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I second Karen's request/query.

Moira
______________________________________
Moira Steven, Library Director
Joanne Waxman Library @ Maine College of Art
522 Congress Street, Portland, ME 04101
207-775-5153 (general)/207-699-5090 (direct line)/207-775-5087 (fax)

"The difference between the right word and the almost-right word is the
difference between the lightning and the lightning-bug." - Mark Twain

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On Tue, Jan 29, 2013 at 1:09 PM, McKenzie, Karen <[log in to unmask]>wrote:

>  For interested out-of-towners who won’t be in NYC any time soon, will
> this panel discussion be recorded and viewable on the web afterwards?
> Here’s hoping!
>
>
>
> Karen McKenzie
>
> Chief Librarian
>
> AGO - Art Gallery of Ontario
>
>
>
> PH  416-979-6660
>
> FX  416-979-6602
>
> E  [log in to unmask]
>
> www.ago.net
>
>
>
> *From:* ARLIS/NA List [mailto:[log in to unmask]] *On Behalf Of *Ian
> McDermott
> *Sent:* Tuesday, January 29, 2013 12:33 PM
> *To:* [log in to unmask]
> *Subject:* [ARLIS-L] INVITE: The Future of Art Book Publishing | NYPL |
> Tues, Feb 12, 2013 | 6pm
>
>
>
>
>
> *THE FUTURE OF ART BOOK PUBLISHING<http://r20.rs6.net/tn.jsp?e=001gL5fDKnFpf1SAilWOULLrRQ6aAV5FLqEU_WrF3ovzFQIbvp6q2htEwgOofzep4UCYRUhFz2npm9azUFMnwx5E9QsCJiUTqXCZifMSNRYH2S43SQ8G6y1FkvsEd2Yn4LwmbT5XhCPX69mq44wnDPZ9v88Yu_7Mm2WQdgD0lJ_8SB2Ulp781y8C0ICm-L8QNIb>
> *
>
> PRESENTED BY
>
>
>
> THE NEW YORK PUBLIC LIBRARY
>
> ARTBOOK |D.A.P. + ARLIS/NY
>
>
>
> In the face of Amazon.com, bookstore closures, self-publishing options,
> and shrinking library budgets, who is publishing art books and how are they
> reaching consumers and researchers alike? Commercial publishers and
> distributors, as well as independent and grassroots organizations, must
> confront the sea-change in how readers interact with the printed word.
> E-books and other digital formats are gaining in popularity for fiction
> readers and an increasing number of academic disciplines, yet very few art
> books meet the digital demand, even as more images of art are available
> online. Moreover, art books remain expensive to produce due to the
> necessity of high-quality, and often high-priced, image reproductions,
> among other vexing issues.
>
>
>
> *This panel, organized by ARTBOOK | D.A.P.<http://r20.rs6.net/tn.jsp?e=001gL5fDKnFpf1zjfT5Uyk-3kGjXWI3vDYgR26rb0jl8MhrLSbrM5JZonA48lVdat4mUtkntrfRqT6wDp-GNF5SSqI2eHejG_lmAl4R5cCBHFg197Uo-bCoeQ==>,
> ARLIS/NY<http://r20.rs6.net/tn.jsp?e=001gL5fDKnFpf0HLxT_0U8SgknPH_Izb-mlnhMHtdkGA8qcTSCSVdAsd73kKBI9yLwcwRBBm3gf6xi1vyj5bgXssyAzAP_Z-Bb74q4IDeO4kjTDn4p1uUHlIw==> and
> in collaboration with Arezoo Moseni, investigates how diverse publishers
> approach their long term viability in the commercial and academic
> marketplaces.*
>
>
>
>
>
> The panel features leading figures in the rapidly changing world of art
> book publishing, including *Margaret Chace*, Associate Publisher,
