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----- Forwarded Message -----
> Please forgive any duplicate messages that you may receive.
> 
> 
> The Challenge of Ubiquity in Digital Culture
> 
> CHArt 27th Annual Conference, Thursday 17th and Friday 18th November
> 2011, London venue to be confirmed; www.chart.ac.uk
> 
> Utopian hopes for the ubiquity of digital and networked technologies
> leading to a more transparent and democratic society are being met by
> expressions of concern about their implications for art. Nicholas
> Bourriaud has observed that such technologies can bring about a
> “collective desire to create new areas of conviviality and introduce
> new types of transaction with regard to the cultural object”. However,
> others perceive an imminent threat, characterised by such terms as a
> digital 'deluge' or 'oblivion’. CHArt is interested to examine
> critically both positive views and apocalyptic concerns about the
> implications of the widespread merger of telecommunications and
> computer technology in society for art, its history and practice.
> 
> We are looking for papers that engage with issues including, but not
> limited to:
> 
> • The implications of the ubiquity of digital and network technologies
> for evaluating what constitutes an original work of art and the
> originality of its creator(s).
> • What effects have these technologies had on valuing art in terms of
> its aesthetic quality?
> • What impact have real-time technologies had for the creation,
> ownership and distribution of culture?
> • What are the impacts of the widespread proliferation and use of such
> technologies on curatorial practice and the processes of selecting,
> preserving and enabling access to art?
> • How have they affected both the content and methods of teaching the
> history and practice of art?
> • Are other disciplines and areas of society affected by art mediated
> by real-time technologies? How?
> 
> We are particularly interested in work that engages with such
> questions and extends beyond simply understanding digital and network
> technologies as transparent conduits of data and information. CHArt
> encourages proposals addressing complex artifacts that, in Friedrich
> Kittler's words, “determine our situation”.
> 
> Contributions are welcomed from all sections of the CHArt community on
> the intersection between art and art history and semantic web
> developments; cloud computing; data mining; screen scraping; crowd
> sourcing; mashups; and freely available sites that enable data and
> mages to be stored and accessed.
> 
> CHArt seeks papers from art historians, artists, architects and
> architectural theorists and historians, curators, conservators,
> computing scientists, scientists, cultural and media theorists,
> archivists, technologists, educationalists and philosophers.
> 
> Postgraduate students are encouraged to submit a proposal. CHArt is
> able to offer assistance with the conference fees for up to three
> student delegates. Priority will be given to students whose papers are
> accepted for presentation. An application form and proof of university
> enrollment will be required. For further details about the Helene
> Roberts Bursary please email [log in to unmask] .
> 
> Submissions should be in the form of a 300-400 word synopsis of the
> proposed paper with brief biographical information (no more than 200
> words) of presenter/s, and should be emailed to [log in to unmask] by
> Friday, July 1st 2011.
> 
> Notification of paper acceptance: 1 September 2011
> Submission of papers: 17 October 2011
> 
> -----
> Marlene Gordon
> Visual Resources Curator
> University of Michigan-Dearborn
> 313-593-5463
> 313-593-1902 (fax)
> [log in to unmask]
> Images (VRA Newsletter), Editor
> VRA Great Lakes Chapter, Chair
> VRA Publishing Advisory Group
> www.vraweb.org


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