file requests, subscription requests, etc) to [log in to unmask] ARLIS-L Archives and subscription maintenance: http://lsv.arlisna.org Questions may be addressed to list owner (Judy Dyki) at: [log in to unmask]
~~~~~~~~~~~~~~~~~~~~~~