> Skira-Rizzoli<http://r20.rs6.net/tn.jsp?e=001gL5fDKnFpf1NEABe2EfxtQUFTRzHOjcR7KsJIXN0T2RF-hQsxxbWXDZFsOkBHkn-1cPXg1XTxBvwOmq4Fn78N2J9EhHOqz9dCl7gLqeJt7hAgtQiRF5UppsphqqvCI93ZnFK4OlcM7E=>
> ; *Paul Chan*, artist, Founder of Badlands Unlimited<http://r20.rs6.net/tn.jsp?e=001gL5fDKnFpf1VY4_ZUGhBVY_jbQefrEeDele19b1RXOzQfryJe0zuPufys2dYwqW3A9KlXqY2AFRCrf-SXW6rd4BSbyFe2uDwYGnXDyehOwVqRRf0w1cF9kBNRHtYixlh>
> ; *Sharon Gallagher*, President and Publisher of ARTBOOK | D.A.P.<http://r20.rs6.net/tn.jsp?e=001gL5fDKnFpf1zjfT5Uyk-3kGjXWI3vDYgR26rb0jl8MhrLSbrM5JZonA48lVdat4mUtkntrfRqT6wDp-GNF5SSqI2eHejG_lmAl4R5cCBHFg197Uo-bCoeQ==>;
> and* Chul R. Kim*, Associate Publisher, The Museum of Modern Art<http://r20.rs6.net/tn.jsp?e=001gL5fDKnFpf3IDvlr9SeFFQkmzCETtgYdei-MZv3_oBR4Ua20W6VGurnl_2VWRF8EyX8uqvJhc3cDq1FH75RZqrzlqwV0BEbTkhIPThKE2OOtJG4OVFlS5K5Mdj-iPKqLGXCoJtFLAbc=>.
> The discussion is moderated by *Arezoo Moseni* Senior Art Librarian at
> The New York Public Library.
>
>
>
> *Margaret Chace* has worked in art book publishing in New York as an
> editor and in various management positions since 1983. Currently she is
> Associate Publisher of Skira Rizzoli, an imprint of Rizzoli International
> Publications that specializes in art and museum books. She joined Rizzoli
> in 2010 after 8 years as Managing Editor at The Metropolitan Museum of Art,
> where she helped manage the publication program of exhibition and
> collection catalogues, quarterly member bulletins, wall signage, and edited
> the Metropolitan Museum Journal for 6 years. Prior to the Met, she was Vice
> President and Managing Editor at Abrams, where she worked for 18 years both
> editing a diverse range of titles and serving on the management team.
>
>
>
> *Paul Chan* is an artist who lives and works in New York. His work has
> been exhibited widely in many international shows including: Documenta 13,
> Kassel, 2012; Before The Law, Ludwig Museum, Cologne, 2011-12; Making
> Worlds, 53rd Venice Biennale, Venice, 2009; Medium Religion, ZKM,
> Karlsruhe, 2008; Traces du sacrê, Centre Pompidou, Paris, 2008 and
> the Whitney Biennial, Whitney Museum of Art, New York, 2006. Recent solo
> exhibitions include Paul Chan: The 7 Lights, Serpentine Gallery, London and
> New Museum, New York, 2007-2008. In 2007, Chan collaborated with the
> Classical Theatre of Harlem and Creative Time to produce a site-specific
> outdoor presentation of Samuel Beckett's play Waiting for Godot in New
> Orleans. Chan's essays and interviews have appeared
> in Artforum, Frieze, Flash Art, October, Tate etc, Parkett, Texte Zur
> Kunst, Bomb, and other magazines and journals. Chan founded Badlands
> Unlimited, a press devoted to publishing artists writings and writings
> about art in paper and digital forms in 2010.
>
>
>
> *Sharon Gallagher* is the President and Publisher of ARTBOOK | D.A.P.,
> the publishing and art book distribution company she co-founded in downtown
> New York in 1990, then known simply as D.A.P./Distributed Art Publishers.
