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Steve is correct.  That is what the court decided, but just to caution you,
this was only in a district court in Southern New York and has not been
tested in any other state and certainly does not apply in other countries.
And to further qualify the case, it was not about educational use but rather
Corel downloaded photographs off of our website and used them in a
commercial software product and did not get permission or pay us for the use
of photos that belonged to museums that we represent.  
 
Here at Bridgeman we firmly believe that if a museum or photographer spends
hundreds or thousands of dollars on photographing any subject in proper
lighting, subsequently cataloging and then paying for archival storage of
those photographs, that the rights to the photograph should belong to the
person who photographed it.  If the artist of the piece in the photo has
been dead for more than 70 years then additional artist's copyright
clearance is not required, but any commercial reproduction of the photograph
should be cleared with the owner of the photograph whether it is two or
three dimensional.  It is simply good practice and respects the rights of
the photographer.  The Google Project is amazing and was done with the full
consent of the participating museums thus there was no infringement at all
in this case.  To get an idea of the amount of work involved in
photographing an artpiece, just view the google video of their behind the
scenes work!  http://www.googleartproject.com/c/faq 
Respectfully,
Wendy Zieger
 
Wendy Zieger 
Picture Researcher, Rights Executive and 
Bridgeman Education Specialist 
Bridgeman Art Library 
65 E. 93rd Street 
New York, NY  10128 
Direct: 616-464-1098 
T: 212.828.1238 
F: 212.828.1255 
[log in to unmask] 
www.bridgemanart.com <http://www.bridgemanart.com/>  
 
From: ARLIS/NA List [mailto:[log in to unmask]] On Behalf Of Steven
Tatum
Sent: Thursday, February 03, 2011 8:54 PM
To: [log in to unmask]
Subject: Re: [ARLIS-L] Google art project
 
Hi,
 
I am not sure how one replies on the ARLIS and keeps the reply on list. I
already sent a reply to Donna that I intended for the list. The long and the
short of it is that no one owns the copyright to photos of Starry Night or
any other two-dimensional art work  in the public domain.
 
For two-dimensional artworks, this issue was settled in the U.S. in
Bridgeman Art Library, Ltd. v. Corel Corp.
 
http://www.law.cornell.edu/copyright/cases/36_FSupp2d_191.htm
 
There has to be an original component to a work for copyright to apply. The
court determined that there was no original content whatsoever in a
photograph that reproduces two-dimensional artwork. Therefore the photograph
is not covered by copyright. If the work is in the public domain, the
photograph is in the public domain. The decision was based on American and
British law. Although the principle has not been tested in court outside the
United States, there seems a good chance that British and Canadian courts
would reach the same conclusion at American courts. 
 
Photographs of three-dimensional works are different. The photographer can
be credited with the angle of view, the perspective, the lighting, the
framing, the background, and so on. The minimum requirements for originality
in a photograph of three-dimensional works have not been tested, but most
photographs of three-dimensional situations are probably covered. (Thanks to
Dwayne Buttler of Louisville for that advice.)
 
For sculptures:
 
Showing an image live from the internet by means of a projector does not
seem substantially different than viewing an image live on a monitor, so one
would not be violating a museum's intent by displaying an image in a
classroom. Why would museums make the images public if they didn't want them
to serve an educational (and promotional) purpose? This paragraph is my own
logic.
 
Best,
Steve Tatum
Visual Resources Curator
Virginia Tech
[log in to unmask]
[log in to unmask]
 
 
On Feb 3, 2011, at 11:30 AM, Bill Cole wrote:



I wonder if this copyright protection would hold up in court.

I mean, the MoMA owns Van Gogh's "The Starry Night".  But owning an artwork
doesn't confer ownership of copyright.  Does the MoMA have the right to
assume that ANY photograph of The Starry Night is the property of the MoMA,
and that such photographs are protected by copyright?  The forthcoming
(March) issue of Print Quarterly (the leading scholarly journal of prints)
will have an essay on this subject by Anthony Griffiths.

Best

Bill Cole


On 2/3/11 4:53 PM, "Donna Bowman" <[log in to unmask]> wrote:



Isn't there a problem, though, with the fact that the images are
copyright protected by the museums who uploaded them?
 
Here in Canada, I think that makes them unable to be shown in class,
for instance. We can point students to look at them themselves, but if a
prof shows them in class, that would be in contravention of copyright.
 
What a pain!
 
Donna
 
Donna Bowman
Visual Arts Liaison Librarian
Dr. John Archer Library
University of Regina
Regina, SK  S4S 0A2
(306)585-5118
[log in to unmask]
 
 
Ulla Volk <[log in to unmask]> 2/3/2011 9:23 am >>>
Yes, we had already put a link to it on our Web site.
 
Ulla
 
On 2/3/2011 8:52 AM, Moira Steven wrote:
 
 
Have a look at this!   http://www.googleartproject.com/
 
A prof used in her art history class.  Most impressive.
 
Moira
______________________________________
Moira Steven, Library Director
Joanne Waxman Library @ Maine College of Art
522 Congress Street, Portland, ME 04101
207-775-5153 (general)/207-699-5090 (direct line)/207-775-5087 (fax)
 
"Most people don't realize how important librarians are. I ran across a
book recently which suggested that the peace and prosperity of a culture
was solely related to how many librarians it contained. Possibly a
slight overstatement. But a culture that doesn't value its librarians
doesn't value ideas and without ideas, well, where are we?" - Neil
GaimanPlease consider the environment before printing this message.
 
 
 
 
 
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