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Dear colleagues,

I am posting this on behalf of Barbara Pezzini of the Burlington Magazine

Max Marmor

The Art Press in the Twentieth Century:
History, criticism and the art market in magazines and journals

A one-day conference organised by Sotheby's Institute of Art and The
Burlington Magazine

1st February 2013 at Sotheby's Institute of Art, 30 Bedford Square, London
WC1B 3EE

SESSION 1: 1890-1929

Chaired by Ysanne Holt (University of Northumbria) and  (The Burlington
Magazine)

Meaghan Clarke (University of Sussex) - The art press at the fin-de-siècle:
women, collecting and connoisseurship

Yu-Jen Liu (Academia Sinica) - Art, reproduction and the market: the politics
and poetics of Chinese art illustration 1908-11

Poppy Sfakianaki (University of Crete) - Promoting the value(s) of Modernism:
the interviews of Tériade and Zervos with art dealers in Cahiers d'art, 1927-28
SESSION 2: 1930-69

Chaired by Bernard Vere (Sotheby's Institute of Art) and Anne Blood (The
Burlington Magazine)

Sam Rose (Courtauld Institute of Art) - The visual arts in the BBC Listener
magazine 1929-39

Adrian Clark (British Art Journal) - The art contributions to Horizon (1940-50)
Dorothea Schoene (University of Hamburg) - Shaping the perception of German
art after 1945 - MoMA and the New York Times

SESSION 3: 1970-present

Chaired by Lis Darby (Sotheby's Institute of Art) and Clive Phillpot

J.J. Charlesworth (Royal College of Art) - Young Conservatives: the formalist
revival from One magazine to Artscribe

Patricia Bickers (Art Monthly) - Partial History: Art Monthly 1976-

Samuel Bibby (Art History) - 'The pursuit of understanding': towards a history
of Art History



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