> Over the last 20 years, the company has selected, catalogued, publicized
> and distributed more than 12,000 titles on art, photography, architecture,
> design and visual culture from the world's most respected museums and fine
> arts publishers. Under Gallagher's editorial guidance, the D.A.P.
> Publishing imprint has also published or co-published dozens of major
> monographs, writing collections and surveys, including Gerhard Richter:
> Atlas. She is also the co-publisher of Metropolis Books, the urbanism,
> architecture and design imprint. Since 2008, Gallagher has served as the
> Executive Director of ARTBOOK, which sells books directly to consumers
> through its website ARTBOOK.COM, at permanent locations like ARTBOOK @
> MoMA P.S.1 and at temporary locations like Frieze New York, Art Basel
> Miami, the Hong Kong International Art Fair and many others. Under
> Gallagher's stewardship, ARTBOOK | D.A.P. has embraced not just
> distribution, but also digital books, publishing, retailing and event
> management. Prior to founding D.A.P./Distributed Art Publishers, she held
> positions as the Rights Director and Managing Editor at Abbeville Press.
> She is a graduate of Yale University, summa cum laude, with honors in
> Philosophy and in the joint Economics and Political Science Program. She
> holds an M.A. in Philosophy from Columbia University, where she was a
> University Fellow.
>
>
>
> *Chul R. Kim* is Associate Publisher at The Museum of Modern Art, New
> York, where he oversees the digital-publishing strategy and international
> collaboration for both print and digital projects. He previously served for
> nine years as Director of Publications and Editor-in-Chief of the
> Smithsonian's Cooper-Hewitt, National Design Museum. He earned his MA in
> French Literature at New York University and was a Fulbright Scholar in
> France.
>
>
>
> *A panel discussion with*
>
> *Margaret Chace, Paul Chan, Sharon Gallagher, Chul R. Kim*
>
> *moderated by Arezoo Moseni*
>
>
>
> Tuesday February 12, 2013
>
> 6:00 p.m.
>
>
>
> South Court Auditorium
> South Court, Lower Level
>
>
>
> The New York Public Library
>
> Stephen A. Schwarzman Building
>
> 5thAvenue at 42nd Street
>
> New York, NY 10018
>
> 917-275-6975
>
>  www.nypl.org<http://r20.rs6.net/tn.jsp?e=001gL5fDKnFpf1ug4PWSaInjFgbGtuM5aVFoye_1LLRCR2K98bMs_4owHk8uHpre90o0T7njUWPLM8oaufeQyQSXPm10ri5Pp2odx1CDdXzMaI=>
>
> (directions)<http://r20.rs6.net/tn.jsp?e=001gL5fDKnFpf0siXc7Gs99P_POq4y_BKHRKIutGntmtYpdATGAr-j0UkPM4lVlXcW9FBvufr01u9-nUABjiSuS1e0QNyeSD6lfV38hKGFbQ3GdWjtD7ywamACKJf7PE_6sMNjI3mGMIEU_SifTSj2oYA==>
>
>
>
>  Auditorium doors open to public at 5:30 p.m.
> All events are FREE and subject to last minute change or cancellation.
>
>
>
>
>
>
>
>
>
> On behalf of ARLIS/NY,
>
>
>
> Ian McDermott
>
> Member-at-Large for Membership
>
> ARLIS/NY <http://www.arlisny.org>
>
> Facebook <http://www.facebook.com/pages/Arlis-New-York/169396976443974>
>
> Twitter <http://twitter.com/#!/arlis_ny>
>
>
>
> Collection Development Associate
>
> ARTstor
>
> 151 E. 61st St.
>
> New York, NY 10065
>
> 212.500.2413
>
> [log in to unmask]**
>
> www.artstor.org* *
>
>
>
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>
> *Don’t miss the photography, words and music of legend Patti Smith — only
> at the Art Gallery of Ontario from Feb. 9 to May 19, 2013. *
>
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