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Some of you may be interested in this review in a recent WSJ re the Boston's
Museum of Fine Arts South and Southeast Asian Sculpture Gallery.

--this installation is in some ways a return to Coomaraswamy's ideals—with
key differences. While Coomaraswamy liked to present India as a cohesive
and closed unit, Ms. Weinstein draws attention to art's disregard for
borders by mingling some 120 works from South and Southeast Asia in a
chronological progression from the third millennium B.C. to the 19th
century.

*http://tinyurl.com/7w2u287*

-- 
E. Lee Eltzroth


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