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The New York Public Library



presents

* *

Artifex Press Series Event<http://www.nypl.org/events/programs/2013/02/27/art>

* *

*Jim Dine: Sculpture, 1983-2012***

* *

*Jim Dine*

*in conversation with*

*David Grosz*

*and Sara Davidson*

* *

Wednesday February 27, 2013

6:00 p.m.



Margaret Liebman Berger Forum
Room 227 (2nd Floor)



The New York Public Library

Stephen A. Schwarzman Building

5thAvenue at 42nd Street

New York, NY 10016

917-275-6975

 www.nypl.org

*(directions) <http://www.nypl.org/locations/tid/36/directions>*



 Room 227 opens to public at 5:30 p.m.
All events are FREE and subject to last minute change or cancellation.



*Artifex Press *the first company dedicated to the production of digital
catalogues raisonnés, celebrates the release of *Jim Dine: Sculpture,
1983-2012*, a searchable, sortable interactive web publication detailing
the artist’s entire three-dimensional output for the past three decades —
more than 300 original works, and nearly 1000 casts in total. This event
features a demonstration of the Artifex Press digital catalogue raisonné
platform, followed by a discussion with Jim Dine; Sara Davidson, editor of
the Jim Dine Catalogue Raisonné; and David Grosz, Editor in Chief of
Artifex Press.

*Artifex Press is the first company dedicated to the production of digital
catalogues raisonnés*. Artifex Press is currently working with 11
artists/estates, and its first four catalogues are for Chuck Close, Jim
Dine, Sol LeWitt, and Agnes Martin. Artifex Press has also developed a
proprietary, patent-pending software platform that can be used for further
catalogues as well as inventory management.

*Jim Dine* <http://pacegallery.com/artists/109/jim-dine> is a
multitalented, prolific artist whose painting, sculpture, drawing,
photography, performance, and poetry have been the subject of hundreds of
museum exhibitions worldwide over the past five
decades.*Dine*<http://catalog.nypl.org/search%7ES1?/ddine%2C+jim/ddine+jim/1%2C18%2C120%2CB/browse/indexsort=-#anchor_4>
 entered the New York art scene in the late 1950s, creating and staging
many of the first
Happenings<http://catalog.nypl.org/search%7ES1?/aglimcher%2C+mildred/aglimcher+mildred/1%2C1%2C9%2CB/frameset&FF=aglimcher+mildred+1939&1%2C%2C9/indexsort=r>
 alongside artists Claes
Oldenburg<http://catalog.nypl.org/search%7ES97/?searchtype=d&searcharg=oldenburg%2C+claes&searchscope=1&sortdropdown=-&SORT=D&extended=0&SUBMIT=Search&searchlimits=&searchorigarg=doldenburg%2C+claes>
 and Robert Whitman<http://catalog.nypl.org/search%7ES1/?searchtype=d&searcharg=whitman%2C+robert&searchscope=1&sortdropdown=-&SORT=D&extended=0&SUBMIT=Search&searchlimits=&searchorigarg=dwhitman%2C+robert>.
For over five decades, Dine has explored ordinary objects and motifs such
as hearts, skulls, and robes, in his exploration of body, memory, and self.
Dine has been the subject of nine major surveys and retrospectives since
1970, including *Jim Dine, Some Drawings*, organized by the Allen Memorial
Art Museum (2005–2007); *Drawings of Jim Dine*, a major traveling
retrospective organized by the National Gallery of Art, Washington, D.C.
(2004); *Jim Dine: Walking Memory 1959–1969*, the Solomon R. Guggenheim
Museum, NY (1999); *Jim Dine*, Isetan Museum, Tokyo (1990–91); *Jim Dine:
Five Themes*, the Walker Art Center, Minneapolis (1984–85); and *Jim Dine*,
Whitney Museum of American Art, NY (1970). In 2011, the artist’s first
major retrospective devoted to sculpture opened at the Frederik Meijer
Gardens & Sculpture Park in Grand Rapids, Michigan. It subsequently
traveled to the Kennedy Museum of Art in Athens, Ohio as *Jim Dine:
Sculpture and Large Prints* and to Nassau County Museum of Art, Roslyn
Harbor, New York as *Sculpture/Jim Dine/Pinocchio* in 2012.

*David Grosz* is Managing Partner/Editor in Chief of Artifex
Press<http://www.artifexpress.com/>,
a publisher of digital catalogues raisonnés and a developer of catalogue
raisonné software (patent-pending). Artifex Press is currently working with
11 artists/estates, including Chuck Close, Jim Dine, Sol LeWitt, and Agnes
Martin, and is also in discussions with several more. The Beta site, with
the first catalogues, is expected to launch later this year. Grosz was
previously Editor in Chief of Artinfo.com <http://www.artinfo.com/>, a
catalogue editor at the Guggenheim Museum, and Managing/Literary
Editor at *Grand
Street*. In 2011, he was a columnist for Sotheby's magazine, writing on art
and technology, and from 2005 to 2007, he was an art critic for the *New
York Sun*. His writing has also appeared in several other publications,
including *Slate*, *Modern Painters*, the New Republic Online, *Art News*,
the *New Criterion*, and the *Forward*.

*Sara Davidson* is the editor of Jim Dine’s catalogue raisonné of
sculpture. In the past year she has contributed essays to *Peripheral
Visions: Italian Photography in Context,
1950s-Present*<http://catalog.nypl.org/search%7ES97/?searchtype=t&searcharg=Peripheral+Visions%3A+Italian+Photography+in+Context%2C+1950s-Present&searchscope=1&sortdropdown=-&SORT=D&extended=0&SUBMIT=Search&searchlimits=&searchorigarg=dclose%2C+chuck>,
published by Charta in association with an exhibition at the Bertha and
Karl Leubsdorf Art Gallery at Hunter College. Sara has previously held
positions as a cataloguer in the contemporary art department at Phillips de
Pury & Company and as Director of Marvelli Gallery in New York.



This event is organized in collaboration with *Arezoo Moseni*.


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