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The New York Public Library

presents

**

An Art Book Series
Event<http://www.nypl.org/events/programs/2013/10/30/art-and-words-artspeak-robert-atkins-and-special-guests-art-book-series-e>

<http://www.nypl.org/events/programs/2013/10/30/art-and-words-artspeak-robert-atkins-and-special-guests-art-book-series-e>



*Art and Words - ArtSpeak*

**

*Robert Atkins** in conversation with*

*Jordan Crandall, Pablo Helguera, Mireia Sentís***



Wednesday October 30, 2013

6:00 p.m.

Margaret Liebman Berger Forum
Room 227 (2nd Floor)



The New York Public Library

Stephen A. Schwarzman Building

5thAvenue at 42nd Street

New York, NY 10016

917-275-6975

 www.nypl.org

*(directions) <http://www.nypl.org/locations/tid/36/directions>*



 Room 227 opens to public at 5:30 p.m.
All events are FREE and subject to last minute change or cancellation

**

Translation? Interpretation? Mediation? What do we mean when we talk about
art? *Join art historian Robert Atkins and artists Jordan Crandall, Pablo
Helguera and Mireia Sentís for a wide-ranging discussion of the
relationship between art and language today, and the thorny task of
choosing the words to encapsulate the last quarter-century of contemporary
art*. This event celebrates the publication of the revised and updated
twenty-fifth-anniversary edition of Atkins's best-selling *ArtSpeak: A
Guide to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present*.



On the twenty-fifth anniversary of its original publication, the
best-selling *ArtSpeak* (Abbeville Press 2013)returns in a fully redesigned
third edition, featuring nearly 150 alphabetical entries—30 of them
entirely new, and others updated—that explain the who, when, where, and
what of postwar and contemporary art, from Abstract Expressionism to
zeitgeist. These concise essays on key artistic terms are written with wit
and common sense by veteran art historian and critic *Robert Atkins*, who
also provides a year-by-year timeline of world and art-world events from
1945 to the present. Some 80 images, most in full color, illustrate iconic
works of the movements discussed, making *ArtSpeak* a visual as well as a
textual reference.

* *

*Copies of the book are available for purchase and signing at the event
after the audience Q&A*.

*Robert Atkins <http://www.robertatkins.net/index.html>* is an art
historian, writer and curator. He is a frequent contributor to *Art in
America* and a former staff columnist for the *Village Voice*. In addition
to *ArtSpeak*, he is the author of *ArtSpoke: A Guide to Modern Ideas,
Movements, and Buzzwords 1848-1944* and *Censoring Culture: Contemporary
Threats to Free Expression*. A Research Associate (Fellow) at Carnegie
Mellon’s STUDIO for Creative Inquiry, he is a pioneering digital media
producer who has created online resources including *Artery: The AIDS-Arts
Forum*, and, in 2011, *ArtSpeak China.org*, the first bilingual wiki
devoted to contemporary Chinese art. He has organized exhibitions at far
flung venues ranging from the Sao Paulo Bienal to the New Museum of
Contemporary Art in New York. A founding member of Visual AIDS, creators of
Day With(out) Art and the Red Ribbon, he is currently producing *AIDS Over
Time/Time Over AIDS*, a forum to be held throughout New York in 2014.

*Jordan Crandall <http://jordancrandall.com>* is a media artist, theorist
and Professor in the Visual Arts Department at University of California,
San Diego. In 2011, he received the Vilém Flusser Theory Award for
outstanding theory and research-based digital arts practice from the
Transmediale and the Vilém Flusser Archive of the University of Arts,
Berlin. His current project, UNMANNED, blends performance art, political
theater, philosophical speculation, and intimate reverie and explores the
status of the human in a militarized landscape increasingly dependent on
technology and new ontologies of distributed systems. Developed in
residency at Eyebeam center for art and technology, it was performed most
recently at V2_ Institute in Rotterdam. Crandall is founding director of
the Active Structures + Materials research studio at UCSD, an
interdisciplinary test-site for new theories of materiality and new forms
and methods of material practice, and founding editor of the online journal
VERSION.

*Pablo Helguera* <http://pablohelguera.net/bio/> is the Director of Adult
and Academic Programs in MoMA’s Department of Education and an artist whose
show *Libreria Donceles* is currently up at Kent Gallery in Chelsea.



*Mireia Sentís*<http://catalog.nypl.org/search%7ES1/?searchtype=a&searcharg=+Sent%C3%ADs%2C+Mireia&searchscope=1&sortdropdown=-&SORT=D&extended=0&SUBMIT=Search&searchlimits=&searchorigarg=aatkins%2C+robert>is
a writer, photographer and curator. Born in Barcelona, she grew up in
Paris and studied at Oxford and in Florence. She has directed and anchored
cultural radio and TV programs in Spain and the UK, and has written for *El
País*, the Spanish newspaper. She started working at United Nations
headquarter in 1972 and since then has been living and working in New York,
Barcelona and Madrid. In 1983, she began exhibiting her photographic work
throughout Europe, South America and New York, and was the recipient of a
retrospective exhibition at the Círculo de Bellas
Artes<http://www.youtube.com/watch?v=nTqBob_PCbY>(Madrid, 2008) and at
Arts Santa Mònica (Barcelona, 2010). She is the
author of *Al límite del juego* (*To the Limit of the Game*, 1994), a
portrait of SoHo in the 1960’s and 70’s, and *En el pico del águila: una
introducción a la cultura afroamericana* (*In the Eagle's Beak: An
introduction to African American Culture*, 1998). She is the
founder/director of BAAM (Biblioteca Afro Americana in Madrid), which
publishes previously untranslated writings in Spanish.



In its fifth year the program series *An Art Book*, initiated and organized
by *Arezoo Moseni*<http://www.nypl.org/events/programs/2013/02/12/future-art-book-publishing>,
is a celebration of the essential importance and beauty of art books. The
events showcase book presentations and discussions by world renowned
artists, critics, curators, gallerists, historians and writers.


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