The June issue of the Journal of Art Historiography has just been published:

ISLAMIC ART HISTORIOGRAPHY

Guest edited by Moya Carey (V&A) and Margaret S. Graves (Indiana University)

Introduction

Moya Carey and Margaret S. Graves, ‘Introduction: Historiography of Islamic art and architecture, 2012’            6-MCG/1

Prologue

Avinoam Shalem, ‘What do we mean when we say “Islamic art”? A plea for a critical rewriting of the history of the arts of Islam’   6-AS/1

Scholars and showmen

Zeynep Simavi, ‘Mehmet Ağa-Oğlu and the formation of the field of Islamic art in the United States’       6-ZS/1

Robert Hillenbrand, ‘Oleg Grabar: the scholarly legacy’       6-RH/1

Yuka Kadoi, ‘Arthur Upham Pope and his “research methods in Muhammadan art”: Persian carpets’        6-YK/1

Connoisseurs, collectors and consumers

Keelan Overton, ‘A history of Ottoman art history through the private database of Edwin Binney, 3rd’   6-KO/1

Amanda Phillips, ‘The historiography of Ottoman velvets, 2011-1572: scholars, craftsmen, consumers’     6-AP/1

Christiane Gruber, ‘Questioning the “classical” in Persian painting: models and problems of definition’    6-CG/1

The recorded object: collating the canon

Eva Troelenberg, ‘Regarding the exhibition: the Munich exhibition Masterpieces of Muhammadan Art (1910) and its scholarly position’       6-ET/1

Lara Eggleton, ‘History in the making: the ornament of the Alhambra and the past-facing present’            6-LE/1

Hussein Keshani, ‘Towards digital Islamic art history’          6-HK/1

The limits of Islamic art history

Nasser Rabbat, ‘What is Islamic architecture anyway?’         6-NR/1

Mariam Rosser-Owen, ‘Mediterraneanism: how to incorporate Islamic art into an emerging field’  6-MRO/1

Margaret S. Graves, ‘Feeling uncomfortable in the nineteenth century’        6-MSG/1

Wendy Shaw, ‘The Islam in Islamic art history: secularism and public discourse’    6-WS/1

Translation

Fatima Quraishi, ‘Asar-ul-Sanadid: a nineteenth-century history of Delhi’   6-FQ/1

Documents

Sheila S. Blair and Jonathan M. Bloom, ‘The Mirage of Islamic Art: Reflections on an Unwieldy Field’, The Art Bulletin, 85(1), 2003. Reproduced by permission of the authors and the College Art Association.  6-SSB/1

Robert Hillenbrand, ‘Studying Islamic Architecture: Challenges and Perspectives’, Architectural History, 46, 2003. Reproduced by permission of the author and the Society of Architectural Historians of Great Britain.      6-RH/2

Finbarr Barry Flood, ‘From the Prophet to Postmodernism? New World Orders and the End of Islamic Art’, in Elizabeth Mansfield, ed., Making Art History: A Changing Discipline and its Institutions, London and New York: Routledge, 2007. Reproduced by permission of the author and publishers.  6-FBF/1

Gülru Necipoğlu, ‘The Concept of Islamic Art: Inherited Discourses and New Approaches’, in Benoît Junod, Georges Khalil, Stefan Weber and Gerhard Wolf, eds, Islamic Art and the Museum, London: Saqi, 2012. Reproduced by permission of the author and publishers.       6-GN/1

Prof. Richard Woodfield

Editor of the Journal of Art Historiography

http://arthistoriography.wordpress.com/