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The June issue of the Journal of Art Historiography
<http://arthistoriography.wordpress.com/>  has just been published:

 

ISLAMIC ART HISTORIOGRAPHY

Guest edited by Moya Carey (V&A) and Margaret S. Graves (Indiana University)

Introduction

Moya Carey and Margaret S. Graves, 'Introduction: Historiography of Islamic
art and architecture, 2012'
<http://arthistoriography.files.wordpress.com/2012/05/introgravesandcarey2.p
df> 6-MCG/1

Prologue

Avinoam Shalem, 'What do we mean when we say "Islamic art"? A plea for a
critical rewriting of the history of the arts of Islam'
<http://arthistoriography.files.wordpress.com/2012/05/shalem.pdf> 6-AS/1

Scholars and showmen

Zeynep Simavi, 'Mehmet Ağa-Oğlu and the formation of the field of Islamic
art in the United States'
<http://arthistoriography.files.wordpress.com/2012/05/simavi.pdf> 6-ZS/1

Robert Hillenbrand, 'Oleg Grabar: the scholarly legacy'
<http://arthistoriography.files.wordpress.com/2012/05/hillenbrand.pdf>
6-RH/1

Yuka Kadoi, 'Arthur Upham Pope and his "research methods in Muhammadan art":
Persian carpets'
<http://arthistoriography.files.wordpress.com/2012/05/kadoi.pdf> 6-YK/1

Connoisseurs, collectors and consumers

Keelan Overton, 'A history of Ottoman art history through the private
database of Edwin Binney, 3rd'
<http://arthistoriography.files.wordpress.com/2012/05/overton.pdf> 6-KO/1

Amanda Phillips, 'The historiography of Ottoman velvets, 2011-1572:
scholars, craftsmen, consumers'
<http://arthistoriography.files.wordpress.com/2012/05/phillips.pdf> 6-AP/1

Christiane Gruber, 'Questioning the "classical" in Persian painting: models
and problems of definition'
<http://arthistoriography.files.wordpress.com/2012/05/gruber.pdf> 6-CG/1

The recorded object: collating the canon

Eva Troelenberg, 'Regarding the exhibition: the Munich exhibition
Masterpieces of Muhammadan Art (1910) and its scholarly position'
<http://arthistoriography.files.wordpress.com/2012/05/troelenberg.pdf>
6-ET/1

Lara Eggleton, 'History in the making: the ornament of the Alhambra and the
past-facing present'
<http://arthistoriography.files.wordpress.com/2012/05/eggleton.pdf> 6-LE/1

Hussein Keshani, 'Towards digital Islamic art history'
<http://arthistoriography.files.wordpress.com/2012/05/keshani.pdf> 6-HK/1

The limits of Islamic art history

Nasser Rabbat, 'What is Islamic architecture anyway?'
<http://arthistoriography.files.wordpress.com/2012/05/rabbat1.pdf> 6-NR/1

Mariam Rosser-Owen, 'Mediterraneanism: how to incorporate Islamic art into
an emerging field'  6-MRO/1
<http://arthistoriography.files.wordpress.com/2012/05/rosserowen.pdf> 

Margaret S. Graves, 'Feeling uncomfortable in the nineteenth century'
<http://arthistoriography.files.wordpress.com/2012/05/graves.pdf> 6-MSG/1

Wendy Shaw, 'The Islam in Islamic art history: secularism and public
discourse'
<http://arthistoriography.files.wordpress.com/2012/05/shaw1.pdf> 6-WS/1

Translation

Fatima Quraishi, 'Asar-ul-Sanadid: a nineteenth-century history of Delhi'
<http://arthistoriography.files.wordpress.com/2012/05/quraishi.pdf> 6-FQ/1

Documents

Sheila S. Blair and Jonathan M. Bloom, 'The Mirage of Islamic Art:
Reflections on an Unwieldy Field', The Art Bulletin, 85(1), 2003. Reproduced
by permission of the authors and the College Art Association.
<http://arthistoriography.files.wordpress.com/2012/05/blairbloomdoc.pdf>
6-SSB/1

Robert Hillenbrand, 'Studying Islamic Architecture: Challenges and
Perspectives', Architectural History, 46, 2003. Reproduced by permission of
the author and the Society of Architectural Historians of Great Britain.
<http://arthistoriography.files.wordpress.com/2012/05/hillenbranddoc.pdf>
6-RH/2

Finbarr Barry Flood, 'From the Prophet to Postmodernism? New World Orders
and the End of Islamic Art', in Elizabeth Mansfield, ed., Making Art
History: A Changing Discipline and its Institutions, London and New York:
Routledge, 2007. Reproduced by permission of the author and publishers.
<http://arthistoriography.files.wordpress.com/2012/05/flooddoc.pdf> 6-FBF/1

Gülru Necipoğlu, 'The Concept of Islamic Art: Inherited Discourses and New
Approaches', in Benoît Junod, Georges Khalil, Stefan Weber and Gerhard Wolf,
eds, Islamic Art and the Museum, London: Saqi, 2012. Reproduced by
permission of the author and publishers.
<http://arthistoriography.files.wordpress.com/2012/05/necipogludoc.pdf>
6-GN/1

 

 

 

Prof. Richard Woodfield

Editor of the Journal of Art Historiography

 <http://arthistoriography.wordpress.com/>
http://arthistoriography.wordpress.com/

 



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