The June issue of the Journal of Art Historiography has just been published:
ISLAMIC ART HISTORIOGRAPHY
Guest edited by Moya Carey (V&A) and Margaret S. Graves (Indiana University)
Introduction
Moya Carey and Margaret S. Graves, ‘Introduction: Historiography of Islamic art and architecture, 2012’ 6-MCG/1
Prologue
Avinoam Shalem, ‘What do we mean when we say “Islamic art”? A plea for a critical rewriting of the history of the arts of Islam’ 6-AS/1
Scholars and showmen
Zeynep Simavi, ‘Mehmet Ağa-Oğlu and the formation of the field of Islamic art in the United States’ 6-ZS/1
Robert Hillenbrand, ‘Oleg Grabar: the scholarly legacy’ 6-RH/1
Yuka Kadoi, ‘Arthur Upham Pope and his “research methods in Muhammadan art”: Persian carpets’ 6-YK/1
Connoisseurs, collectors and consumers
Keelan Overton, ‘A history of Ottoman art history through the private database of Edwin Binney, 3rd’ 6-KO/1
Amanda Phillips, ‘The historiography of Ottoman velvets, 2011-1572: scholars, craftsmen, consumers’ 6-AP/1
Christiane Gruber, ‘Questioning the “classical” in Persian painting: models and problems of definition’ 6-CG/1
The recorded object: collating the canon
Eva Troelenberg, ‘Regarding the exhibition: the Munich exhibition Masterpieces of Muhammadan Art (1910) and its scholarly position’ 6-ET/1
Lara Eggleton, ‘History in the making: the ornament of the Alhambra and the past-facing present’ 6-LE/1
Hussein Keshani, ‘Towards digital Islamic art history’ 6-HK/1
The limits of Islamic art history
Nasser Rabbat, ‘What is Islamic architecture anyway?’ 6-NR/1
Mariam Rosser-Owen, ‘Mediterraneanism: how to incorporate Islamic art into an emerging field’ 6-MRO/1
Margaret S. Graves, ‘Feeling uncomfortable in the nineteenth century’ 6-MSG/1
Wendy Shaw, ‘The Islam in Islamic art history: secularism and public discourse’ 6-WS/1
Translation
Fatima Quraishi, ‘Asar-ul-Sanadid: a nineteenth-century history of Delhi’ 6-FQ/1
Documents
Sheila S. Blair and Jonathan M. Bloom, ‘The Mirage of Islamic Art: Reflections on an Unwieldy Field’, The Art Bulletin, 85(1), 2003. Reproduced by permission of the authors and the College Art Association. 6-SSB/1
Robert Hillenbrand, ‘Studying Islamic Architecture: Challenges and Perspectives’, Architectural History, 46, 2003. Reproduced by permission of the author and the Society of Architectural Historians of Great Britain. 6-RH/2
Finbarr Barry Flood, ‘From the Prophet to Postmodernism? New World Orders and the End of Islamic Art’, in Elizabeth Mansfield, ed., Making Art History: A Changing Discipline and its Institutions, London and New York: Routledge, 2007. Reproduced by permission of the author and publishers. 6-FBF/1
Gülru Necipoğlu, ‘The Concept of Islamic Art: Inherited Discourses and New Approaches’, in Benoît Junod, Georges Khalil, Stefan Weber and Gerhard Wolf, eds, Islamic Art and the Museum, London: Saqi, 2012. Reproduced by permission of the author and publishers. 6-GN/1
Prof. Richard Woodfield
Editor of the Journal of Art Historiography
http://arthistoriography.wordpress.com/