Dear colleagues,

 

I am posting this on behalf of Barbara Pezzini of the Burlington Magazine

 

Max Marmor

 

The Art Press in the Twentieth Century:

History, criticism and the art market in magazines and journals

 

A one-day conference organised by Sotheby’s Institute of Art and The

Burlington Magazine

 

1st February 2013 at Sotheby’s Institute of Art, 30 Bedford Square, London

WC1B 3EE

 

SESSION 1: 1890–1929

 

Chaired by Ysanne Holt (University of Northumbria) and  (The Burlington

Magazine)

 

Meaghan Clarke (University of Sussex) – The art press at the fin-de-siècle:

women, collecting and connoisseurship

 

Yu-Jen Liu (Academia Sinica) – Art, reproduction and the market: the politics

and poetics of Chinese art illustration 1908–11

 

Poppy Sfakianaki (University of Crete) – Promoting the value(s) of Modernism:

the interviews of Tériade and Zervos with art dealers in Cahiers d’art, 1927–28

SESSION 2: 1930–69

 

Chaired by Bernard Vere (Sotheby’s Institute of Art) and Anne Blood (The

Burlington Magazine)

 

Sam Rose (Courtauld Institute of Art) – The visual arts in the BBC Listener

magazine 1929–39

 

Adrian Clark (British Art Journal) – The art contributions to Horizon (1940–50)

Dorothea Schoene (University of Hamburg) – Shaping the perception of German

art after 1945 – MoMA and the New York Times

 

SESSION 3: 1970–present

 

Chaired by Lis Darby (Sotheby’s Institute of Art) and Clive Phillpot

 

J.J. Charlesworth (Royal College of Art) – Young Conservatives: the formalist

revival from One magazine to Artscribe

 

Patricia Bickers (Art Monthly) – Partial History: Art Monthly 1976–

 

Samuel Bibby (Art History) – ‘The pursuit of understanding’: towards a history

of Art History