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Journal of Art Historiography

[http://www.gla.ac.uk/departments/arthistoriography/]

Number 3 December 2010

Call for Papers on Giorgio Vasari’s Vite (1550 & 1568)

To celebrate the quincentenary of the birth of Giorgio Vasari the Editor invites re-evaluations of his work in the light of the enormous quantity of secondary literature that has emerged since the nineteenth-century. It would be an appropriate time to take stock of important questions and approaches. Deadline: June 1st 2011. Contact: [log in to unmask].

Articles

Reinventing the Old Masters

Christina Ferando, 'Maidservant as muse: The dramatic reinvention of Antonio Canova' 3-CFe/1

Lindsey Schneider, ‘The Painter and the Scullery Boy: Pietro da Cortona in Nineteenth-Century Children’s Literature’ 3-LS/1

The Vienna School

Diana Reynolds Cordileone, 'The advantages and disadvantages of Art History to Life: Alois Riegl and historicism' 3-DRC/1

Adi Efal, 'Reality as the cause of Art: Riegl and neo-kantian realism' 3-AE/1

Veronika Kopecky, ‘Letters to and from Ernst Gombrich regarding Art and Illusion, including some comments on his notion of “schema and correction”’ 3-VK/1

Branko Mitrović, ‘A defence of light: Ernst Gombrich, the Innocent Eye and seeing in perspective’ 3-BM/2

Cindy Persinger, ‘Reconsidering Meyer Schapiro and the New Vienna School’ 3-CP/1

Kathryn Simpson, ‘Viennese art, ugliness, and the Vienna school of art history: the vicissitudes of theory and practice’ 3-KS/1

The geographies of art history

Heather Barker and Charles Green, ‘The Provincialism Problem: Terry Smith and Centre-Periphery Art History’ 3-BG/1

Krista Kodres, ‘Freedom from theory? An attempt to analyse Sten Karling’s views on (Estonian) art history’ 3-KK/1

Contemporary issues

Ya'ara Gil Glazer,‘A new kind of history? The challenges of contemporary histories of photography’ 3-YGG/1

Raymond Spiteri,‘A Farewell to modernism? Re-reading T.J. Clark’ 3-RS/1

Documents

Matthew Martin, ‘Relics of Another Age: Art History, the “Decorative Arts” and the Museum’, ABV49: The Annual Journal of the National Gallery of Victoria, 2010, 7-21 3-MM/1

Reviews

Elizabeth Edwards: Wendy A. Grossman, Man Ray, African Art and the Modernist Lens, Washington DC: International Arts and Artists, 2009 3-EE/1

James F. D. Frakes: Ellen Swift, Style and function in Roman decoration: Living with objects and interiors, Ashgate 2009 3-JDF/1

Eric Garberson: Gilbert Heß, Elena Agazzi, Elisabeth Décultot, Graecomania. Der europäische Philhellenismus. Klassizistisch-romantische Kunst(t)räume 1, Walter De Gruyter 2009 3-EG/1

Ricardo de Mambro Santos: Claire Farago (ed.), Re-Reading Leonardo. The Treatise on Painting across Europe, 1550-1900, Ashgate 2009 3-RdMS/2

Jeanne-Marie Musto: Towards a Science of Art History: J. J. Tikkanen and Art Historical Scholarship in Europe,The Acts of an International Conference, Helsinki, December 7-8 2007, Helsinki: Society of Art History, 2009 3-JMM/1

Responses

Claire Farago with further thoughts on the origins of the 1651 edition of Leonardo’s Trattato 3-CFa/1

Bibliographies

Johanna Vakkari, ‘J. J. Tikkanen’s  Publications’ 3-JVa/1

Books received

Mark Bradley, Colour and Meaning in Ancient Rome, Cambridge: Cambridge University Press, 2009. Hardcover: 282 pages; ISBN-10: 0521110424; ISBN-13: 978-0521110426. [Including contents, introduction and indices.] 3-MB/1

Carl F. Barnes Jnr., The Portfolio of Villard de Honnecourt: a new critical edition and color facsimile, Farnham: Ashgate, 2009. Hardcover: 424 pages; ISBN-10: 0754651029; ISBN-13: 978-0754651024. [Including contents, foreword and indices.] 3-CFB/1

Nasser Rabbat (ed.), The Courtyard House, Farnham: Ashgate 2010. Hard cover: 290 pages; ISBN-10: 075463843X; ISBN-13: 978-0754638438. [Including contents, chapter by Jateen Lad, 'A house divided: the harem courtyards of the Topkapi palace' and indices reprinted by permission of the publishers. Copyright © 2010 http://www.ashgate.com/isbn/9780754638438] 3-NR/1

Alois Riegl, The Origins of Baroque Art in Rome, edited and translated by Andrew Hopkins and Arnold Witte, with essays by Alina Payne, Arnold Witte, and Andrew Hopkins; Los Angeles: Getty Research Institute, 2010. Paperback, 292 pages, 47 b/w illustrations; ISBN 978-1-60606-041-4. [Including contents, acknowledgments and a note on the translation.] 3-AR/1

Paul van den Akker, Looking for Lines: Theories of the Essence of Art and the Problem of Mannerism, Amsterdam: Amsterdam University Press, 2010. Paperback: 524 pages, 177 illustrations; ISBN 978 90 8964 178 6; e-ISBN 978 90 4851 144 0. [Including preface, contents and introduction.] 3-PvdA/1

Ingrid R. Vermeulen, Picturing Art History: The Rise of the Illustrated History of Art in the Eighteenth Century, Amsterdam: Amsterdam University Press, 2010. Paperback: 352 pages, 139 illustrations; ISBN 978 90 8964 031 4; eISBN 978 90 4851 278 2. [Including contents and introduction.] 3-IRV/1

Notices

Musées de papier. L'Antiquité en livres, 1600-1800, Louvre du 25 septembre 2010 au 3 janvier 2011 3-L/1

Antiquity Rediscovered: Innovation and Resistance in the 18th Century, Louvre from December 2, 2010 to February 14, 2011; Napoleon Hall 3-L/2

The Geographies of Art History in the Baltic Region (selected conference proceedings) Tallinn, Estonia 2009 3-E/1